ARRI Ultra Prime 14mm T1.9 Lens (PL Mount, Imperial Measurement)
The ARRI 14mm T1.9 is a 14mm f/1.9 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
ARRI Ultra Prime 14mm T1.9 Lens (PL Mount, Imperial Measurement)
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Lens Overview — ARRI 14mm T1.9
Key Features — ARRI 14mm T1.9
14mm Wide-Angle Prime: Fixed 14mm focal length is well-suited for establishing shots, environmental storytelling, and immersive wide perspectives.
T1.9 Maximum Aperture: Strong light-gathering capability for a wide-angle prime, allowing work in low-light conditions or achieving shallow depth of field at the wide end.
PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.
Super 35 Format Coverage: Covers the sensor size used by the majority of professional digital cinema cameras in production today.
Manual Focus Design: Smooth, precise focus ring built for repeatable focus pulls using follow-focus rigs in professional cinema workflows.
Imperial Focus Markings: Focus scale is calibrated in feet and inches, catering to camera crews accustomed to working in imperial measurements.
Lens Specifications — ARRI 14mm T1.9
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 14mm |
| Maximum Aperture | f/1.9 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 1700g |
Description — ARRI 14mm T1.9
The ARRI Ultra Prime 14mm T1.9 is a professional Prime cinema lens built for Super 35 format camera systems, mounted via the industry-standard PL Mount. Operating at a fixed 14mm focal length, it sits firmly in the wide-angle category, making it a natural choice for wide establishing shots and expansive compositional perspectives. The lens opens to a maximum aperture of T1.9, offering strong light transmission for a wide-angle prime in professional cinema use.
Focus is entirely manual, with no autofocus system — consistent with the expectations of professional cinema production environments where follow-focus rigs and dedicated focus pullers are the norm. The lens weighs 1,700g, reflecting the robust build quality associated with professional cinema glass. This variant features imperial measurement markings on the focus scale, designed for crews working in feet and inches.
With no image stabilization system, the lens is intended for use on stabilized rigs, dollies, or other support systems standard in cinema production.
Pros — ARRI 14mm T1.9
- ✓Wide maximum aperture of T1.9 provides strong light-gathering capability for a 14mm cinema prime
- ✓PL Mount compatibility ensures broad integration with professional cinema camera systems
- ✓Super 35 format coverage matches the sensor size of the majority of professional digital cinema cameras
Cons — ARRI 14mm T1.9
- ✗No image stabilization, which is standard for cinema primes but worth noting for handheld or gimbal operators
- ✗At 1,700g, the lens adds significant weight to a camera rig, which may be a consideration for extended handheld use
- ✗No filter thread size specified, which may complicate front-of-lens filtration setups