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ARRI Master Anamorphic 35mm T1.9 Lens (PL Mount, Marked in Feet)

The ARRI 35mm T1.9 is a 35mm f/1.9 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ARRI Master Anamorphic 35mm T1.9 Lens (PL Mount, Marked in Feet)

ARRI Master Anamorphic 35mm T1.9 Lens (PL Mount, Marked in Feet)

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Lens Overview — ARRI 35mm T1.9

The ARRI Master Anamorphic 35mm T1.9 is a prime anamorphic cinema lens built for professional digital cinema production. Designed around a PL Mount interface, it is engineered specifically for the Cinema / Video camera system and covers a Super 35 image format, making it well suited for high-end narrative and commercial work on Super 35 digital cinema cameras. The lens operates at a maximum aperture of T1.9, offering strong light-gathering capability that supports work in controlled and low-light environments while enabling selective focus techniques.

As a manual focus prime, it delivers a fixed 35mm focal length with no optical image stabilization — a deliberate design choice consistent with professional cinema workflows where lens control is managed externally. The lens accepts 95mm front filters, a practical consideration for on-set cinematography rigs. Tipping the scales at 2.59kg, it has a substantial build consistent with cinema-grade optical housings.

The lens is marked in feet for focus distance calibration, aligning with the preferences of many professional focus pullers working in feet-based production environments. Its anamorphic type classification places it firmly in the category of widescreen capture tools used across feature film and high-end television production.

Key Features — ARRI 35mm T1.9

2x Anamorphic Squeeze: Captures a widescreen 2.39:1 aspect ratio on Super 35 sensors, producing the characteristic oval bokeh and horizontal lens flares associated with anamorphic cinematography.

T1.9 Maximum Aperture: Strong light transmission supports shooting in low-light environments and enables shallow depth of field for selective focus work.

Super 35 Coverage: Image circle designed for the Super 35 format, matching the sensor size of the most widely used professional digital cinema cameras.

PL Mount Interface: Industry-standard cinema lens mount ensures compatibility with camera platforms from ARRI, RED, Sony, and other major cinema manufacturers.

Fixed 35mm Focal Length: A standard prime focal length on Super 35 that delivers a natural, slightly wide perspective well suited to narrative and commercial cinematography.

Manual Focus Design: Smooth, precise focus ring with consistent rotation allows for accurate, repeatable focus pulls by a dedicated focus puller.

Lens Specifications — ARRI 35mm T1.9

ARRI 35mm T1.9 full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length35mm
Maximum Aperturef/1.9
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread95mm

Description — ARRI 35mm T1.9

The ARRI Master Anamorphic 35mm T1.9 is a professional prime cinema lens designed for the demands of high-end digital cinema production. With a PL Mount and Super 35 format coverage, it integrates directly into professional Cinema / Video workflows. The T1.9 maximum aperture gives cinematographers meaningful flexibility when working with available light or seeking a shallower depth of field in controlled environments.

As a prime lens with a fixed 35mm focal length, it provides a dedicated, repeatable perspective that many cinematographers favor for its optical consistency. The lens is entirely manual focus, consistent with the precision-oriented standards of professional film and digital cinema production. Focus distance markings are engraved in feet, a practical detail that matters on set.

The 95mm filter thread supports a wide range of cinema filtration accessories. At 2.59kg, the lens has the substantial build quality associated with cinema-grade optics, and should be paired with appropriate lens support hardware. No image stabilization is present, which is standard for lenses of this class operating within stabilized cinema rig environments.

Pros — ARRI 35mm T1.9

  • ✓Wide T1.9 maximum aperture provides strong light-gathering capability for cinema work
  • ✓Prime 35mm fixed focal length delivers a consistent, dedicated perspective for cinematographers
  • ✓PL Mount ensures compatibility with professional cinema camera platforms supporting Super 35 format

Cons — ARRI 35mm T1.9

  • ✗At 2.59kg, the lens is heavy and will require robust lens support and rigging solutions
  • ✗Manual focus only — no autofocus, which demands a dedicated focus puller on set
  • ✗No image stabilization, as expected for a cinema prime but worth noting for handheld or gimbal use

Videos — ARRI 35mm T1.9

What Is The BEST Budget Cine Prime Lens Set?! — CVP

Resources & Downloads — ARRI 35mm T1.9

Manuals & Guides

Frequently Asked Questions — ARRI 35mm T1.9

What camera mount does this lens use?+
This lens uses a PL Mount, which is the standard mount for professional cinema cameras in the Cinema / Video camera system category. Verify PL Mount compatibility with your specific camera body before use.
What sensor format does this lens cover?+
The lens is designed for the Super 35 lens format. It is important to confirm that your camera's sensor size does not exceed Super 35 to avoid vignetting or coverage issues.
Does this lens support autofocus?+
No. This is a fully manual focus lens with no autofocus capability. In professional cinema production, focus is typically managed by a dedicated focus puller using follow focus systems.
What filter size does this lens accept?+
The lens has a 95mm filter thread, allowing the use of standard 95mm screw-in filters for on-set exposure and optical effects control.
How heavy is this lens and what does that mean for rigging?+
The lens weighs 2.59kg, which is substantial. This weight is typical of professional cinema optics and means you should plan for a proper lens support cradle and a sturdy camera rig to balance the system correctly.
Are the focus markings in feet or meters?+
This version of the lens is marked in feet, which is the standard preference in many production markets. If your production requires metric markings, confirm you are sourcing the correct variant.

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