ARRI 50mm T1.3 Master Lens
The ARRI 50mm T1.3 is a 50mm f/1.3 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
ARRI 50mm T1.3 Master Lens
Get notified when one lists.
We'll text or email you the moment a ARRI 50mm T1.3 is listed on GearFocus.
Have a ARRI 50mm T1.3 sitting in your bag?
You'd be the first listing for this model.
Serious buyers are already watching — list yours in minutes.
Lens Overview — ARRI 50mm T1.3
Key Features — ARRI 50mm T1.3
T1.3 Maximum Aperture: Exceptional light-gathering capability enables shooting in low-light conditions and precise depth-of-field control for subject isolation.
50mm Standard Focal Length: Closely approximates natural human perspective on Super 35, making it a versatile choice for narrative, documentary, and studio work.
Super 35 Coverage: Image circle designed for Super 35 format, the dominant sensor size in professional cinema camera systems.
PL Mount: Industry-standard cinema mount ensures compatibility with professional cameras from ARRI, RED, Sony, and other major manufacturers.
Prime Lens Design: Fixed focal length construction delivers consistent optical performance and precise focus accuracy across a production.
Manual Focus Operation: Smooth, precise focus ring built for professional focus pullers using follow focus systems on set.
Lens Specifications — ARRI 50mm T1.3
| Spec | Detail |
|---|---|
| Use Cases | Studio, Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 50mm |
| Maximum Aperture | f/1.3 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 2700g |
Description — ARRI 50mm T1.3
The ARRI 50mm T1.3 Master Lens is a prime cinema lens designed for Super 35 format cameras, fitted with a PL Mount and built for Cinema/Video system use. Operating at a fixed 50mm focal length, it covers the standard lens range and is well-suited to a wide variety of narrative and production scenarios. The maximum aperture of T1.3 — measured in T-stops for calibrated light transmission — gives cinematographers strong low-light performance and meaningful depth-of-field control at full aperture.
Focus is manual, as expected for a lens of this class, supporting professional focus pulling with follow focus systems and wireless lens control setups. The lens weighs 2700g, which reflects the durable, precision construction associated with professional cinema glass. Image stabilization is listed as None, consistent with use on stabilized rigs and production mounts. No filter thread size is specified.
The lens is classified as a Cine type prime within the standard focal length range, making it a focused, purpose-built tool for cinematographers working in established PL Mount cinema ecosystems.
Pros — ARRI 50mm T1.3
- ✓Wide T1.3 maximum aperture enables strong light-gathering capability for low-light and depth-of-field control
- ✓Standard 50mm focal length on Super 35 format suits a broad range of cinema and narrative applications
- ✓PL Mount ensures compatibility with professional Cinema/Video camera systems
Cons — ARRI 50mm T1.3
- ✗At 2700g, the lens is heavy and may require additional support or rigging consideration
- ✗No image stabilization, requiring stabilized rigs or supports for smooth handheld or moving shots
- ✗Fixed 50mm focal length means no zoom flexibility — a separate lens is needed for different focal lengths
Videos — ARRI 50mm T1.3
The Lens Report - ZEISS / ARRI ULTRA PRIMES — Brendan Babs
Frequently Asked Questions — ARRI 50mm T1.3
What camera mount does this lens use?+
The ARRI 50mm T1.3 Master Lens uses a PL Mount, which is the standard mount for professional cinema and video cameras. It is categorized under the Cinema/Video camera system.
What sensor format does this lens cover?+
This lens is designed for the Super 35 format. It should be matched with cameras using a Super 35 or equivalent-sized sensor to ensure full coverage.
Does this lens have autofocus or image stabilization?+
No. The lens is manual focus only and has no image stabilization. This is standard for professional cinema lenses, where focus is typically controlled by a dedicated focus puller using a follow focus system.
How much does the lens weigh?+
The lens weighs 2700g. This should be accounted for when planning rigging, support systems, and camera balance on set.
What is the maximum aperture of this lens?+
The maximum aperture is T1.3, measured in T-stops as is standard for cinema lenses, providing strong light transmission for low-light shooting and creative depth-of-field control.
Is this a zoom or a prime lens?+
This is a prime lens with a fixed focal length of 50mm. It offers no zoom capability, but delivers the optical precision and consistency expected from dedicated cinema prime glass.