RED Komodo 6K Digital Cinema Camera - Stormtrooper Limited Edition Red Komodo 6k Stormtrooper in perfect condition, under 20 hours Moving to 8k camera (open to exchange) Come with pelican travel case, PL/EF mount, cables, batteries, chargers, RED cards + reader (Transmitter on the image is not included, can be sold separately) Open to sell the camera or lens separately SENSOR TYPE KOMODO® 19.9 MP SUPER 35MM GLOBAL SHUTTER CMOS EFFECTIVE PIXELS 6144 X 3240 SENSOR SIZE 27.03 MM X 14.26 MM (DIAGONAL: 30.56MM) DYNAMIC RANGE 16+ STOPS MOUNT TYPE RF MOUNT ACCEPTS CANON RF MOUNT BASED LENSES AND ADAPTERS. SUPPORTS CANON EF WITH FULL ELECTRONIC COMMUNICATION VIA COMPATIBLE CANON RF MOUNT ADAPTERS SEE LENS COMPATIBILITY LIST FOR MORE DETAILS MAX DATA RATES UP TO 280 MB/S USING RED PRO CFAST OR OTHER QUALIFIED CFAST 2.0 MEDIA CARDS REDCODE® RAW MAX FRAME RATES 40 FPS AT 6K 17:9 (6144 X 3240) 50 FPS AT 6K 2.4:1 (6144 X 2592) 48 FPS AT 5K 17:9 (5120 X 2700) 60 FPS AT 4K 17:9 (4096 X 2160) 120 FPS AT 2K 17:9 (2048 X 1080) PLAYBACK FRAME RATES (PROJECT TIME BASE) 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 FPS, ALL RESOLUTIONS AVAILABLE REDCODE® SETTINGS REDCODE HQ, MQ AND LQ AT 6K 17:9 (6144 X 3240) UP TO 40 FPS REDCODE HQ, MQ AND LQ AT 4K 17:9 (4096 X 2160) UP TO 60 FPS REDCODE HQ, MQ AND LQ AT 2K 17:9 (2048 X 1080) UP TO 120 FPS REDCODE® RAW ACQUISITION FORMATS2 6K 17:9 (6144 X 3240), 2:1, 2.4:1, 16:9 AND ANAMORPHIC 2X, 1.8X, 1.6X, 1.5X, 1.3X, 1.25X 5K 17:9 (5120 X 2700) 4K 17:9 (4096 X 2160) AND 16:9 2K 17:9 (2048 X 1080) APPLE PRORES 4K (4096 × 2160) AT PRORES 422 HQ AND PRORES 422 UP TO 60 FPS 2K (2048 × 1080) AT PRORES 422 HQ AND PRORES 422 UP TO 120 FPS CONSTRUCTION ALUMINUM ALLOY WEIGHT 2.10 LBS (WITHOUT BODY CAP AND CFAST CARD) BATTERY TYPE TWO SLOTS FOR BP-9XX SERIES BATTERIES DC POWER INPUT +7 TO +17 V DC VIA THE INTEGRATED 2-PIN DC-IN PORT OPERATING TEMPERATURE 0°C TO 40°C (32°F TO 104°F) STORAGE TEMPERATURE –20°C TO 50°C (–4°F TO 122°F) STORAGE RELATIVE HUMIDITY 0% TO 85% NON-CONDENSING COLOR MANAGEMENT IMAGE PROCESSING PIPELINE 2 (IPP2) SUPPORTS 33×33×33 3D LUTS SUPPORTS IMPORT OF CDLS AUDIO INTEGRATED DUAL CHANNEL DIGITAL MONO MICROPHONES, UNCOMPRESSED, 24-BIT 48 KHZ ADDITIONAL DUAL CHANNEL VIA INTEGRATED 3.5MM AUDIO JACK, UNCOMPRESSED, 24-BIT 48 KHZ REMOTE CONTROL WIFI FOR CAMERA CONTROL VIA INTERCHANGEABLE ANTENNA WITH SMA CONNECTION GENLOCK, TIMECODE-IN, GPIO AND CTRL (RS232) VIA THE INTEGRATED 9-PIN EXT PORT WIRED CONTROL VIA KOMODO LINK ADAPTOR, USING USB-C OR GIGABIT ETHERNET (COMPATIBLE USB-C TO ETHERNET ADAPTER1 REQUIRED) ALLOWING CAMERA CONTROL AND LIVE MJPEG PREVIEW VIDEO FEED MONITOR OUTPUTS INTEGRATED 12G-SDI WITH 6G-SDI, 3G-SDI AND 1.5G-SDI MODES 12G-SDI: UP TO 4096 X 2160 4:2:2 FOR 60P 6G-SDI: UP TO 4096 X 2160 4:2:2 FOR 30P 3G-SDI: UP TO 2048 X 1080 4:2:2 FOR 60P 1.5G-SDI: UP TO 2048 X 1080 4:2:2 FOR 30P, 24P SMPTE TIMECODE, HANC METADATA, 24-BIT 48 KHZ AUDIO MONITOR OPTIONS INTEGRATED 2.9" 1440X1440 TOUCHSCREEN LCD WITH PREVIEW AND CAMERA CONTROL WIRELESS LIVE PREVIEW VIDEO FEED VIA 2.4GHZ/5GHZ WIFI FOR FRAMING RED CONTROL ACCESS FULL CAMERA CONTROLS AND LIVE PREVIEW FROM IOS OR ANDROID(COMING SOON) DEVICES. AVAILABLE FROM THE APPLE APP STORE AND GOOGLE PLAY STORE. RED CONTROL WORKS WIRELESSLY OR WIRED VIA THE KOMODO LINK ADAPTOR (SOLD SEPARATELY). Tokina Cinema 11-20mm T2.9 ATX wideangle zoom lens Introducing the all new Tokina Cinema 11-20mm T2.9 ATX. This cinema style lens is made for modern digital cinema production with a super wide field of view and compact yet fully featured all metal build. The new 11-20mm features a cinema style focus throw with 0.8 Mod cinema gears on the focus, zoom and iris rings. Made with an industry standard 95mm front ring for clamping onto a matte box as well as an 86mm filter thread, it is ready for easy filtration options whether using a standard matte box or challenging shooting conditions where a low profile filter is required. Featuring the Tokina Cinema Vista Lens Mount that can be easily exchanged from PL, EF, Sony E, MFT and Nikon F, in minutes for maximum versatility with common cinema and still/cinema hybrid cameras. The parfocal optical design allows for zoom racking without loss of focus. The distortion is very well controlled and limited chromatic aberration when shooting at maximum wide open aperture. The lens design also features Super35 sensor coverage. In total, the Tokina Cinema 11-20mm ATX is the perfect do all compact super wide angle lens for today’s demanding and ever changing digital cinema production environment.