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ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

The ARRI 9.5-18mm T2.9 is a 9.5–18mm f/2.9 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

ARRI Ultra Wide Zoom 9.5-18mm T2.9 Lens

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Lens Overview — ARRI 9.5-18mm T2.9

The ARRI Ultra Wide Zoom 9.5-18mm T2.9 is a manual-focus cinema zoom lens built for the demands of professional film and high-end video production. Covering a focal length range from 9.5mm to 18mm, it sits firmly in wide-angle territory and is designed around the Super 35 lens format — making it a natural fit for cinema cameras operating on that sensor size. The lens mounts via PL Mount, the industry-standard interface for professional cinema cameras, and carries a maximum aperture of T2.9 across its zoom range.

At 4.8kg, this is a substantial piece of glass, reflecting the optical engineering required to deliver consistent wide-angle coverage at this level. Image stabilization is not included, which is consistent with a lens intended for rigged or supported cinema setups rather than handheld run-and-gun use. Focus is entirely manual, as expected from a lens designed for focus pullers working in a professional crew environment.

With a Cine-type classification and a camera system designation of Cinema/Video, the UWZ 9.5-18mm T2.9 is purpose-built for narrative film, commercial, and VFX plate work where optical precision and crew-friendly mechanics are non-negotiable requirements.

Key Features — ARRI 9.5-18mm T2.9

9.5-18mm Focal Range: Covers demanding ultra-wide territory in a single lens, reducing the need to swap glass during wide-angle work.

Constant T2.9 Aperture: Maintains T2.9 throughout the zoom range, eliminating exposure shifts when zooming mid-shot.

PL Mount: Industry-standard cinema mount compatible with professional camera systems from ARRI, RED, Sony, and others.

Super 35 Coverage: Designed for Super 35 sensors, one of the most widely used formats in professional cinema production.

Manual Focus Design: Built for focus pullers, with smooth, precise mechanics suited to traditional scripted crew workflows.

Cine-Grade Mechanics: Features cinema-standard gear rings and consistent, repeatable focus and zoom throws for controlled on-set operation.

Lens Specifications — ARRI 9.5-18mm T2.9

ARRI 9.5-18mm T2.9 full specifications
SpecDetail
Use CasesDocumentary, Video / Cinematography
Lens TypeCine
FormatSuper 35
Zoom/PrimeZoom
Focal Length9.5–18mm
Maximum Aperturef/2.9
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight4.8kg

Description — ARRI 9.5-18mm T2.9

The ARRI Ultra Wide Zoom covers a focal length range of 9.5mm to 18mm with a fixed maximum aperture of T2.9, giving cinematographers a consistent wide-angle zoom option in a single cinema-grade lens. Built around the Super 35 format, the lens is designed for professional cinema cameras and mounts via PL Mount — the gold standard interface in high-end film and television production. Focus is entirely manual, putting control in the hands of a trained focus puller rather than an autofocus system, which is standard practice on professional sets.

The lens weighs 4.8kg, a figure that reflects the optical and mechanical engineering packed into its wide-angle zoom design, and confirms it is built for rigged camera setups rather than lightweight handheld use. No image stabilization is included. Classified as a Cine-type lens for the Cinema/Video camera system category, the UWZ 9.5-18mm T2.9 is intended for narrative film, commercial production, and high-end video work where optical consistency, crew-friendly controls, and PL-mount compatibility are essential.

Pros — ARRI 9.5-18mm T2.9

  • ✓Wide zoom range from 9.5mm to 18mm covers demanding ultra-wide focal lengths in a single lens
  • ✓Maximum aperture of T2.9 across the zoom range provides consistent exposure without compensation
  • ✓PL Mount ensures compatibility with the professional cinema camera ecosystem

Cons — ARRI 9.5-18mm T2.9

  • ✗At 4.8kg, the lens is very heavy and will require robust support rigging in most setups
  • ✗No image stabilization, so handheld or gimbal use will depend entirely on camera-side or rig-based stabilization solutions
  • ✗No filter thread size listed, which may complicate direct filter attachment workflows

Videos — ARRI 9.5-18mm T2.9

Laowa 25-100mm T2.9 'Out of our minds' (OOOM) Cinema Zoom Lens Update & Test Footage — Newsshooter

Resources & Downloads — ARRI 9.5-18mm T2.9

Manuals & Guides

Frequently Asked Questions — ARRI 9.5-18mm T2.9

What mount does the ARRI Ultra Wide Zoom 9.5-18mm T2.9 use?+
The lens uses a PL Mount, which is the standard mount for professional cinema cameras. This makes it compatible with cinema bodies that accept PL-mount lenses.
What sensor format does this lens cover?+
The ARRI Ultra Wide Zoom 9.5-18mm T2.9 is designed for the Super 35 lens format. Shooters using cameras with larger sensor formats should verify compatibility before use.
Does this lens have autofocus?+
No. The lens is manual focus only, with no autofocus capability. It is intended for use in professional cinema environments where a dedicated focus puller operates the focus ring.
How heavy is this lens, and what does that mean for rigging?+
The lens weighs 4.8kg, making it a heavy piece of equipment that will typically require a dedicated lens support or cinema rig. Shooters should account for this weight when planning their camera build.
Is the aperture consistent across the zoom range?+
Yes. The maximum aperture is T2.9, and as a cinema-spec zoom lens with a stated fixed maximum aperture, exposure remains consistent as you zoom — a key advantage for cinematographers who adjust focal length during a shot.
Does this lens include image stabilization?+
No. Image stabilization is listed as None. Stabilization for handheld or moving shots must be handled through the camera body or an external rig solution.

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