ARRI 27mm Master Lens
The ARRI 27mm is a 27mm f/1.3 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
ARRI 27mm Master Lens
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Lens Overview — ARRI 27mm
Key Features — ARRI 27mm
T1.3 Maximum Aperture: Exceptionally fast aperture for a cinema prime, enabling shallow depth-of-field and strong light-gathering in low-light shooting conditions.
PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.
27mm Fixed Focal Length: Standard-range prime covering versatile framing territory suitable for dialogue scenes, environmental shots, and close-ups.
Super 35 Coverage: Designed to cover the Super 35 sensor format used by the majority of professional cinema cameras.
Manual Focus Design: Smooth, precise focus ring built for repeatable focus pulls by dedicated focus pullers using follow focus systems.
Prime Lens Construction: Fixed focal length design optimized for optical consistency, sharpness, and maximum aperture performance across the frame.
Lens Specifications — ARRI 27mm
| Spec | Detail |
|---|---|
| Use Cases | Studio, Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 27mm |
| Maximum Aperture | f/1.3 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 2220g |
Description — ARRI 27mm
The ARRI 27mm Master Lens is a prime cinema lens designed for Super 35 format cameras, mounted via the professional PL Mount standard. With a fixed focal length of 27mm and a fast maximum aperture of T1.3, this lens is built for environments where light-gathering performance and optical precision matter. The T1.3 aperture rating is a true transmission value, providing cinematographers with reliable exposure consistency across productions.
Focus is manual, in line with professional cinema production practice where focus pullers rely on smooth, precise control. There is no image stabilization, which is standard for cinema primes used on rigged or stabilized camera systems. The lens falls within the standard focal length range, making it a practical choice for dialogue scenes, coverage work, and environmental shots alike.
Weighing 2,220 grams, it carries the solid build expected of a professional cine lens, though this should be accounted for in your rigging plan. Classified under the Cinema / Video camera system category, this lens is purpose-built for motion picture production workflows.
Pros — ARRI 27mm
- ✓Fast T1.3 maximum aperture enables strong performance in lower light and shallow depth-of-field work
- ✓PL Mount ensures compatibility with a wide range of professional cinema camera systems
- ✓Fixed 27mm focal length in the standard range offers versatile framing options
Cons — ARRI 27mm
- ✗At 2,220g, the lens is heavy and may require additional rigging support for extended handheld use
- ✗No image stabilization, requiring reliance on external stabilization solutions
- ✗No autofocus capability, limiting use in run-and-gun or solo-operator scenarios
Videos — ARRI 27mm
Cine vs Photo Lenses Are They Worth The Money ? — Kofi Yeboah