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Atlas Lens Co. Mercury 95mm T2.2 Anamorphic Prime Lens

The Atlas Lens Co. 95mm T2.2 is a 95mm f/2.2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Atlas Lens Co. Mercury 95mm T2.2 Anamorphic Prime Lens

Atlas Lens Co. Mercury 95mm T2.2 Anamorphic Prime Lens

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Lens OverviewAtlas Lens Co. 95mm T2.2

The Atlas Lens Co. Mercury 95mm T2.2 Anamorphic Prime Lens is a dedicated cinema prime built for professional filmmakers working in the Super 35 format. Mounted on the industry-standard PL Mount, this lens slots into established cinema camera systems with ease, making it a practical choice for narrative and commercial productions alike.

With a maximum aperture of T2.2, it offers solid light-gathering capability for a lens in the anamorphic category, giving cinematographers meaningful control over depth of field and low-light performance. The 95mm focal length places it firmly in telephoto territory, making it well-suited for portrait-style coverage, close-up character work, and compressed background compositions. As a prime lens, it delivers a fixed, optimized optical path rather than the compromises inherent in zoom designs.

Focus is entirely manual, which aligns with standard cinema production workflows where a dedicated focus puller operates the lens independently of the camera operator. At 1,100g, it has a substantial but manageable weight for a PL-mount anamorphic prime. The 86mm filter thread provides compatibility with a wide range of cinema filter systems.

Image stabilization is not featured, consistent with the expectations of a tripod- or support-mounted cinema lens.

Key FeaturesAtlas Lens Co. 95mm T2.2

95mm Telephoto Prime: Fixed focal length optimized for portrait coverage, close-up character work, and compressed background compositions in narrative and commercial production.

T2.2 Maximum Aperture: Strong light-gathering capability for an anamorphic prime, giving cinematographers meaningful control over exposure and depth of field separation.

Anamorphic Optical Design: Delivers the horizontally stretched bokeh, oval lens flares, and cinematic widescreen image characteristics associated with anamorphic cinematography.

PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, and other leading manufacturers.

Super 35 Coverage: Image circle sized for Super 35 sensors, matching the format used by a wide range of professional cinema cameras.

Manual Focus Design: Smooth manual focus ring built for repeatable focus pulls by a dedicated focus puller in standard cinema production workflows.

Lens SpecificationsAtlas Lens Co. 95mm T2.2

Atlas Lens Co. 95mm T2.2 full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length95mm
Maximum Aperturef/2.2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread86mm

DescriptionAtlas Lens Co. 95mm T2.2

The Atlas Lens Co. Mercury 95mm T2.2 Anamorphic Prime Lens is designed for professional cinema production, built around the PL Mount and optimized for the Super 35 sensor format. With a fixed 95mm focal length in the telephoto range and a maximum aperture of T2.2, it gives cinematographers a capable tool for controlled, shallow depth-of-field work in a variety of shooting conditions.

As a prime lens, it offers a dedicated optical design without the trade-offs of a zoom. Focus operation is entirely manual, which fits naturally into cinema workflows where precision focus pulling is handled separately from camera operation. The lens weighs 1,100g — substantial enough to feel solid on a cinema rig — and features an 86mm filter thread for integration with standard cinema filter and matte box systems.

The Cinema / Video camera system designation confirms its professional production focus. No image stabilization is included, consistent with the expectations of a lens intended for use on a supported cinema platform.

ProsAtlas Lens Co. 95mm T2.2

  • T2.2 maximum aperture provides strong light-gathering capability for an anamorphic prime
  • PL Mount ensures broad compatibility with professional cinema camera systems
  • Super 35 format coverage matches the sensor size of a wide range of cinema cameras

ConsAtlas Lens Co. 95mm T2.2

  • No autofocus capability — requires manual focus operation at all times
  • Super 35 coverage means the lens is not designed for larger sensor formats
  • No image stabilization, requiring stable rigging or support equipment

VideosAtlas Lens Co. 95mm T2.2

Atlas Mercury Anamorphics: Perfectly Imperfect!Robert Machado

Frequently Asked QuestionsAtlas Lens Co. 95mm T2.2

What camera mount does this lens use?+

The Atlas Mercury 95mm T2.2 uses a PL Mount, which is the standard mount for professional cinema cameras. It is not available in other mount configurations based on the current specifications.

What sensor format does this lens cover?+

This lens is designed to cover the Super 35 format. Cinematographers using cameras with larger sensor formats should verify coverage compatibility before use.

Does this lens support autofocus?+

No, the Atlas Mercury 95mm T2.2 is a fully manual focus lens. This is standard practice in cinema production, where a dedicated focus puller typically handles focus during a shot.

What is the maximum aperture of this lens?+

The lens has a maximum aperture of T2.2. Note that this is a T-stop rating, which measures actual light transmission through the lens, as is standard for cinema lens specifications.

What filter thread size does this lens use?+

The Atlas Mercury 95mm T2.2 features an 86mm filter thread, which is compatible with a wide range of cinema matte boxes and screw-on filter systems.

How heavy is this lens?+

The lens weighs 1,100g. This is a moderate weight for a PL-mount anamorphic prime, and it is typically used mounted on a cinema rig or support system rather than handheld.

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