Atlas Lens Co. Orion 50mm T2 Anamorphic Cinema Lens
The Atlas Lens Co. 50mm T2 is a 50mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Atlas Lens Co. Orion 50mm T2 Anamorphic Cinema Lens
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Lens Overview — Atlas Lens Co. 50mm T2
Key Features — Atlas Lens Co. 50mm T2
1.5x Anamorphic Squeeze: Produces the characteristic anamorphic widescreen image with oval bokeh and horizontal lens flares native to the format.
T2 Maximum Aperture: Strong light transmission for a cinema anamorphic prime, supporting low-light shooting without heavy reliance on artificial lighting.
PL Mount: Industry-standard cinema mount for direct compatibility with professional camera systems from ARRI, RED, and others without adapters.
Super 35 Coverage: Designed to cover the Super 35 sensor format, the most widely used standard in professional cinema production.
50mm Fixed Focal Length: Standard focal length well-suited to interviews, dialogue scenes, and general narrative coverage.
Manual Focus Design: Smooth focus ring built for use with dedicated follow focus systems, consistent with professional cinema workflows.
Lens Specifications — Atlas Lens Co. 50mm T2
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 50mm |
| Maximum Aperture | f/2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 105mm |
Description — Atlas Lens Co. 50mm T2
The Atlas Lens Co. Orion is an anamorphic prime cinema lens with a 50mm focal length and a maximum aperture of T2, designed specifically for Super 35 format cinema cameras. It features a PL Mount, positioning it as a direct fit for professional cinema camera systems used in high-end film and television production.
The lens is manual focus only, making it ideal for use with dedicated follow focus rigs on professional sets. With a 105mm filter thread, it accommodates the large-diameter filtration that anamorphic lenses typically demand. The lens weighs 2.3kg, which reflects the substantial optical construction required for an anamorphic prime at this aperture.
As a prime lens in the standard focal length range, the 50mm focal length is a natural choice for dialogue scenes, coverage, and a wide variety of narrative shooting situations. There is no image stabilization, consistent with cinema production norms where stability is managed through camera rigging and support systems. The Orion 50mm T2 is a purpose-built tool for cinematographers working within established cinema workflows who require an anamorphic look on Super 35 productions.
Pros — Atlas Lens Co. 50mm T2
- ✓Maximum aperture of T2 provides strong light transmission for a cinema anamorphic prime
- ✓PL Mount offers direct compatibility with professional cinema camera systems
- ✓Super 35 lens format aligns with the most widely used cinema sensor standard
Cons — Atlas Lens Co. 50mm T2
- ✗At 2.3kg, the lens is quite heavy and may require additional rig support
- ✗No autofocus, which limits its use outside of traditional cinema workflows
- ✗Single PL Mount configuration — no alternative mount included in the base product
Reviews — Atlas Lens Co. 50mm T2
Videos — Atlas Lens Co. 50mm T2
Why Hollywood Uses These Cinematic Lenses // Atlas Mercury Anamorphic — Matti Haapoja