ARRI 65-300mm T2.8 Signature Zoom Lens with 1.7x Extender and LPL Mount
The ARRI 65-300mm T2.8 is a 65–300mm f/2.8 cinema lens designed for LPL mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ARRI 65-300mm T2.8 Signature Zoom Lens with 1.7x Extender and LPL Mount
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Lens Overview — ARRI 65-300mm T2.8
Key Features — ARRI 65-300mm T2.8
65-300mm Telephoto Zoom: Covers a wide telephoto range in a single lens, reducing the need for lens swaps during demanding productions.
Constant T2.8 Aperture: Maintains T2.8 throughout the entire zoom range, ensuring consistent exposure without compensation as focal length changes.
1.7x Extender Included: The bundled 1.7x extender extends effective focal length to approximately 110-510mm at T4.8, significantly expanding reach.
Large Format Coverage: Designed to cover large format sensors, making it compatible with cameras like the ARRI ALEXA 65 and LF systems.
LPL Mount Configuration: Fitted with an LPL mount, offering a shorter flange distance and wider image circle suited to large format cinema bodies.
Manual Focus Design: Smooth, precise manual focus ring built for repeatable focus pulls when used with follow focus systems on professional sets.
Lens Specifications — ARRI 65-300mm T2.8
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Zoom |
| Focal Length | 65–300mm |
| Maximum Aperture | f/2.8 |
| Camera System | Cinema / Video |
| Lens Mount | LPL |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 8.9kg |
Description — ARRI 65-300mm T2.8
The ARRI 65-300mm T2.8 Signature Zoom Lens is a professional large format cinema zoom offering a 65mm to 300mm focal length range with a constant T2.8 maximum aperture throughout. Designed for the Cinema/Video camera system and covering Large Format sensors, it mounts via PL Mount for integration with high-end cinema cameras. This listing includes a 1.7x Extender, further expanding the reach of an already wide telephoto zoom range.
Focus is manual only, in keeping with professional cinema production standards where follow focus systems and dedicated focus pullers are the norm. There is no image stabilization and no autofocus, both expected omissions for a lens targeting high-end narrative and commercial productions. At 8.9kg, the lens is a serious piece of equipment requiring appropriate support.
No filter thread size is specified, so front filtration will need to be handled via a matte box or alternative mounting solution.
Pros — ARRI 65-300mm T2.8
- ✓Constant T2.8 maximum aperture maintained across the full 65mm–300mm focal length range
- ✓Large Format coverage supports larger sensor sizes
- ✓Included 1.7x Extender extends the focal range beyond the base zoom
Cons — ARRI 65-300mm T2.8
- ✗At 8.9kg, the lens is very heavy and demands robust support and rigging solutions
- ✗No image stabilization (specifications confirm 'None'), requiring stabilized camera platforms
- ✗No autofocus capability — manual-only operation may not suit all production styles
Reviews — ARRI 65-300mm T2.8
Videos — ARRI 65-300mm T2.8
ARRI Signature Zooms fashion shoot — ARRIChannel