ARRI Master Prime 35mm Lens
The ARRI 35mm is a 35mm f/1.3 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
ARRI Master Prime 35mm Lens
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Lens Overview — ARRI 35mm
Key Features — ARRI 35mm
T1.3 Maximum Aperture: An exceptionally wide T1.3 stop allows for low-light shooting and a shallow depth of field with cinematic subject separation.
PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.
Super 35 Coverage: Image circle covers the Super 35 format, matching the sensor size of the majority of professional digital cinema cameras.
Fixed 35mm Focal Length: Prime design allows optical engineers to optimize performance at a single focal length, delivering consistency and sharpness across the frame.
Manual Focus Design: Smooth, precise focus ring built for professional cinema workflows using follow focus systems and wireless FIZ control.
Consistent T-Stop Markings: Calibrated T-stops reflect actual light transmission rather than theoretical f-stops, ensuring reliable exposure matching across the Master Prime set.
Lens Specifications — ARRI 35mm
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 35mm |
| Maximum Aperture | f/1.3 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 2.22kg |
Description — ARRI 35mm
The ARRI Master Prime 35mm is a professional cinema prime lens designed for use on PL Mount cinema cameras covering the Super 35 format. Operating at a fixed 35mm focal length, it delivers the focused optical performance that prime lenses are valued for in professional film and television production. The lens achieves a maximum aperture of T1.3, providing strong light-gathering ability and the shallow depth of field rendering that cinematographers rely on for selective focus work.
Focus is manual, aligning with standard cinema practice where dedicated focus pullers use follow focus or wireless FIZ systems to control focus precisely during production. Weighing 2.22kg, the lens is built to the robust standards expected in professional cinema environments. With no image stabilization, stable imagery is achieved through proper rigging and camera support rather than optical compensation.
The PL Mount interface is the universally recognized standard in professional cinema, ensuring this lens integrates into established production pipelines with ease.
Pros — ARRI 35mm
- ✓Wide T1.3 maximum aperture enables shooting in challenging lighting conditions and achieves shallow depth of field
- ✓PL Mount is the industry-standard cinema lens mount, ensuring broad camera compatibility across professional cinema platforms
- ✓Super 35 format coverage matches the sensor size of the majority of professional digital cinema cameras
Cons — ARRI 35mm
- ✗At 2.22kg, the lens is heavy and may add significant load to handheld or gimbal-based rigs
- ✗No image stabilization, so smooth images depend entirely on rigging, support systems, or camera-side stabilization
- ✗Fixed 35mm focal length offers no zoom flexibility, requiring separate lenses to cover other focal lengths
Videos — ARRI 35mm
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