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Blackmagic URSA Broadcast G2 Camera

The Blackmagic Design URSA Broadcast G2 is a Super 35 cinema camera — known for its 6K Super 35 Sensor and High Frame Rate Options. Check GearFocus for current availability, with buyer protection on every purchase.

Blackmagic URSA Broadcast G2 Camera

Blackmagic URSA Broadcast G2 Camera

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Camera Overview — Blackmagic Design URSA Broadcast G2

The Blackmagic Design URSA Broadcast G2 is a professional cinema camera built around a Super 35 sensor capable of recording up to 6K resolution at up to 60fps. Designed with broadcast and production workflows in mind, it offers a versatile lens ecosystem through its B4 mount with additional compatibility for PL Mount and Canon EF lenses, making it adaptable across a wide range of productions. Recording formats include RAW, ProRes, and DNxHD, giving operators and post-production teams flexible options depending on their pipeline requirements.

Media recording is handled via CFast, SDXC, and SSD storage, providing both speed and capacity options on set. Connectivity is a strong suit, with 12G-SDI, HDMI, USB-C, and Ethernet ports covering monitoring, data transfer, and network integration needs. Audio inputs include both XLR and Mini XLR, accommodating professional microphones and field audio equipment.

The camera's maximum ISO of 3200 rounds out its core imaging capabilities. Weighing in at 3.4kg, the URSA Broadcast G2 is a substantial but manageable body suited for shoulder-mount and studio broadcast configurations alike.

Key Features — Blackmagic Design URSA Broadcast G2

6K Super 35 Sensor: Records up to 6K resolution on a Super 35 sensor, delivering cinematic image quality suitable for broadcast and high-end production work.

High Frame Rate Options: Supports high frame rate capture at lower resolutions, enabling slow-motion sequences without requiring an external recorder.

B4, PL, and EF Compatibility: Accepts B4 broadcast lenses, PL cinema lenses, and Canon EF lenses, making the camera adaptable across broadcast, documentary, and narrative productions.

RAW, ProRes, and DNxHD Recording: Three recording format options let operators match the output to their post-production pipeline, from lightweight proxies to full RAW files.

CFast, SDXC, and SSD Media: Supports three storage types to balance recording speed, capacity, and cost depending on the demands of the shoot.

12G-SDI and Ethernet Connectivity: 12G-SDI output supports high-bandwidth monitoring and broadcast integration, while Ethernet enables network control and connectivity on set.

Camera Specifications — Blackmagic Design URSA Broadcast G2

Blackmagic Design URSA Broadcast G2 full specifications
SpecDetail
Use CasesVideo / Cinematography, Documentary, Studio, Event
SensorSuper 35
Lens MountB4, PL Mount, Canon EF

Description — Blackmagic Design URSA Broadcast G2

The Blackmagic Design URSA Broadcast G2 delivers 6K maximum resolution recording at up to 60fps using a Super 35 sensor, positioning it as a capable option for high-resolution broadcast and production work. The camera's primary B4 Mount is complemented by compatibility with PL Mount and Canon EF lenses, offering considerable flexibility when it comes to glass selection. Recording format options span RAW, ProRes, and DNxHD, catering to both on-set efficiency and post-production demands.

Storage media options include CFast, SDXC, and SSD drives, providing operators with choices in recording speed and capacity. On the connectivity front, the URSA Broadcast G2 includes 12G-SDI, HDMI, USB-C, and Ethernet ports, while audio is handled through XLR and Mini XLR inputs for professional sound integration. With a maximum ISO 3200 and a body weight of 3.4kg, this camera is engineered for structured broadcast and production environments where image quality and workflow compatibility are priorities.

Pros — Blackmagic Design URSA Broadcast G2

  • ✓6K maximum video resolution with up to 60fps frame rate for high-detail capture
  • ✓Three recording format options — RAW, ProRes, and DNxHD — support diverse post-production workflows
  • ✓Flexible lens mount system supports B4, PL Mount, and Canon EF lenses

Cons — Blackmagic Design URSA Broadcast G2

  • ✗Maximum ISO of 3200 may limit performance in extremely low-light environments compared to higher-ISO cinema alternatives
  • ✗Body weight of 3.4kg requires robust support rigs for extended handheld use
  • ✗B4 mount as the primary mount means broadcast lens users need to verify adapter availability for other mount types

Reviews — Blackmagic Design URSA Broadcast G2

Videos — Blackmagic Design URSA Broadcast G2

Blackmagic URSA Broadcast G2 Complete Review & Comparison — Ryan Somerfield

Resources & Downloads — Blackmagic Design URSA Broadcast G2

Manuals & Guides

Frequently Asked Questions — Blackmagic Design URSA Broadcast G2

What recording formats does the URSA Broadcast G2 support?+
The URSA Broadcast G2 supports RAW, ProRes, and DNxHD recording formats. This gives production teams flexibility to choose the format best suited to their editing and delivery pipeline.
What lenses can I use with the URSA Broadcast G2?+
The camera features a B4 primary mount and is also compatible with PL Mount and Canon EF lenses. This broad compatibility makes it adaptable for broadcast, cinema, and documentary production environments.
What media types does the camera record to?+
The URSA Broadcast G2 records to CFast cards, SDXC cards, and SSD drives. Having three media options allows operators to balance recording speed and storage capacity based on the demands of the shoot.
What connectivity options are available on the URSA Broadcast G2?+
The camera includes 12G-SDI, HDMI, USB-C, and Ethernet connectivity. This range of outputs supports monitoring, external recording, data transfer, and network integration in broadcast and studio environments.
What is the maximum ISO on the URSA Broadcast G2?+
The camera has a maximum ISO of 3200. Shooters working in very low-light conditions should factor this into their lighting planning.
How heavy is the URSA Broadcast G2?+
The URSA Broadcast G2 weighs 3.4kg. This makes it well-suited for tripod, studio pedestal, or shoulder-mount rigs rather than extended freehand shooting.

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