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ARRI 14mm Master Prime Lens

The ARRI 14mm Master Prime is a 14mm f/1.3 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ARRI 14mm Master Prime Lens

ARRI 14mm Master Prime Lens

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Lens Overview — ARRI 14mm Master Prime

The ARRI 14mm Master Prime is a wide-angle prime lens built for the demands of professional cinema production. Operating on a PL Mount, it is designed for the Cinema / Video camera system and covers a Full Frame image circle. The lens is a true prime, fixed at 14mm, placing it firmly in wide-angle territory — well suited for expansive establishing shots, dramatic environmental storytelling, and confined shooting spaces where wide coverage is essential.

With a maximum aperture of T1.3, it delivers exceptional light-gathering capability, allowing cinematographers to work in lower-light conditions and exercise meaningful control over depth of field at the wide end. Focus is entirely manual, as is standard for high-end cinema prime lenses, giving focus pullers precise, repeatable control during complex shots. The lens weighs 3,200g, which is characteristic of a robust, cinema-grade optical instrument built for professional rigging on studio and field setups.

No image stabilization is present, consistent with cinema workflows where stabilization is typically handled at the camera or rig level. The PL Mount ensures broad compatibility across the professional cinema camera ecosystem.

Key Features — ARRI 14mm Master Prime

T1.3 Maximum Aperture: Exceptional light-gathering at a wide focal length, allowing cinematographers to shoot in low-light conditions and achieve meaningful depth-of-field control even at 14mm.

14mm Fixed Focal Length: A dedicated ultra-wide perspective optimized for expansive establishing shots, environmental storytelling, and tight shooting spaces.

Super 35 Coverage: The ARRI 14mm Master Prime is designed for Super 35 coverage; it does not cover full-frame or large-format sensors without vignetting.

PL Mount: Industry-standard cinema lens mount ensures compatibility with professional camera systems from ARRI, RED, Sony, and others.

Manual Focus Design: Smooth, precise focus ring engineered for repeatable focus pulls and reliable performance across takes.

Master Prime Optical Formula: Part of ARRI's flagship Master Prime series, known for extremely low distortion, minimal breathing, and consistent color rendering across the full lineup.

Lens Specifications — ARRI 14mm Master Prime

ARRI 14mm Master Prime full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypePrime
FormatSuper 35
Zoom/PrimePrime
Focal Length14mm
Maximum Aperturef/1.3
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight3200g

Description — ARRI 14mm Master Prime

The ARRI 14mm Master Prime is a PL Mount, Full Frame cinema prime lens engineered for professional production environments. Fixed at 14mm, it occupies a definitive wide-angle position in the focal length spectrum, making it a go-to choice for sweeping wide shots, immersive environmental storytelling, and shooting in tight physical spaces. Its T1.3 maximum aperture is a standout characteristic at this focal length, enabling cinematographers to capture images in challenging lighting conditions while maintaining meaningful creative control over depth of field.

As a manual focus lens with no autofocus capability, it is built for the structured focus-pulling workflows of narrative and commercial film production. The lens weighs 3,200g, reflecting its robust, cinema-grade construction. There is no image stabilization, consistent with the expectations of professional cinema lenses where stabilization is addressed at the rig or camera level.

The PL Mount interface ensures compatibility with the professional cinema camera ecosystem.

Pros — ARRI 14mm Master Prime

  • ✓Wide T1.3 maximum aperture provides strong light-gathering capability for a 14mm prime
  • ✓Fixed 14mm focal length offers a dedicated wide-angle perspective with no compromises from a zoom design
  • ✓PL Mount ensures compatibility across a wide range of professional cinema cameras

Cons — ARRI 14mm Master Prime

  • ✗At 3,200g, the lens is substantial and may require additional rigging support
  • ✗No image stabilization, so camera or rig-level stabilization solutions must be used
  • ✗Manual focus only — not suited for run-and-gun or single-operator scenarios requiring autofocus

Videos — ARRI 14mm Master Prime

The ONLY 3 PRIME LENSES YOU NEED for Video — Will Walker

Resources & Downloads — ARRI 14mm Master Prime

Manuals & Guides

Frequently Asked Questions — ARRI 14mm Master Prime

What camera mount does the ARRI 14mm Master Prime use?+
The lens uses a PL Mount, which is the standard mount for professional cinema cameras. This makes it compatible with a broad range of cinema camera bodies that accept PL-mount lenses.
What is the maximum aperture of this lens?+
The ARRI 14mm Master Prime has a maximum aperture of T1.3. This strong light-gathering capability is particularly useful in lower-light shooting environments and for achieving shallower depth of field at a wide focal length.
Does this lens support autofocus?+
No, the ARRI 14mm Master Prime is a manual focus lens only. This is standard for cinema prime lenses and allows focus pullers to execute precise, controlled focus movements during production.
What sensor formats does this lens cover?+
The lens is rated for Full Frame coverage, making it suitable for large-format cinema cameras with Full Frame sensors. Always verify your specific camera's image circle requirements before use.
How heavy is the ARRI 14mm Master Prime?+
The lens weighs 3,200g. This is a substantial weight typical of professional cinema prime lenses and should be accounted for when planning rigging, handheld operation, or drone work.
Does this lens have image stabilization?+
No, the ARRI 14mm Master Prime has no image stabilization. In professional cinema workflows, stabilization is typically managed at the camera or rig level rather than within the lens itself.

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