Blackmagic URSA Broadcast Cinema Camera
The Blackmagic Design URSA Broadcast is a 6K (6144 x 3456) Super 35 cinema camera — with 6K video. Check GearFocus for current availability, with buyer protection on every purchase.

Blackmagic URSA Broadcast Cinema Camera
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Camera Overview — Blackmagic Design URSA Broadcast
Key Features — Blackmagic Design URSA Broadcast
6K Super 35 Sensor: Captures footage at 6144 x 3456 resolution on a Super 35 sized sensor, delivering cinematic image quality suitable for broadcast and high-end production.
Blackmagic RAW Recording: Supports Blackmagic RAW alongside ProRes and DNxHD, giving post-production teams flexible format options with meaningful latitude for color grading.
12-Bit Color Depth: Records at up to 12-bit color depth across supported formats, providing greater tonal range and headroom for demanding colorist workflows.
B4 Broadcast Lens Mount: Native B4 mount compatibility opens up a wide selection of professional broadcast lenses, including ENG and EFP glass commonly used in live and studio production.
Broadcast Frame Rate Support: Covers 24, 25, 30, 50, and 60fps at supported resolutions, meeting the delivery requirements of both cinematic and broadcast production standards.
Four Storage Media Options: Records to CFast 2.0, SD UHS-II, USB Disk, or External SSD, allowing production teams to choose media based on budget, speed, and availability.
Camera Specifications — Blackmagic Design URSA Broadcast
| Spec | Detail |
|---|---|
| Use Cases | Studio, Video / Cinematography |
| Type | Other |
| Sensor | Super 35 |
| Resolution | 6K (6144 x 3456) |
| Processor | Not Specified |
| ISO Range | 0 – 0 |
| AF System | Manual Focus Only |
| AF Points | Not Specified |
| Max Video Resolution | 6K |
| Max Frame Rate | 60fps |
| Bit Depth | 12-bit |
| Video Color Profiles | ProRes, DNxHD, Blackmagic RAW |
Description — Blackmagic Design URSA Broadcast
The Blackmagic URSA Broadcast cinema camera is centered on a Super 35 sensor delivering a maximum resolution of 6K (6144 x 3456), suitable for high-end broadcast and film production workflows. Recording is available in ProRes, DNxHD, and Blackmagic RAW at 12-bit color depth, supporting a range of editorial and grading pipelines. Supported frame rates include 24fps, 25fps, 30fps, 50fps, and 60fps, making the camera adaptable to both international broadcast standards and cinematic delivery.
The B4 lens mount connects to broadcast-standard lenses, while on-camera monitoring is handled by a 4-inch touchscreen display. Storage flexibility is provided through CFast 2.0, SD UHS-II, USB Disk, and External SSD options. Connectivity includes Bluetooth, USB, USB-C, a microphone jack, and a headphone jack for audio monitoring.
No image stabilization, weather sealing, or HDMI output is present according to the available specifications.
Pros — Blackmagic Design URSA Broadcast
- ✓6K Super 35 sensor delivers high-resolution footage at 6144 x 3456
- ✓12-bit color depth across supported recording formats enables strong post-production flexibility
- ✓Multiple recording format support: ProRes, DNxHD, and Blackmagic RAW available
Cons — Blackmagic Design URSA Broadcast
- ✗No image stabilization of any kind — neither in-body nor digital
- ✗No weather sealing, limiting use in challenging outdoor conditions
- ✗No HDMI output specified, which may restrict direct monitor connectivity options
Reviews — Blackmagic Design URSA Broadcast
- Blackmagic Design URSA Broadcast - A 4K Live Production Camera for $3,500
CineD · 2013-12-01 - Blackmagic Ursa Cine 17K | In-Depth Review & Test Footage
CVP - Blackmagic's Best Cinema Camera ISN'T a Cinema Camera (URSA Broadcast G2)
Jake Hayden - Why Use A Broadcast Camera?! Blackmagic Design URSA Broadcast with Fujinon LA16x 4K Lens | Review
Joel Wallis - The "DO IT ALL CAMERA" that YOU forgot existed | Blackmagic Broadcast G2 6K
Fifaliana Films - URSA Broadcast G2 vs URSA Mini G2: Blackmagic URSA Showdown
Prof John
Videos — Blackmagic Design URSA Broadcast
Why this cinema camera STILL can’t be beat — Jake Hayden
