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BLAZAR LENS MANTIS 35mm T2.0 1.33x Anamorphic Lens

The Blazar 35mm T2.0 1.33x Anamorphic is a 35mm f/2 lens designed for PL Mount, Canon EF, Sony E mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

BLAZAR LENS MANTIS 35mm T2.0 1.33x Anamorphic Lens

BLAZAR LENS MANTIS 35mm T2.0 1.33x Anamorphic Lens

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Lens Overview — Blazar 35mm T2.0 1.33x Anamorphic

The Blazar Mantis 35mm T2.0 is a prime anamorphic cinema lens built for filmmakers working across a range of camera systems. Designed for full-frame coverage, it opens up anamorphic shooting to a broader range of productions without requiring a dedicated anamorphic-format camera body. At T2.0, this lens offers a solid maximum aperture for a cinema prime, giving shooters meaningful light-gathering capability in controlled and run-and-gun environments alike.

The lens is manual focus only, which is standard practice in narrative and cinematic production workflows where focus pullers typically handle focus control on a separate follow-focus system. Weighing in at 1,200g, the Mantis 35mm has a substantial build consistent with cinema lens expectations, and its 82mm front filter thread accommodates common matte boxes and filter systems. Mount options include PL, Canon EF, and Sony E, making it adaptable across a wide range of cinema and mirrorless camera platforms.

The 35mm focal length sits in the standard range, making it a versatile choice for dialogue scenes, environmental shots, and general narrative work. Image stabilization is not included, which is typical for cinema primes intended for use on stabilized rigs or gimbals.

Key Features — Blazar 35mm T2.0 1.33x Anamorphic

1.33x Anamorphic Squeeze: Delivers the characteristic anamorphic widescreen look when desqueezed in post, producing a cinematic 2.39:1 aspect ratio from standard 16:9 sensors.

Full-Frame Coverage: Covers full-frame sensors without vignetting, opening anamorphic shooting to a wider range of modern cinema and mirrorless cameras.

T2.0 Maximum Aperture: A fast T2.0 stop provides strong light-gathering capability for a cinema prime, useful in low-light and run-and-gun production environments.

35mm Focal Length: A versatile standard focal length well-suited for dialogue scenes, environmental storytelling, and general narrative work.

Three Mount Options: Available in PL, Canon EF, and Sony E mounts, making the lens adaptable across a broad range of cinema and mirrorless camera platforms.

Manual Focus Design: Smooth manual focus ring is built to work with follow-focus systems and focus pullers in professional narrative production workflows.

Lens Specifications — Blazar 35mm T2.0 1.33x Anamorphic

Blazar 35mm T2.0 1.33x Anamorphic full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatFull Frame
Zoom/PrimePrime
Focal Length35mm
Maximum Aperturef/2
Camera SystemCinema / Video
Lens MountPL Mount, Canon EF, Sony E
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread82mm

Description — Blazar 35mm T2.0 1.33x Anamorphic

The Blazar Mantis 35mm T2.0 is a prime anamorphic cinema lens with a full-frame image circle, designed for the Cinema / Video camera system category. Its T2.0 maximum aperture gives filmmakers solid low-light capability for a dedicated cinema prime. The lens is manual focus only, consistent with professional narrative production standards where focus is typically managed via follow-focus systems.

Front filter compatibility is provided through an 82mm filter thread, which works seamlessly with most matte box and filter setups on the market. At 1,200g, the Mantis 35mm has a robust, production-ready build. Mount options span PL Mount, Canon EF, and Sony E, offering meaningful flexibility across cinema and mirrorless platforms.

The 35mm focal length places it in the standard range, suitable for a broad range of cinematic applications from character close-ups to wider environmental compositions. No image stabilization is included, so rig or gimbal-based stabilization should be planned accordingly.

Pros — Blazar 35mm T2.0 1.33x Anamorphic

  • ✓T2.0 maximum aperture provides strong light-gathering performance for a cinema prime
  • ✓Full-frame lens format ensures broad camera compatibility without vignetting on larger sensors
  • ✓Available in three mounts — PL, Canon EF, and Sony E — covering a wide range of cinema and hybrid camera systems

Cons — Blazar 35mm T2.0 1.33x Anamorphic

  • ✗No autofocus support, which limits usability in documentary or solo run-and-gun scenarios without a dedicated focus puller
  • ✗At 1,200g, the lens may be considered heavy for handheld or lightweight gimbal setups
  • ✗No image stabilization, so use on unstabilized rigs requires additional support equipment

Reviews — Blazar 35mm T2.0 1.33x Anamorphic

Videos — Blazar 35mm T2.0 1.33x Anamorphic

2X Bokeh With 1.33X Squeeze | Blazar MANTIS Just Reinvented Budget Anamorphics — cammackey

Frequently Asked Questions — Blazar 35mm T2.0 1.33x Anamorphic

What camera mounts does the Blazar Mantis 35mm T2.0 support?+
The lens is available in PL Mount, Canon EF, and Sony E mount configurations. This covers a wide range of cinema cameras and mirrorless hybrid bodies without needing an adapter.
Does this lens cover full-frame sensors?+
Yes, the Blazar Mantis 35mm T2.0 is specified as a full-frame format lens, meaning it is designed to cover full-frame sensors without vignetting.
Does the Blazar Mantis 35mm T2.0 have autofocus?+
No, this lens is manual focus only. It is designed for cinema and video production workflows where manual focus control via a follow-focus system or direct ring operation is standard practice.
What filter size does this lens use?+
The Blazar Mantis 35mm T2.0 has an 82mm front filter thread, which is compatible with a wide range of filters, matte boxes, and other front-of-lens accessories.
How much does the Blazar Mantis 35mm T2.0 weigh?+
The lens weighs 1,200g. This should be factored into rig and gimbal payload planning when building out a cinema camera setup.
Is image stabilization included?+
No, the specifications confirm that image stabilization is not included on this lens. Shooters requiring stabilization will need to rely on in-body stabilization, a gimbal, or other stabilization equipment.

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