Angenieux Optimo 45-120mm T2.8 Lens
The Angenieux 45-120mm T2.8 is a 45–120mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Angenieux Optimo 45-120mm T2.8 Lens
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Lens Overview — Angenieux 45-120mm T2.8
The Angenieux Optimo 45-120mm T2.8 is a cinema zoom lens built around a PL mount and designed to cover the Super 35 format. With a focal length range spanning 45mm to 120mm, it sits comfortably in the standard zoom category, making it a versatile choice for a wide range of cinematic shooting scenarios — from moderately wide compositions to tighter medium telephoto framings. The lens operates at a constant maximum aperture of T2.8 throughout its zoom range, which is a meaningful advantage for cinematographers who need consistent exposure as they zoom during a scene.
At 1,980g, it carries a relatively manageable weight for a PL-mount cinema zoom, which can ease the burden on rigs and gimbals during extended shoots. Focus is entirely manual, which is standard practice in professional cinema production environments where focus pullers work with dedicated follow focus systems. The lens accepts 52mm filter threads and carries no image stabilization, again consistent with cinema workflows where stabilization is typically handled at the rig or camera level.
The PL mount ensures broad compatibility across cinema camera platforms that support this industry-standard lens interface.
Key Features — Angenieux 45-120mm T2.8
45-120mm Zoom Range: Covers moderately wide to medium telephoto framings in a single lens, reducing the need for lens swaps on set.
Constant T2.8 Aperture: Maintains T2.8 throughout the entire zoom range, ensuring consistent exposure without adjustment when reframing or zooming during a shot.
PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.
Super 35 Coverage: Image circle is designed to cover the Super 35 format, matching the sensor size of the majority of professional cinema cameras.
Manual Focus Design: Smooth, precise manual focus ring built for use with dedicated follow focus systems in professional cinema workflows.
1,980g Body Weight: Relatively manageable weight for a cinema zoom of this class, reducing strain on rigs, gimbals, and camera operators during extended shoots.
Angenieux Optical Design: Built by a manufacturer with a long-standing reputation in cinema optics, known for consistent color rendition and sharpness across the zoom range.
Lens Specifications — Angenieux 45-120mm T2.8
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Zoom |
| Focal Length | 45–120mm |
| Maximum Aperture | f/2.8 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 52mm |
| Weight | 1980g |
Description — Angenieux 45-120mm T2.8
The Angenieux Optimo 45-120mm T2.8 is a professional cinema zoom lens built on the industry-standard PL mount and designed for cameras with Super 35 format sensors. Covering a 45mm to 120mm focal length range, it falls within the standard zoom category and provides cinematographers with a practical span from moderate wide-angle to medium telephoto perspectives. The lens maintains a constant T2.8 maximum aperture across its entire zoom range, which is essential for maintaining consistent exposure during zoom moves without requiring compensatory adjustments at the camera.
Weighing in at 1,980g, it is a substantial but manageable lens for cinema production use. Focus is entirely manual, as is standard for PL-mount cinema lenses used in professional productions with dedicated focus pullers and follow focus systems. The lens carries no image stabilization, which is typical for cinema glass where stabilization is managed through the camera platform and support system.
A 52mm filter thread is available for direct filter attachment. There is no autofocus capability, confirming this lens is purpose-built for controlled, crew-supported cinema production environments.
Pros — Angenieux 45-120mm T2.8
- ✓Constant T2.8 maximum aperture across the full 45-120mm zoom range ensures consistent exposure throughout the zoom
- ✓Super 35 format coverage matches the sensor size of a wide range of professional cinema cameras
- ✓PL mount provides compatibility with industry-standard cinema camera platforms
Cons — Angenieux 45-120mm T2.8
- ✗No image stabilization, meaning optical steadiness depends entirely on the camera rig or support system
- ✗Manual focus only — no autofocus option, which may limit use in run-and-gun or documentary scenarios without a dedicated focus puller
- ✗Super 35 format coverage means the lens is not suitable for larger format or full-frame cinema sensors without vignetting
Reviews — Angenieux 45-120mm T2.8
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Frequently Asked Questions — Angenieux 45-120mm T2.8
What camera mount does this lens use?+
The Angenieux Optimo 45-120mm T2.8 uses a PL mount, which is the standard mount interface for professional cinema cameras. It is not compatible with DSLR or mirrorless mounts without an adapter.
What sensor format does this lens cover?+
This lens is designed to cover the Super 35 format. It is not specified for larger format sensors, so shooters using cameras with sensors larger than Super 35 should verify compatibility before use.
Does this lens have autofocus?+
No, this lens is manual focus only. In professional cinema production, this is standard — focus pullers operate the lens via a follow focus system or lens motor attached to the focus ring's gear teeth.
What is the maximum aperture, and does it remain constant across the zoom range?+
The maximum aperture is T2.8. The specification lists this as the maximum aperture for the lens, and as a cinema-grade zoom it is rated at T2.8 throughout the focal length range from 45mm to 120mm.
How heavy is this lens?+
The Angenieux Optimo 45-120mm T2.8 weighs 1,980g. This is an important consideration when balancing cameras on gimbals, drones, or shoulder rigs.
What filter thread size does this lens accept?+
The lens has a 52mm filter thread. If you are using larger cinema matte box systems with different filter sizes, you may need an appropriate step ring or adapter.