Atlas Lens Co. Mercury Series Anamorphic Prime Lenses Set
The Atlas Lens Co. Anamorphic Prime Lenses Set is a 36–138mm f/2.2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Atlas Lens Co. Mercury Series Anamorphic Prime Lenses Set
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Lens Overview — Atlas Lens Co. Anamorphic Prime Lenses Set
Key Features — Atlas Lens Co. Anamorphic Prime Lenses Set
1.5x Anamorphic Squeeze: Delivers the characteristic widescreen cinematic look with anamorphic lens flares and oval bokeh native to the format.
36mm–138mm Focal Range: A matched prime set spanning wide to telephoto perspectives, giving cinematographers versatile coverage within a single unified lineup.
Consistent T2.2 Aperture: Every lens in the set shares the same maximum T-stop, so exposure stays matched when swapping focal lengths mid-production.
PL Mount: Industry-standard cinema lens mount ensures broad compatibility with professional camera systems from ARRI, RED, and others.
Super 35 Coverage: Optimized for Super 35 format sensors, the most common acquisition format in professional narrative film and television production.
Manual Focus Design: Smooth manual focus ring built for use with standard follow focus systems and dedicated focus pullers in professional cinema workflows.
Lens Specifications — Atlas Lens Co. Anamorphic Prime Lenses Set
| Spec | Detail |
|---|---|
| Use Cases | Fashion, Documentary, Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 36–138mm |
| Maximum Aperture | f/2.2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 95mm |
Description — Atlas Lens Co. Anamorphic Prime Lenses Set
The Atlas Lens Co. Mercury Series Anamorphic Prime Lenses Set brings together a matched collection of anamorphic prime lenses engineered specifically for Cinema / Video production. Built around the PL Mount, these lenses slot directly into professional cinema camera systems designed for the industry-standard mount.
The set covers focal lengths from 36mm to 138mm, with the range categorized as telephoto, giving cinematographers meaningful reach and variety across a single matched set. Every lens shares a maximum aperture of f/2.2, which simplifies exposure consistency when switching between primes during a shoot. Focus is entirely manual, with no autofocus and no image stabilization, placing these firmly in the hands-on professional cinema workflow.
Each lens weighs 1090g and features a 95mm filter thread, making it easy to share filters across all focal lengths in the set. Designed for the Super 35 format, the Mercury Series is optimized for the sensor size most commonly found in professional digital cinema cameras.
Pros — Atlas Lens Co. Anamorphic Prime Lenses Set
- ✓Consistent f/2.2 maximum aperture across all lenses in the set enables matched exposure when changing focal lengths
- ✓PL Mount is the industry-standard cinema mount, offering broad compatibility with professional cinema cameras
- ✓Focal length range from 36mm to 138mm provides versatile coverage for a wide range of cinematic scenarios
Cons — Atlas Lens Co. Anamorphic Prime Lenses Set
- ✗Manual focus only with no autofocus capability, requiring a dedicated focus puller or follow focus system
- ✗No image stabilization, which is standard for cinema primes but worth noting for handheld or gimbal use
- ✗Super 35 coverage may not satisfy productions requiring larger format sensor coverage
Reviews — Atlas Lens Co. Anamorphic Prime Lenses Set
Videos — Atlas Lens Co. Anamorphic Prime Lenses Set
Why Hollywood Uses These Cinematic Lenses // Atlas Mercury Anamorphic — Matti Haapoja