ARRI Anamorphic 19-36mm T4.2 Lens
The ARRI 19-36mm T4.2 is a 19–36mm f/4.2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
ARRI Anamorphic 19-36mm T4.2 Lens
Get notified when one lists.
We'll text or email you the moment a ARRI 19-36mm T4.2 is listed on GearFocus.
Have a ARRI 19-36mm T4.2 sitting in your bag?
You'd be the first listing for this model.
Serious buyers are already watching — list yours in minutes.
Lens Overview — ARRI 19-36mm T4.2
Key Features — ARRI 19-36mm T4.2
19-36mm Anamorphic Zoom: Covers ultra-wide focal lengths in a single lens, reducing the need to swap glass during production.
2x Anamorphic Squeeze: Produces the widescreen cinematic look associated with anamorphic capture, including characteristic oval bokeh and horizontal lens flares.
Super 35 Coverage: Designed specifically for Super 35 format sensors, making it compatible with the most widely used format in professional cinema production.
Constant T4.2 Aperture: Maintains a consistent maximum aperture across the full zoom range, ensuring stable exposure without adjustments when zooming.
PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.
Manual Focus Design: Smooth, precise manual focus ring built for repeatable focus pulls in professional cinema workflows.
Lens Specifications — ARRI 19-36mm T4.2
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Super 35 |
| Zoom/Prime | Zoom |
| Focal Length | 19–36mm |
| Maximum Aperture | f/4.2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 4kg |
Description — ARRI 19-36mm T4.2
The ARRI Anamorphic 19-36mm T4.2 is a professional anamorphic zoom lens covering a wide-angle focal length range of 19mm to 36mm. Built for Super 35 format cinema production, it is designed to pair with professional cinema camera systems via the industry-standard PL mount. The lens delivers a consistent maximum aperture of T4.2 across its full zoom range, providing predictable exposure control throughout the wide-angle zoom sweep.
Focus is manual only, keeping it firmly in the professional cinema tradition where focus pullers work with follow-focus systems for precise control. At 4kg, this is a substantial piece of glass suited to rigged camera setups. With no image stabilization and no listed filter thread, the lens is engineered for controlled production environments.
The anamorphic optical type and Super 35 coverage make it a specialized tool for cinematographers seeking the distinctive anamorphic aesthetic on Super 35 camera systems.
Pros — ARRI 19-36mm T4.2
- ✓Anamorphic optical design matched to Super 35 format sensors for a cinematic widescreen look
- ✓Wide zoom range from 19mm to 36mm covers ultra-wide focal lengths in a single lens
- ✓Industry-standard PL mount ensures broad compatibility with professional cinema camera bodies
Cons — ARRI 19-36mm T4.2
- ✗T4.2 maximum aperture is relatively modest for low-light or shallow depth-of-field work in anamorphic zoom lenses
- ✗At 4kg, the lens is heavy and will require robust support rigging
- ✗No image stabilization, so stable support systems are essential
Videos — ARRI 19-36mm T4.2
Angénieux Optimo Ultra 12x : Legend of cinema zooms — YouDc
Frequently Asked Questions — ARRI 19-36mm T4.2
What camera mount does this lens use?+
The ARRI Anamorphic 19-36mm T4.2 uses a PL mount, which is the standard cinema lens interface used across professional cinema cameras. This makes it broadly compatible with PL-mount cinema camera systems.
What sensor format does this lens cover?+
This lens is designed for Super 35 format sensors. It is not specified for full-frame or larger format coverage, so Super 35 cinema cameras are the intended platform.
What is the maximum aperture of this lens?+
The lens has a maximum aperture of T4.2. This is a T-stop rating, which reflects actual light transmission rather than the geometric f-stop value.
Does this lens support autofocus?+
No, this lens is manual focus only. There is no autofocus capability, which is standard for professional cinema lenses where focus pulling by a dedicated focus assistant is the norm.
How heavy is this lens?+
The lens weighs 4kg. This is a substantial weight, and camera operators should plan for appropriate lens support, matte box rigging, and follow-focus systems when using it on set.
Does this lens have image stabilization?+
No, image stabilization is listed as None in the specifications. Users who need stabilized footage will need to rely on camera rigs, gimbals, or other external stabilization solutions.