ARRI Signature Prime 21mm T1.8 Lens
The ARRI 21mm T1.8 is a 21mm f/1.8 cinema lens designed for LPL, PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ARRI Signature Prime 21mm T1.8 Lens
Get notified when one lists.
We'll text or email you the moment a ARRI Signature Prime 21mm T1.8 Lens is listed on GearFocus.
Have a ARRI 21mm T1.8 sitting in your bag?
You'd be the first listing for this model.
Serious buyers are already watching — list yours in minutes.
Lens Overview — ARRI 21mm T1.8
Key Features — ARRI 21mm T1.8
LPL & PL Mount: Ships with an LPL mount and includes a PL adapter, ensuring compatibility with ARRI ALEXA LF, ALEXA Mini LF, and other PL-mount cinema cameras.
T1.8 Maximum Aperture: A fast, consistent T-stop rating allows reliable exposure control and strong light-gathering performance on set.
21mm Wide-Angle Focal Length: Sits in practical wide-angle territory for establishing shots, interior environments, and scenes requiring broader spatial context.
Large-Format Image Circle: Covers full-frame and large-format cinema sensors such as the ALEXA LF and ALEXA Mini LF without vignetting.
Manual Focus Design: Smooth, cinema-standard focus ring is built for precise, repeatable focus pulls by a dedicated focus puller.
Consistent Front Diameter: Shares a common 95mm front diameter across the Signature Prime lineup, allowing filters and accessories to move between lenses without adjustment.
Lens Specifications — ARRI 21mm T1.8
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 21mm |
| Maximum Aperture | f/1.8 |
| Camera System | Cinema / Video |
| Lens Mount | LPL, PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 1.7kg |
Description — ARRI 21mm T1.8
The ARRI Signature Prime 21mm is a wide-angle prime lens built for professional cinema production. It features a PL Mount, making it compatible with the broad range of cinema cameras that support this industry-standard interface. With a maximum aperture of T1.8, the lens captures a substantial amount of light, lending itself well to scenes where exposure latitude or shallow focus separation is a priority.
The full-frame lens format ensures complete sensor coverage on modern large-format cinema cameras, with no vignetting compromise. Focus is manual only, consistent with how cinema lenses are operated on professional sets where a focus puller manages the focus ring independently. The lens falls into the wide-angle focal length range at 21mm, a versatile perspective for environmental, architectural, and narrative wide shots.
Weighing 1.7kg, it offers a professional build weight that balances durability with practical on-set handling. There is no image stabilization, so external stabilization solutions should be factored into any production rig plan.
Pros — ARRI 21mm T1.8
- ✓Wide maximum aperture of T1.8 supports strong light-gathering in cinema production
- ✓Full-frame lens format provides coverage for large-format cinema sensors
- ✓PL Mount compatibility integrates directly with professional cinema camera ecosystems
Cons — ARRI 21mm T1.8
- ✗No image stabilization, requiring external stabilization solutions on set
- ✗PL Mount limits compatibility to cinema camera systems equipped with that mount
- ✗No autofocus capability, which may be a limitation for solo operators without a dedicated focus puller
Reviews — ARRI 21mm T1.8
Videos — ARRI 21mm T1.8
What Makes Cinema Lenses So Special!? | DEEP DIVE on Arri Signature Primes — Potato Jet