Atlas Lens Co. Mercury 72mm T2.2 1.5x Anamorphic Prime Lens (PL Mount)
The Atlas Lens Co. 72mm T2.2 1.5x Anamorphic Prime Lens is a 72mm f/2.2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Atlas Lens Co. Mercury 72mm T2.2 1.5x Anamorphic Prime Lens (PL Mount)
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Lens Overview — Atlas Lens Co. 72mm T2.2 1.5x Anamorphic Prime Lens
Key Features — Atlas Lens Co. 72mm T2.2 1.5x Anamorphic Prime Lens
1.5x Anamorphic Squeeze: Produces the widescreen cinematic look and characteristic lens flares associated with anamorphic format without requiring a full 2x squeeze sensor area.
T2.2 Maximum Aperture: Solid light-gathering capability for a cinema prime, suitable for controlled and mixed-light shooting environments.
PL Mount: Industry-standard cinema lens mount compatible with professional camera bodies from ARRI, RED, and other major manufacturers.
Super 35 Coverage: Designed to cover the Super 35 sensor format, matching the most widely used sensor size in professional cinema production.
72mm Fixed Focal Length: A standard mid-range prime well suited to dialogue scenes, medium shots, and versatile narrative or documentary work.
Manual Focus Design: Smooth, precise manual focus ring built for repeatable focus pulls in professional cinema workflows.
Lens Specifications — Atlas Lens Co. 72mm T2.2 1.5x Anamorphic Prime Lens
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 72mm |
| Maximum Aperture | f/2.2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 95mm |
Description — Atlas Lens Co. 72mm T2.2 1.5x Anamorphic Prime Lens
The Atlas Lens Co. Mercury 72mm T2.2 is an anamorphic prime lens in PL Mount, purpose-built for Cinema and Video production. With a fixed 72mm focal length in the standard range and a maximum aperture of T2.2, it delivers consistent exposure and a defined field of view that filmmakers can rely on across a shoot.
The lens is designed to cover a Super 35 sensor format, aligning with the most widely used sensor size in professional digital cinema. Weighing 1.1 kg and featuring a 95mm filter thread, it integrates cleanly into professional lens kits and matte box setups. Focus is fully manual, following cinema industry convention and enabling precise, repeatable focus pulls.
The lens type is Anamorphic, bringing the distinctive optical character of that format to PL-mount cinema cameras. Image stabilization is listed as None, consistent with the assumption that stabilization is managed at the rig or camera level in professional cinema workflows.
Pros — Atlas Lens Co. 72mm T2.2 1.5x Anamorphic Prime Lens
- ✓Maximum aperture of T2.2 provides strong light-gathering performance for a cinema prime
- ✓PL Mount offers compatibility with a wide range of professional cinema camera bodies
- ✓Super 35 sensor format coverage suits the most common cinema camera sensor size
Cons — Atlas Lens Co. 72mm T2.2 1.5x Anamorphic Prime Lens
- ✗Manual focus only — no autofocus, which requires skilled focus pullers for fast-paced productions
- ✗Super 35 coverage means the lens is not specified for larger format sensors beyond that size
- ✗No image stabilization, placing all stabilization responsibility on the rig or camera body
Videos — Atlas Lens Co. 72mm T2.2 1.5x Anamorphic Prime Lens
Why Hollywood Uses These Cinematic Lenses // Atlas Mercury Anamorphic — Matti Haapoja