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ARRI Master Anamorphic 180mm T2.8 Lens

The ARRI 180mm T2.8 is a 180mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ARRI Master Anamorphic 180mm T2.8 Lens

ARRI Master Anamorphic 180mm T2.8 Lens

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Lens Overview — ARRI 180mm T2.8

The ARRI Master Anamorphic 180mm T2.8 is a manual-focus prime lens built for professional cinema production. Sitting at the telephoto end of the focal length spectrum, this 180mm anamorphic prime is designed around the PL Mount and is optimized for Super 35 sensor coverage — making it a natural fit for high-end cinema cameras that use that format. With a maximum aperture of T2.8, it offers a solid light-gathering capability for a telephoto anamorphic prime, giving cinematographers meaningful control over depth of field even at longer working distances.

The lens is classified as a prime, meaning there are no zoom mechanics to introduce complexity — focus and aperture are the cinematographer's primary controls, both operated manually. At 3.6 kg, this is a substantial piece of glass, which is consistent with the optical demands of an anamorphic telephoto design. The PL Mount is the industry-standard cinema lens mount, ensuring broad compatibility across professional cinema camera bodies.

There is no image stabilization, which is standard practice for manual cinema glass where the camera rig and operating technique handle stability. This is a purpose-built tool for serious narrative and commercial productions.

Key Features — ARRI 180mm T2.8

180mm Anamorphic Prime: A fixed telephoto focal length that fills a specialized role in a full Master Anamorphic set, providing a distinct perspective for close-ups and compressed-distance shots.

2x Anamorphic Squeeze: Produces the characteristic widescreen image, oval bokeh, and horizontal lens flares associated with anamorphic cinema photography.

T2.8 Maximum Aperture: A competitive maximum aperture for a telephoto anamorphic prime, allowing meaningful depth-of-field control and usable light-gathering at longer working distances.

PL Mount: Industry-standard cinema lens mount compatible with professional camera bodies from ARRI, RED, Sony, and others.

Super 35 Coverage: Optimized for the Super 35 sensor format, matching the dominant standard in high-end cinema and episodic television production.

Manual Focus Design: Smooth, precise focus ring built for repeatable focus pulls and compatibility with standard cinema follow-focus systems.

Lens Specifications — ARRI 180mm T2.8

ARRI 180mm T2.8 full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length180mm
Maximum Aperturef/2.8
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual Focus
Image StabilizationNone
Weight3.6kg

Description — ARRI 180mm T2.8

The ARRI Master Anamorphic 180mm T2.8 is a dedicated cinema prime built for professionals working in the anamorphic format. It operates on the PL Mount, the benchmark standard for cinema cameras, and is designed to cover the Super 35 sensor format. As a prime lens, it delivers a fixed telephoto focal length of 180mm, making it a go-to choice when subject compression and a narrower angle of capture are the creative goal.

The lens is operated entirely via manual focus — no autofocus system is present — which aligns with standard cinema focus-pulling workflows. At T2.8, the maximum aperture offers respectable light transmission for a telephoto anamorphic prime, giving cinematographers room to work with available light and manage depth of field at distance. The lens tips the scales at 3.6 kg, so a robust support rig is a practical necessity.

There is no image stabilization built into the lens. With no filter thread size specified, confirming matte box compatibility before production is advisable.

Pros — ARRI 180mm T2.8

  • ✓Telephoto 180mm focal length fills a specialized role in anamorphic prime sets
  • ✓Maximum aperture of T2.8 provides meaningful light-gathering for a telephoto anamorphic
  • ✓PL Mount ensures compatibility with the broadest range of professional cinema cameras

Cons — ARRI 180mm T2.8

  • ✗At 3.6 kg, this is a heavy lens that demands a well-supported rig and experienced operator
  • ✗No image stabilization, requiring external stabilization solutions for handheld or moving shots
  • ✗Manual focus only — no autofocus option for run-and-gun or solo shooting scenarios

Videos — ARRI 180mm T2.8

Spherical vs Anamorphic lenses…which one should you choose? — Kofi Yeboah

Resources & Downloads — ARRI 180mm T2.8

Manuals & Guides

Frequently Asked Questions — ARRI 180mm T2.8

What camera mount does the ARRI Master Anamorphic 180mm T2.8 use?+
This lens uses the PL Mount, which is the standard mount for professional cinema cameras. It is the only mount listed in the specifications for this lens.
What sensor format does this lens cover?+
The lens is specified for Super 35 format coverage. Cinematographers shooting on cameras with larger sensor formats should verify compatibility before use, as the specifications list only Super 35.
Does this lens have autofocus or image stabilization?+
No. The specifications confirm manual focus only, with autofocus listed as false and image stabilization listed as None. This is consistent with professional cinema lens design.
How heavy is the ARRI Master Anamorphic 180mm T2.8?+
The lens weighs 3.6 kg according to the specifications. This is a substantial weight that should be factored into your rig and support system planning.
Is this lens a zoom or a prime?+
This is a prime lens with a fixed focal length of 180mm. The specifications confirm it is not a zoom design, which is typical for high-end cinema lens sets.
What is the maximum aperture of this lens?+
The maximum aperture is T2.8, as listed in the specifications. T-stop ratings reflect actual light transmission rather than the theoretical f-stop value.

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