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Atlas Lens Co. Orion 80mm T2 2x Anamorphic Prime Lens (PL Mount)

The Atlas Lens Co. 80mm T2 is a 80mm f/2 cinema lens designed for PL Mount mount cameras. Used copies start from $5,997 on GearFocus, with buyer protection on every purchase.

Atlas Lens Co. Orion 80mm T2 2x Anamorphic Prime Lens (PL Mount)

Atlas Lens Co. Orion 80mm T2 2x Anamorphic Prime Lens (PL Mount)

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Lens OverviewAtlas Lens Co. 80mm T2

The Atlas Lens Co. Orion 80mm T2 is an anamorphic prime lens built for Super 35 cinema cameras, designed to deliver the distinctive visual character that anamorphic optics are known for. Mounted in PL, this lens sits firmly in the standard focal length range at 80mm, with a fast maximum aperture of T2 — giving cinematographers strong light-gathering capability and expressive depth-of-field control.

The lens is entirely manual focus, which is standard practice in cinema production workflows where follow focus systems and focus pullers manage critical focus with precision. Weighing in at 2.72kg, it's a substantial piece of glass built to cinema-grade standards, and the 105mm front filter thread accommodates large-format matte boxes and filters commonly used on professional sets. The PL mount is the industry-standard cinema mount, making this lens immediately compatible with a wide range of professional cinema camera bodies designed around the Super 35 format.

With no image stabilization — as expected for a manually operated cinema prime — this lens is intended for use on properly rigged camera support systems. For cinematographers seeking anamorphic optics with a fast aperture and PL mount compatibility in the Super 35 format, the Atlas Orion 80mm T2 presents a well-specified option at the standard focal length.

Key FeaturesAtlas Lens Co. 80mm T2

2x Anamorphic Squeeze: Delivers the wide, cinematic aspect ratio and characteristic anamorphic rendering — including oval bokeh and horizontal lens flares — associated with the format.

T2 Maximum Aperture: Fast T2 stop provides strong light-gathering capability and precise, consistent exposure across a matched lens set.

80mm Standard Focal Length: Sits in the standard focal length range for Super 35, making it well-suited for mid-range coverage, interviews, and close-up work.

Super 35 Coverage: Image circle is designed to cover Super 35 sensors, aligning with the most widely used format in professional cinema production.

PL Mount: Industry-standard cinema mount ensures direct compatibility with professional camera bodies from ARRI, RED, Sony, and others.

Manual Focus Design: Smooth manual focus ring is built for use with follow focus systems and focus pullers in professional cinema workflows.

Lens SpecificationsAtlas Lens Co. 80mm T2

Atlas Lens Co. 80mm T2 full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length80mm
Maximum Aperturef/2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread105mm

DescriptionAtlas Lens Co. 80mm T2

The Atlas Lens Co. Orion 80mm T2 is an anamorphic prime lens engineered for professional cinema production on Super 35 format cameras. With a PL mount — the industry-standard cinema lens mount — this lens integrates directly with a wide range of professional cinema camera platforms without the need for adapters.

The T2 maximum aperture provides excellent light transmission, giving cinematographers the ability to work in lower light conditions and achieve a shallow, expressive depth of field. As a manual focus prime in the standard focal length range, it is well-suited to structured cinema workflows where focus pulling and follow focus systems are standard practice. The 105mm filter thread accommodates large-format cinema filters and matte boxes, making it practical for fully rigged camera setups.

Weighing 2.72kg, this is a solidly built cinema-grade optic. Image stabilization is not present, which is consistent with its intended use on supported camera rigs. The lens carries an anamorphic optical type designation designed to work within the Super 35 cinema format.

ProsAtlas Lens Co. 80mm T2

  • Fast T2 maximum aperture provides strong light-gathering and shallow depth-of-field control
  • PL mount offers broad compatibility with professional Super 35 cinema cameras
  • 80mm focal length sits in the versatile standard range (focalLengthRange: Standard)

ConsAtlas Lens Co. 80mm T2

  • At 2.72kg, the lens is heavy and requires a properly rigged camera support system
  • Manual focus only — no autofocus capability for any shooting scenario
  • No image stabilization, requiring stable rigging for handheld or moving shots

ReviewsAtlas Lens Co. 80mm T2

VideosAtlas Lens Co. 80mm T2

Why Hollywood Uses These Cinematic Lenses // Atlas Mercury AnamorphicMatti Haapoja

Frequently Asked QuestionsAtlas Lens Co. 80mm T2

What camera mount does this lens use?+

The Atlas Orion 80mm T2 uses a PL mount, which is the standard mount for professional cinema cameras. It is designed for cameras operating in the Cinema / Video camera system category.

What sensor format is this lens designed for?+

This lens is designed for the Super 35 format, which is one of the most common sensor sizes used in professional digital cinema production.

Does this lens have autofocus?+

No, the Atlas Orion 80mm T2 is a manual focus lens only. This is consistent with professional cinema production practices where focus is typically controlled via dedicated follow focus systems.

What is the maximum aperture of this lens?+

The lens has a maximum aperture of T2. T-stop values represent the actual measured light transmission through the lens, making this rating particularly useful for consistent exposure matching in cinema workflows.

What filter size does this lens accept?+

The Atlas Orion 80mm T2 has a 105mm front filter thread, which is a large diameter suited to professional matte boxes and cinema-grade filtration systems commonly used on set.

How heavy is this lens?+

The lens weighs 2.72kg. This is a substantial weight typical of professional cinema lenses, and a properly rigged camera support system such as a shoulder rig or tripod with lens support is recommended.

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