ARRI Signature Prime Lens - 95mm T1.8
The ARRI 95mm T1.8 is a 95mm f/1.8 cinema lens with LPL mount. It features Large Format Coverage and T1.8 Maximum Aperture. Check GearFocus for current availability with buyer protection and verified sellers.
ARRI Signature Prime Lens - 95mm T1.8
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The ARRI Signature Prime 95mm T1.8 is a large format cinema lens built for professional motion picture production. Mounted on the industry-standard PL Mount, this prime lens covers large format sensor sizes, making it well-suited for modern digital cinema cameras that push beyond the traditional Super 35 frame. At a focal length of 95mm, it sits in the standard range, offering a perspective that works naturally for portraiture, close coverage, and mid-range scene composition on large format productions.
The T1.8 maximum aperture delivers strong light-gathering capability, giving cinematographers meaningful control over depth of field and low-light performance without sacrificing the consistency that a matched lens set demands. Focus is entirely manual, in keeping with the deliberate, controlled approach expected on professional cinema sets. The lens falls into the Cine type category, reflecting its purpose-built design for motion picture work rather than adapted still photography use.
Weighing in at 2.4kg, it carries a substantial but manageable mass appropriate for a large format cinema prime. No image stabilization is present, consistent with the fixed-rig and gimbaled workflows common in professional cinema production. There is no filter thread listed, and the lens is designed for the Cinema and Video camera system ecosystem.
Large Format Coverage: Covers sensors larger than Super 35, making it compatible with cameras like the ARRI ALEXA LF, ALEXA Mini LF, and similar large format cinema systems.
T1.8 Maximum Aperture: Wide maximum aperture allows for shallow depth of field and strong light-gathering in demanding lighting conditions on set.
95mm Focal Length: A standard-range focal length on large format that suits portrait work, close character coverage, and mid-range scene composition.
LPL Mount: ARRI's large format cinema mount, natively designed for the ALEXA LF and ALEXA Mini LF, with an LPL-to-PL adapter available for Super 35 camera compatibility.
Manual Focus Design: Smooth, precise manual focus ring with consistent torque built for repeatable focus pulls in professional cinema workflows.
Matched Set Consistency: Part of ARRI's Signature Prime series, sharing unified color rendition, breathing characteristics, and housing design across focal lengths.
/i Technology: Transmits real-time lens metadata — including focus distance and aperture — to the camera and on-set data systems.
2.4kg Build: Substantial but manageable weight appropriate for use on cinema rigs, gimbals, and remote head systems common in large format production.
Consistent Front Diameter: Unified 114mm front diameter across the Signature Prime lineup simplifies matte box and filter setups when switching between focal lengths.
ARRI 95mm T1.8 Specifications
| Spec | Detail |
|---|---|
| Use Cases | Fashion, Documentary, Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 95mm |
| Maximum Aperture | f/1.8 |
| Camera System | Cinema / Video |
| Lens Mount | LPL |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 2.4kg |
Description
The ARRI Signature Prime 95mm T1.8 is a large format cinema prime lens designed for professional motion picture production. Built around the PL Mount, it integrates seamlessly into professional cinema camera ecosystems. With a large format lens coverage designation, it supports the expanded sensor sizes found in modern high-end cinema cameras, giving filmmakers greater flexibility in their chosen frame.
The lens operates at a maximum aperture of T1.8, providing strong light transmission for controlled depth of field work and challenging lighting conditions. Focus is manual, placing precise control in the hands of a dedicated focus puller — the standard operating procedure on professional sets. The lens is classified as a prime in the standard focal length range at 95mm, making it a natural choice for close character work and mid-range compositional needs.
Weighing 2.4kg, it is a substantial optic suited for properly supported cinema rigs. No image stabilization is present, and no filter thread is listed in the specifications. It is categorized under the Cinema and Video camera system, confirming its purpose-built professional cinema application.
Pros
- ✓Wide T1.8 maximum aperture provides strong light-gathering capability for large format cinema work
- ✓PL Mount ensures broad compatibility across professional cinema camera systems
- ✓Large format coverage supports modern sensors beyond the traditional Super 35 frame
- ✓95mm focal length in the standard range is a versatile choice for portraiture and mid-range coverage
- ✓Prime design delivers the optical consistency expected from a matched Signature Prime set
- ✓Manual focus operation aligns with professional cinema set workflows
Cons
- ✗No image stabilization, requiring stable rigging or support systems on set
- ✗At 2.4kg, the lens is a significant load for handheld or lightweight gimbal setups
- ✗Manual focus only — no autofocus option for run-and-gun or documentary workflows
- ✗No filter thread listed, which may require matte box solutions for filtration
- ✗Premium large format cinema lens pricing places it out of reach for most independent productions
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Frequently Asked Questions
What camera mount does the ARRI Signature Prime 95mm use?+
The lens uses a PL Mount, which is the standard mount used across professional cinema cameras. This makes it compatible with a wide range of cinema camera systems that accept PL Mount lenses.
What sensor size does this lens cover?+
The ARRI Signature Prime 95mm is designed for large format coverage, as listed in its specifications. This means it is built to cover sensor sizes at or beyond full frame, supporting modern large format cinema cameras.
Does the ARRI Signature Prime 95mm T1.8 have autofocus?+
No, this lens is manual focus only. This is consistent with professional cinema lens design, where focus pullers operate the lens with precision control rather than relying on autofocus systems.
How heavy is the ARRI Signature Prime 95mm?+
The lens weighs 2.4kg. This should be factored into rig balancing, support system selection, and gimbal payload calculations when planning a shoot.
Can I use a screw-in filter with this lens?+
No filter thread size is listed in the specifications for this lens, so direct screw-in filtration is not supported. A matte box is the recommended approach for adding filtration on set.
What is the maximum aperture of this lens?+
The maximum aperture is T1.8, expressed as a T-stop, which measures actual light transmission through the lens. This is the value to use when setting exposure on a cinema camera.