ARRI Signature Zoom Lens, 24-75mm T2.8 with LPL Mount
The ARRI 24-75mm T2.8 is a 24–75mm f/2.8 cinema lens designed for LPL mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
ARRI Signature Zoom Lens, 24-75mm T2.8 with LPL Mount
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Lens Overview — ARRI 24-75mm T2.8
Key Features — ARRI 24-75mm T2.8
24-75mm Zoom Range: Covers a versatile standard focal length range suitable for narrative, documentary, and commercial production without swapping lenses.
Constant T2.8 Aperture: Maintains T2.8 throughout the entire zoom range, ensuring consistent exposure and depth of field as focal length changes.
LPL Mount: ARRI's large-format positive-lock mount provides a rigid, secure interface with compatible ARRI cinema cameras — buyers should verify LPL vs. PL compatibility before purchasing.
Large Format Coverage: Image circle covers ARRI's large format sensors (LF and ALEXA LF/Mini LF), going beyond the Super 35 format to support full-sensor large format capture.
Manual Focus Design: Engineered for use with a dedicated focus puller, with a smooth, precise focus ring suited to cinema focus-pulling workflows.
ARRI Signature Optics: Shares the optical character of the Signature Prime series, delivering a smooth, organic rendering with controlled bokeh transitions.
Lens Specifications — ARRI 24-75mm T2.8
| Spec | Detail |
|---|---|
| Use Cases | Documentary, Video / Cinematography |
| Lens Type | Zoom |
| Format | Large Format |
| Zoom/Prime | Zoom |
| Focal Length | 24–75mm |
| Maximum Aperture | f/2.8 |
| Camera System | Cinema / Video |
| Lens Mount | LPL |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 4.1kg |
Description — ARRI 24-75mm T2.8
The ARRI Signature Zoom is a professional cinema zoom lens covering 24mm to 75mm with a constant T2.8 maximum aperture throughout the zoom range. Designed for the Super 35 format, it pairs with cinema cameras via a PL Mount interface — though the product title references LPL Mount, so buyers should confirm the specific mount on the unit before purchase. The lens operates with manual focus only, making it a natural fit for traditional cinema production workflows where a dedicated focus puller manages critical focus on set.
With no image stabilization, this lens is intended for use on stabilized platforms, rigs, or gimbals as part of a complete cinema camera package. Weighing 4.1 kg, it is a substantial optic that demands proper lens support and rigging consideration. No filter thread size is specified in the available data.
The lens is classified as a standard zoom type within the Cinema/Video camera system category, positioned for productions requiring the flexibility of a zoom without sacrificing the constant-aperture performance that professional cinematography demands.
Pros — ARRI 24-75mm T2.8
- ✓Constant T2.8 maximum aperture maintained across the full 24-75mm zoom range for consistent exposure
- ✓Versatile 24-75mm standard focal length range covers a wide variety of shooting scenarios
- ✓Designed for Super 35 format, compatible with the industry-standard cinema sensor size
Cons — ARRI 24-75mm T2.8
- ✗At 4.1 kg, the lens is heavy and will require substantial support rigging and robust lens support systems
- ✗No image stabilization is included, requiring external stabilization solutions for handheld or moving shots
- ✗No filter thread size is specified, which may complicate on-set filtration planning
Reviews — ARRI 24-75mm T2.8
Videos — ARRI 24-75mm T2.8
The ULTIMATE Zoom Lens is Here! | Arri Signature Zooms — Potato Jet
Frequently Asked Questions — ARRI 24-75mm T2.8
What focal length range does this lens cover?+
The lens covers a focal length range of 24mm to 75mm, classified as a standard zoom range. This is a continuous zoom with no fixed stepping between focal lengths.
What is the maximum aperture, and does it stay constant throughout the zoom range?+
The maximum aperture is T2.8. This is listed as the maximum aperture for the lens, and as a cinema-class zoom it is designed for professional use where consistent exposure across the zoom range is expected.
What sensor format does this lens cover?+
The lens is designed to cover the Super 35 format, which is a widely used cinema sensor standard. Buyers using larger format sensors should verify coverage before use.
Does this lens support autofocus?+
No. The lens is manual focus only, with no autofocus capability. This is standard for professional cinema lenses intended for use with trained focus pullers.
How heavy is the lens, and what should I know about rigging it?+
The lens weighs 4.1 kg, making it a substantial cinema optic. Users should plan for appropriate lens support and camera rigging to handle this weight safely and comfortably on set.
What mount does this lens use?+
The specifications list PL Mount as the lens mount, while the product title references LPL Mount. Buyers should confirm the exact mount configuration of the specific unit they are purchasing to ensure compatibility with their camera system.