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Atlas Orion 65mm T2 Anamorphic Cinema Lens - PL Mount

The Atlas Lens Co. 65mm T2 is a 65mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Atlas Orion 65mm T2 Anamorphic Cinema Lens - PL Mount

Atlas Orion 65mm T2 Anamorphic Cinema Lens - PL Mount

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Lens Overview — Atlas Lens Co. 65mm T2

The Atlas Lens Co. Orion 65mm T2 is a manual-focus anamorphic prime lens built for Super 35 cinema cameras, mounted in PL. Sitting in the standard focal length range, this lens opens to a maximum aperture of T2, making it a capable choice for low-light cinematography and shallow depth-of-field work.

As a prime lens, it commits fully to the 65mm focal length, which in the Super 35 format places it squarely in versatile standard-to-mild-telephoto territory for narrative and documentary work. The PL mount is the industry-standard fitting for professional cinema cameras, ensuring broad compatibility across the cinema camera ecosystem. At 2.31 kg, the Orion 65mm is a substantial piece of glass, befitting its cinema-grade construction and anamorphic optical design.

Focus is entirely manual, which is standard practice for cinema productions where a dedicated focus puller operates the lens via a follow focus system. There is no image stabilization, consistent with the expectations of a lens intended for use on gimbals, tripods, or camera rigs. This is a purpose-built tool for cinematographers who want anamorphic character at a standard focal length with a fast T2 aperture on Super 35 platforms.

Key Features — Atlas Lens Co. 65mm T2

2x Anamorphic Squeeze: 2x anamorphic squeeze ratio delivers the characteristic widescreen image, horizontal lens flares, and oval bokeh associated with classic cinema aesthetics.

T2 Maximum Aperture: Opens to T2 for strong light-gathering capability, enabling shallow depth of field and usable exposure in low-light shooting conditions.

65mm Prime Focal Length: Fixed 65mm focal length on Super 35 sits in versatile standard-to-mild-telephoto territory, well-suited for dialogue scenes and documentary work.

Super 35 Coverage: Designed to cover the Super 35 format, matching the most widely used sensor size in professional digital cinema cameras.

PL Mount: Industry-standard cinema lens mount ensures broad compatibility with professional camera systems from ARRI, RED, and others.

Manual Focus Design: Smooth, cinema-standard manual focus ring is built for precise, repeatable focus pulls when operated via a follow focus system.

Lens Specifications — Atlas Lens Co. 65mm T2

Atlas Lens Co. 65mm T2 full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length65mm
Maximum Aperturef/2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight2.31kg

Description — Atlas Lens Co. 65mm T2

The Atlas Lens Co. Orion 65mm T2 Anamorphic Cinema Lens in PL mount is a manual focus prime built specifically for Super 35 cinema cameras. With a maximum aperture of T2, it delivers strong light-gathering capability and the shallow depth of field that cinematographers seek for narrative and dramatic work.

The 65mm focal length places it in the standard focal length range, making it a versatile choice across a wide variety of shooting scenarios — from intimate dialogue scenes to environmental coverage. The PL mount ensures direct compatibility with professional cinema cameras without additional adapters. Weighing in at 2.31 kg, this is a solidly built cinema tool designed for rigged setups, tripods, and professional camera systems.

There is no autofocus and no image stabilization, both of which are consistent with cinema production workflows where controlled, deliberate shooting is the norm. The lens is classified as an anamorphic type, delivering the distinctive cinematic look associated with widescreen productions.

Pros — Atlas Lens Co. 65mm T2

  • ✓Fast T2 maximum aperture enables strong low-light performance and shallow depth of field
  • ✓PL mount provides industry-standard compatibility with professional cinema cameras
  • ✓Prime lens design at 65mm delivers optical consistency within the standard focal length range

Cons — Atlas Lens Co. 65mm T2

  • ✗Manual focus only — no autofocus support, requiring a dedicated focus puller on set
  • ✗At 2.31 kg, the lens is heavy and may demand more robust rigging and support systems
  • ✗No image stabilization, so handheld or run-and-gun shooting requires additional stabilization solutions

Reviews — Atlas Lens Co. 65mm T2

Videos — Atlas Lens Co. 65mm T2

Tested: Atlas Orion Anamorphic Cinema Lenses! — Adam Savage’s Tested

Resources & Downloads — Atlas Lens Co. 65mm T2

Manuals & Guides

Frequently Asked Questions — Atlas Lens Co. 65mm T2

What camera mount does this lens use?+
The Atlas Orion 65mm T2 is fitted with a PL mount, the standard cinema lens mount used across professional cinema camera platforms. This makes it directly compatible with PL-mount cinema cameras without requiring an adapter.
What sensor format does this lens cover?+
This lens is designed for the Super 35 format, which is one of the most common sensor sizes in professional digital cinema cameras. It is not specified for full-frame or large-format coverage.
Does this lens support autofocus?+
No. The Atlas Orion 65mm T2 is a manual focus lens only, with no autofocus capability. This is standard for professional cinema lenses, where precise focus control is typically handled by a focus puller using a follow focus system.
How fast is the maximum aperture, and is it measured in f-stops or T-stops?+
The lens has a maximum aperture of T2, measured in T-stops — the cinema-standard measurement that accounts for actual light transmission through the lens. This represents a fast aperture suitable for low-light shooting and shallow depth-of-field work.
How much does this lens weigh?+
The Atlas Orion 65mm T2 weighs 2.31 kg. This is a considerable weight for a cinema lens and should be factored into rigging, gimbal payload calculations, and operator comfort for extended shoots.
Does this lens have image stabilization?+
No, image stabilization is not present on this lens. For stabilized footage, users will need to rely on camera-body stabilization systems, gimbals, or other rigging solutions.

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