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ARRI Master Prime 14mm Lens

The ARRI 14mm is a 14mm f/1.3 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ARRI Master Prime 14mm Lens

ARRI Master Prime 14mm Lens

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Lens Overview — ARRI 14mm

The ARRI Master Prime 14mm is a wide-angle prime lens built for professional cinema production. Designed around a PL Mount interface, it covers a Full Frame image circle and operates within the Cinema / Video camera system ecosystem. As a true prime lens, it delivers a fixed 14mm focal length, making it a dedicated wide-angle tool suited for expansive establishing shots, immersive environments, and creative perspectives that demand a consistent optical character.

The lens features a maximum aperture of T1.3, giving cinematographers meaningful control over exposure and depth of field even in challenging lighting conditions. Focus is entirely manual, which is the standard expectation at this tier of cinema glass, keeping the operator in full, deliberate control of the focal plane. The lens has no image stabilization, consistent with cinema production workflows where stabilization is typically handled at the rig or platform level.

Weighing 2,900g, this is a substantial piece of glass that reflects the build quality expected from professional cinema lenses intended for use on high-end camera systems. No filter thread size is specified in the available data.

Key Features — ARRI 14mm

T1.3 Maximum Aperture: Exceptionally fast aperture for a 14mm lens, allowing meaningful depth of field control and strong exposure latitude in low-light environments.

PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.

14mm Fixed Focal Length: Ultra-wide prime perspective suited for expansive establishing shots, immersive interior environments, and dramatic wide-angle compositions.

Super 35 Coverage: Designed to cover the Super 35 format; compatibility with larger sensors should be verified per individual camera and mount configuration.

Manual Focus Design: Smooth, precise manual focus ring engineered for deliberate, repeatable focus pulls in professional cinema workflows.

ARRI Master Prime Optics: Part of ARRI's flagship Master Prime series, known for consistent optical character, minimal breathing, and high contrast across the full aperture range.

Lens Specifications — ARRI 14mm

ARRI 14mm full specifications
SpecDetail
Use CasesVideo / Cinematography, Studio, Creative Effects
Lens TypePrime
FormatSuper 35
Zoom/PrimePrime
Focal Length14mm
Maximum Aperturef/1.3
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight2900g

Description — ARRI 14mm

The ARRI Master Prime 14mm is a professional cinema prime lens built around a PL Mount and covering a Full Frame image circle. Operating at a fixed 14mm focal length, it sits firmly in the wide-angle category, making it a purposeful choice for scenes demanding broad coverage and a strong sense of environment. The lens opens to a maximum aperture of T1.3, enabling cinematographers to work effectively in low-light situations and exercise precise control over depth of field.

As a manual focus prime with no image stabilization, it is engineered for the structured workflows of high-end cinema production where external stabilization and dedicated focus operators are standard practice. Weighing 2,900g, the lens has the heft typical of professional cinema glass and will integrate naturally into fully rigged camera setups. The PL Mount interface is the benchmark standard for cinema lenses, ensuring this lens slots into established professional camera ecosystems.

Pros — ARRI 14mm

  • ✓Fast T1.3 maximum aperture provides strong low-light capability and depth of field control
  • ✓Full Frame coverage accommodates large sensor cinema cameras via PL Mount
  • ✓Fixed 14mm wide-angle focal length delivers a consistent, dedicated optical perspective

Cons — ARRI 14mm

  • ✗At 2,900g, the lens is heavy and will require robust support and rigging
  • ✗No image stabilization is included, so stabilized shooting requires external solutions
  • ✗No filter thread size is specified, which may complicate on-set filtration planning

Videos — ARRI 14mm

The ONLY 3 PRIME LENSES YOU NEED for Video — Will Walker

Resources & Downloads — ARRI 14mm

Manuals & Guides

Frequently Asked Questions — ARRI 14mm

What mount does the ARRI Master Prime 14mm use?+
The lens uses a PL Mount, which is the standard mount for professional cinema cameras. This makes it compatible with a wide range of cinema camera bodies that accept PL-mount lenses.
What is the maximum aperture of this lens?+
The maximum aperture is T1.3, providing strong light transmission for low-light cinematography and creative depth of field control at the wide 14mm focal length.
Does this lens cover Full Frame sensors?+
Yes, the specifications list the lens format as Full Frame, meaning it is designed to cover Full Frame image circles in addition to smaller sensor formats.
Does the ARRI Master Prime 14mm have autofocus?+
No, this lens is manual focus only. This is consistent with professional cinema production practices where precise, deliberate focus control is handled by a dedicated focus puller.
How heavy is the ARRI Master Prime 14mm?+
The lens weighs 2,900g. This is a substantial weight and cinematographers should plan accordingly with appropriate lens support and follow-focus rigging.
Does this lens have a filter thread?+
No filter thread size is listed in the available specifications. Cinematographers requiring filtration should consult ARRI directly or plan for a matte box solution to accommodate filters.

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