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Atlas Lens Co. Mercury 54mm T2.2 Anamorphic Lens

The Atlas Lens Co. 54mm T2.2 1.5x Anamorphic is a 54mm f/2.2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Atlas Lens Co. Mercury 54mm T2.2 Anamorphic Lens

Atlas Lens Co. Mercury 54mm T2.2 Anamorphic Lens

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Lens OverviewAtlas Lens Co. 54mm T2.2 1.5x Anamorphic

The Atlas Lens Co. Mercury 54mm T2.2 is a fixed focal length anamorphic prime lens designed for cinema and video production. Built around the PL Mount, it is engineered for Super 35 format cameras, making it a natural fit for professional cinema workflows that rely on that sensor standard.

With a maximum aperture of T2.2, it offers a solid light-gathering capability for a lens in this category, giving cinematographers meaningful flexibility when working in lower-light environments or seeking a shallower depth of field. The lens is manually focused, which aligns with the deliberate, controlled approach typical of high-end narrative and commercial production work where a dedicated focus puller is part of the crew. At 1,100 grams, it strikes a balance between substantive build quality and portability — practical for handheld rigs, gimbals, and shoulder mounts without becoming a burden over a long shooting day.

The 86mm filter thread provides a standardized front end for attaching ND filters, diffusion, or other optical accessories. Image stabilization is not included, which is standard for a manual cinema prime intended for use on stabilized rigs. Overall, this is a purposeful tool for cinematographers working within a Super 35 anamorphic pipeline.

Key FeaturesAtlas Lens Co. 54mm T2.2 1.5x Anamorphic

54mm Anamorphic Prime: A fixed focal length equivalent to roughly a normal-to-slightly-long field of view in anamorphic cinema, well-suited for dialogue scenes and medium shots.

T2.2 Maximum Aperture: Provides meaningful light-gathering capability for a Super 35 anamorphic prime, useful in lower-light conditions and for achieving shallow depth of field.

Super 35 Format Coverage: Designed to cover the Super 35 sensor size, making it directly compatible with mainstream professional cinema cameras from ARRI, RED, and Sony.

PL Mount: Industry-standard cinema lens mount ensures broad compatibility with professional camera bodies used across narrative, commercial, and documentary productions.

Manual Focus Design: Built for use with a dedicated focus puller, offering the precise, repeatable focus control expected in professional cinema workflows.

86mm Filter Thread: Standardized front filter diameter allows straightforward attachment of ND filters, diffusion, and other common optical accessories.

Lens SpecificationsAtlas Lens Co. 54mm T2.2 1.5x Anamorphic

Atlas Lens Co. 54mm T2.2 1.5x Anamorphic full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length54mm
Maximum Aperturef/2.2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread86mm

DescriptionAtlas Lens Co. 54mm T2.2 1.5x Anamorphic

The Atlas Lens Co. Mercury 54mm T2.2 is an anamorphic prime lens built for professional cinema use. It features a PL Mount and covers the Super 35 sensor format, positioning it firmly within established professional cinema camera ecosystems.

The lens delivers a T2.2 maximum aperture, offering useful light transmission for controlled production environments. Focused at a fixed 54mm focal length, it provides a defined perspective that suits a wide range of narrative shooting situations. The manual focus design requires deliberate handling, consistent with professional cinema production where focus is managed by a dedicated crew member.

At 1,100 grams, the Mercury 54mm is built to feel substantial without becoming unwieldy on handheld or gimbal rigs. The 86mm filter thread provides compatibility with widely available cinema filtration accessories. No image stabilization is present, so external stabilization equipment should be factored into any production setup.

This lens belongs to Atlas's Mercury Series lineup, designed for cinematographers working within an anamorphic Super 35 pipeline.

ProsAtlas Lens Co. 54mm T2.2 1.5x Anamorphic

  • T2.2 maximum aperture provides solid light-gathering for a Super 35 anamorphic prime
  • PL Mount ensures broad compatibility with professional cinema camera bodies
  • Super 35 format coverage suits a wide range of professional cinema workflows

ConsAtlas Lens Co. 54mm T2.2 1.5x Anamorphic

  • Manual focus only — no autofocus option for operators working without a dedicated focus puller
  • No image stabilization, requiring reliance on external stabilization equipment
  • PL Mount limits use to compatible cinema camera systems, excluding mirrorless or DSLR bodies

ReviewsAtlas Lens Co. 54mm T2.2 1.5x Anamorphic

VideosAtlas Lens Co. 54mm T2.2 1.5x Anamorphic

Introducing the New Atlas Mercury SeriesAtlas Lens Co.

Resources & DownloadsAtlas Lens Co. 54mm T2.2 1.5x Anamorphic

Frequently Asked QuestionsAtlas Lens Co. 54mm T2.2 1.5x Anamorphic

What camera mount does the Atlas Mercury 54mm T2.2 use?+
The lens is built with a PL Mount, which is the standard professional cinema lens mount. This makes it compatible with cinema cameras that accept PL Mount lenses.
What sensor format does this lens cover?+
The Mercury 54mm T2.2 is designed for the Super 35 format. It is not specified for larger sensor formats, so Super 35 cinema cameras are the intended platform.
Is autofocus available on this lens?+
No, this lens is manual focus only. It is designed for professional cinema use where manual focus control by a dedicated focus puller is the standard practice.
How heavy is the Atlas Mercury 54mm T2.2?+
The lens weighs 1,100 grams. This makes it substantial enough to feel solid on a cinema rig while remaining manageable for handheld, gimbal, or shoulder-mount configurations.
What filter thread size does the Mercury 54mm T2.2 accept?+
The lens has an 86mm filter thread, allowing the use of standard 86mm screw-in filters such as NDs or diffusion glass.
Does this lens have image stabilization?+
No, image stabilization is not included. For stabilized shots, users will need to rely on external stabilization solutions such as gimbals or camera rigs.

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