ARRI Ultra Prime 20mm Cinema Lens T1.9 (PL Mount, Measurement in Feet)
The ARRI 20mm T1.9 is a 20mm f/1.9 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ARRI Ultra Prime 20mm Cinema Lens T1.9 (PL Mount, Measurement in Feet)
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Lens Overview — ARRI 20mm T1.9
Key Features — ARRI 20mm T1.9
20mm Fixed Focal Length: A dedicated wide-angle prime with no zoom mechanics, delivering consistent optical performance suited to establishing shots, interiors, and environmental storytelling.
T1.9 Maximum Aperture: Fast light transmission supports shooting in low-light conditions and gives cinematographers control over depth of field.
PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.
Super 35 Coverage: Designed to cover the Super 35 format, aligning with the dominant sensor size used across professional digital cinema cameras.
Manual Focus Design: Smooth, precise manual focus ring built for repeatable focus pulls by a dedicated focus puller on set.
Feet Focus Scale: Focus markings calibrated in feet, an important practical detail for focus pullers working in imperial units.
Lens Specifications — ARRI 20mm T1.9
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 20mm |
| Maximum Aperture | f/1.9 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 95mm |
Description — ARRI 20mm T1.9
The ARRI Ultra Prime 20mm T1.9 is a professional cinema prime lens built for demanding production environments. It is mounted with a PL Mount and designed to cover the Super 35 format, matching the sensor size used in a wide range of professional cinema cameras. The lens is classified as a wide-angle prime with a fixed 20mm focal length, making it well suited to expansive establishing shots, interior scenes, and immersive wide compositions.
Its maximum aperture of T1.9 provides solid light transmission, giving cinematographers flexibility in lower-light situations and the ability to work with shallower depth of field when the scene calls for it. Focus operation is entirely manual, in keeping with professional cinema practice. The lens weighs 1,180g, offering a balance between build quality and physical manageability on set.
The 95mm filter thread integrates cleanly with standard matte boxes and filter systems common across professional cinema rigs. The focus scale on this unit is marked in feet, a key specification for focus pullers to confirm before production. Image stabilization is listed as None, consistent with the tripod- and rig-based setups typical in cinema production.
Pros — ARRI 20mm T1.9
- ✓Fast T1.9 maximum aperture provides strong light-gathering capability for a wide-angle prime
- ✓PL Mount offers broad compatibility across professional cinema and video camera systems
- ✓Super 35 format coverage aligns with the dominant sensor size in professional digital cinema
Cons — ARRI 20mm T1.9
- ✗No image stabilization, requiring stable rigging or support systems for smooth footage
- ✗Manual focus only means no autofocus capability for run-and-gun or solo operator scenarios
- ✗At 1,180g, the lens adds meaningful weight to camera rigs, particularly relevant for extended handheld shoots
Videos — ARRI 20mm T1.9
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