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ARRI 40mm T1.9 Master Anamorphic Lens (PL, Feet)

The ARRI 40mm T1.9 is a 40mm f/1.9 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ARRI 40mm T1.9 Master Anamorphic Lens (PL, Feet)

ARRI 40mm T1.9 Master Anamorphic Lens (PL, Feet)

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Lens Overview — ARRI 40mm T1.9

The ARRI 40mm T1.9 Master Anamorphic is a prime cinema lens built for the PL mount, designed specifically for Super 35 format digital cinema and film cameras. With a maximum aperture of T1.9, this anamorphic lens opens up strong low-light performance and the ability to achieve a shallow depth of field — a combination that makes it well-suited for narrative and high-end commercial production work. The lens is manual focus only, which is standard practice in professional cinema environments where precise, repeatable focus pulls are handled by dedicated focus pullers working with follow focus systems.

Weighing in at 2.72kg, it sits in a range that is manageable for handheld and gimbal work while still feeling substantial on a cinema rig. The lens is classified as a standard focal length within its anamorphic range, making the 40mm a versatile choice for coverage that sits between wide and portrait perspectives. As an anamorphic type lens mounted on PL, it is compatible with a wide range of professional cinema camera bodies that accept PL mount optics.

Image stabilization is not present, which is typical for this class of cinema prime intended for use on rigged setups.

Key Features — ARRI 40mm T1.9

2x Anamorphic Squeeze: Delivers the 2x squeeze ratio characteristic of the Master Anamorphic series, producing a widescreen cinematic image with horizontal lens flares and oval bokeh.

T1.9 Maximum Aperture: Wide maximum aperture allows for shallow depth of field and strong low-light performance without relying on heavy artificial lighting.

PL Mount: Industry-standard cinema mount ensures compatibility with professional camera platforms from ARRI, RED, Sony, and others.

Super 35 Coverage: Designed to cover the Super 35 format, matching the sensor size used in the majority of professional digital cinema cameras.

40mm Standard Focal Length: Sits between wide and portrait perspectives, making it a versatile choice for dialogue, coverage, and general narrative cinematography.

Manual Focus Design: Smooth, precise focus ring is engineered for repeatable focus pulls using follow focus systems and wireless lens control units.

Lens Specifications — ARRI 40mm T1.9

ARRI 40mm T1.9 full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length40mm
Maximum Aperturef/1.9
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight2.72kg

Description — ARRI 40mm T1.9

The ARRI 40mm T1.9 Master Anamorphic is a PL mount prime cinema lens designed for Super 35 format coverage. With a maximum aperture of T1.9, it delivers strong light-gathering capability for cinematic shooting in challenging conditions. The lens is classified as an anamorphic type with a standard focal length range, making the 40mm a practical and versatile choice across a wide variety of production scenarios.

It is a prime optic — not a zoom — meaning the focal length is fixed at 40mm. Designed exclusively for Cinema / Video camera systems, it pairs with the broad ecosystem of professional cameras accepting the PL mount. Focus is entirely manual, with no autofocus or image stabilization, positioning it firmly within the professional cinema workflow where follow focus systems and focus pullers are the norm.

At 2.72kg, it offers a balance of build quality and manageable weight for rigged cinema use. No filter thread size is listed in the specifications.

Pros — ARRI 40mm T1.9

  • ✓Fast T1.9 maximum aperture enables strong low-light capability and shallow depth of field
  • ✓PL mount provides broad compatibility with professional cinema camera platforms
  • ✓Super 35 format coverage matches the most widely used digital cinema sensor size

Cons — ARRI 40mm T1.9

  • ✗No autofocus — manual focus only, requiring a dedicated focus puller on set
  • ✗No image stabilization, making it dependent on rigged or stabilized camera support
  • ✗No filter thread listed, which may complicate use of screw-on filtration

Videos — ARRI 40mm T1.9

Arri Master Anamorphic Lens Test — Cinematography Life

Resources & Downloads — ARRI 40mm T1.9

Manuals & Guides

Frequently Asked Questions — ARRI 40mm T1.9

What camera mount does this lens use?+
The ARRI 40mm T1.9 Master Anamorphic uses a PL mount, as listed in the specifications. This makes it compatible with professional cinema cameras that accept PL mount lenses.
What sensor format does this lens cover?+
According to the specifications, this lens is designed for the Super 35 format. It is not specified for coverage beyond that format in the available data.
Does this lens have autofocus or image stabilization?+
No. The specifications confirm that autofocus is not present and image stabilization is listed as None. This lens is manual focus only, consistent with professional cinema lens standards.
What is the maximum aperture of this lens?+
The maximum aperture is T1.9, as stated in the specifications. This is a T-stop value, which accounts for actual light transmission through the lens.
Is this lens a zoom or a prime?+
This is a prime lens, as confirmed by the specifications field listing it as a Prime. The focal length is fixed at 40mm with no zoom capability.
How heavy is this lens?+
The specifications list the weight as 2.72kg. This is relevant for rigging decisions, gimbal payload calculations, and handheld shooting considerations.

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