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ARRI Ultra Prime 180mm T1.9 Lens

The ARRI 180mm T1.9 is a 180mm f/1.9 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ARRI Ultra Prime 180mm T1.9 Lens

ARRI Ultra Prime 180mm T1.9 Lens

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Lens Overview — ARRI 180mm T1.9

The ARRI Ultra Prime 180mm T1.9 is a manual-focus prime lens built for cinema and video production, designed around the Super 35 format and fitted with a PL Mount. Sitting at the telephoto end of the focal length spectrum, the 180mm offers a tight angle of view well suited to portrait work, close-up character shots, and isolating subjects from their backgrounds. With a maximum aperture of T1.9, this lens allows cinematographers to work in lower light conditions and achieve a shallow depth of field that draws attention to the subject.

The lens operates exclusively in manual focus mode, consistent with professional cinema workflows where a dedicated focus puller handles focus transitions. Weighing in at 2.5 kg, it is a substantial piece of glass that reflects the build quality expected from a professional cinema lens at this focal length and aperture speed. The PL Mount is the industry-standard cinema lens mount, ensuring broad compatibility across a wide range of professional cinema camera bodies that accept PL-mount optics.

Image stabilization is not present, which is standard for a lens of this type intended for use on rigs, gimbals, or other stabilized platforms. For productions operating within the Super 35 format, this lens represents a long telephoto option in the Ultra Prime series lineup.

Key Features — ARRI 180mm T1.9

180mm Telephoto Prime: A fixed focal length delivers a tight angle of view ideal for portrait work, close-up character shots, and subject isolation.

T1.9 Maximum Aperture: A fast T-stop allows cinematographers to work in lower light and achieve a shallow depth of field with smooth background separation.

PL Mount: Industry-standard cinema lens mount ensures broad compatibility with professional camera bodies from ARRI, RED, Sony, and others.

Super 35 Coverage: Designed to cover the Super 35 format, one of the most widely used sensor sizes in professional cinema production.

Manual Focus Design: Smooth, precise manual focus ring built for repeatable focus pulls by a dedicated focus puller in professional cinema workflows.

Part of Ultra Prime Set: Belongs to ARRI's Ultra Prime series, which is designed for consistent optical character, color rendition, and close focus performance across the full set.

Lens Specifications — ARRI 180mm T1.9

ARRI 180mm T1.9 full specifications
SpecDetail
Use CasesStudio, Video / Cinematography
Lens TypeCine
FormatSuper 35
Zoom/PrimePrime
Focal Length180mm
Maximum Aperturef/1.9
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight2.5kg

Description — ARRI 180mm T1.9

The ARRI Ultra Prime 180mm T1.9 is a prime cinema lens built for the Super 35 format and fitted with a PL Mount, targeting professional film and video productions that demand a long telephoto option. With a fixed focal length of 180mm, this lens sits firmly in the telephoto range, making it a go-to choice for tightly framed character shots, compressed perspectives, and subject isolation. The maximum aperture of T1.9 — measured as a T-stop for precise light transmission accuracy — gives cinematographers meaningful flexibility in lower-light environments and supports the kind of shallow depth of field that draws a viewer's focus precisely where it is needed.

Focus operation is entirely manual, in keeping with professional cinema practice where a dedicated focus puller manages critical focus transitions. The lens weighs 2.5 kg, reflecting the robust construction expected at this aperture and focal length. No image stabilization is present, so productions should plan for appropriate rig or gimbal support when camera movement is required.

Pros — ARRI 180mm T1.9

  • ✓Fast T1.9 maximum aperture enables shooting in lower light and facilitates shallow depth-of-field work
  • ✓PL Mount provides compatibility with a broad range of professional cinema camera systems
  • ✓Super 35 format coverage aligns with one of the most widely used cinema sensor sizes

Cons — ARRI 180mm T1.9

  • ✗At 2.5 kg, the lens is heavy and will require robust support rigs or camera systems
  • ✗No image stabilization, so external stabilization solutions are necessary for handheld or moving shots
  • ✗No autofocus capability, limiting suitability for run-and-gun or solo operator scenarios

Videos — ARRI 180mm T1.9

The Most Popular Cinema Lenses: Zeiss, Canon, Cooke, Arri, Angénieux — In Depth Cine

Resources & Downloads — ARRI 180mm T1.9

Manuals & Guides

Frequently Asked Questions — ARRI 180mm T1.9

What camera mount does the ARRI Ultra Prime 180mm T1.9 use?+
This lens uses a PL Mount, which is the standard cinema lens mount found on a wide range of professional cinema cameras. PL Mount is specified in the lens mount data for this product.
What sensor format does this lens cover?+
The ARRI Ultra Prime 180mm T1.9 is designed to cover the Super 35 format. This is one of the most commonly used sensor sizes in professional cinema production.
Does this lens support autofocus?+
No, this lens is manual focus only. Autofocus is listed as false in the specifications, making it suited to professional cinema environments where a focus puller operates the focus ring manually or via wireless follow-focus systems.
How heavy is the ARRI Ultra Prime 180mm T1.9?+
The lens weighs 2.5 kg according to the specifications. This is a significant weight, and users should plan accordingly when selecting support rigs, matte boxes, and camera platforms.
What is the maximum aperture of this lens?+
The maximum aperture is T1.9, expressed as a T-stop, which is the standard aperture measurement used for cinema lenses as it accounts for actual light transmission through the glass.
Is this lens a zoom or a prime?+
This is a prime lens with a fixed focal length of 180mm. It falls within the telephoto focal length range and does not offer any zoom capability.

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