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Blazar Lens Mantis 50mm T2.0 1.33x Anamorphic Lens

The Blazar Lens 50mm T2.0 1.33x Anamorphic is a 50mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Blazar Lens Mantis 50mm T2.0 1.33x Anamorphic Lens

Blazar Lens Mantis 50mm T2.0 1.33x Anamorphic Lens

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Lens Overview — Blazar Lens 50mm T2.0 1.33x Anamorphic

The Blazar Lens Mantis 50mm T2.0 is a prime anamorphic cinema lens built for full-frame coverage and designed squarely at filmmakers working in the cinema and video space. Mounted in PL, it slots naturally into professional cinema camera setups without any adapter complications. At a 50mm focal length, it sits in the standard focal length range — a versatile choice that works well for dialogue scenes, medium shots, and environmental storytelling where you want a natural perspective without compression or exaggeration.

The T2.0 maximum aperture gives shooters meaningful control over depth of field and respectable low-light capability. As a manual focus, manual iris lens — with no autofocus and no image stabilization — it is built for the kind of controlled, deliberate shooting environment where a focus puller or careful operator is part of the workflow. The lens type is classified as anamorphic, bringing the characteristic visual qualities associated with that format to full-frame sensors.

Weighing in at 1,200g, it has a substantial cinema lens build. Overall, the Mantis 50mm T2.0 is a purpose-built tool for cinematographers who want an anamorphic prime on a PL-mount cinema rig.

Key Features — Blazar Lens 50mm T2.0 1.33x Anamorphic

1.33x Anamorphic Squeeze: Delivers the characteristic anamorphic look — horizontal lens flares, oval bokeh, and a wider aspect ratio — from a compact prime form factor.

Full-Frame Coverage: Covers full-frame sensors without vignetting, making it compatible with cameras like the ARRI ALEXA LF, RED MONSTRO, and Sony VENICE.

T2.0 Maximum Aperture: Strong light transmission for a cinema anamorphic prime, giving cinematographers meaningful depth-of-field control and usable low-light performance.

PL Mount: Industry-standard cinema mount ensures direct, adapter-free compatibility with professional cinema cameras from ARRI, RED, and others.

50mm Standard Focal Length: Provides a natural, undistorted perspective well-suited to dialogue scenes, medium shots, and environmental coverage.

Manual Focus & Iris: Fully manual operation with no autofocus or electronic coupling, built for controlled cinema workflows with a dedicated focus puller.

Lens Specifications — Blazar Lens 50mm T2.0 1.33x Anamorphic

Blazar Lens 50mm T2.0 1.33x Anamorphic full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatFull Frame
Zoom/PrimePrime
Focal Length50mm
Maximum Aperturef/2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight1200g

Description — Blazar Lens 50mm T2.0 1.33x Anamorphic

The Blazar Lens Mantis 50mm T2.0 is a prime anamorphic lens designed for cinema and video production. Built around a PL Mount, it integrates directly into professional cinema camera systems, and its full-frame image circle means it performs across larger sensor formats without cropping concerns. The 50mm focal length places it in the standard range — a go-to choice for scenes where a natural, undistorted perspective is the goal.

The T2.0 maximum aperture provides solid light transmission performance, giving the operator meaningful control over exposure and depth of field separation. Operationally, the lens is manual focus only with no autofocus and no image stabilization, making it most at home in structured productions where precision and repeatability are prioritized over speed. The lens type is anamorphic, bringing the visual qualities associated with that format to compatible full-frame cinema cameras.

At 1,200g, this is a substantial build that suits a properly configured cinema rig. The Mantis 50mm T2.0 is a dedicated tool for cinematographers working in professional PL-mount environments.

Pros — Blazar Lens 50mm T2.0 1.33x Anamorphic

  • ✓Full-frame coverage (lensFormat: Full Frame) supports larger sensor cinema cameras without vignetting concerns
  • ✓T2.0 maximum aperture provides strong light transmission for a cinema-grade anamorphic prime
  • ✓PL Mount is a professional cinema standard, ensuring direct compatibility with a wide range of cinema cameras

Cons — Blazar Lens 50mm T2.0 1.33x Anamorphic

  • ✗No autofocus (autoFocus: false) makes it unsuitable for run-and-gun or solo shooting situations requiring fast or automatic focus
  • ✗No image stabilization (imageStabilization: None) means handheld shooting requires additional rigging or stabilization support
  • ✗At 1,200g, the weight demands a properly balanced rig and may add fatigue in extended handheld use

Videos — Blazar Lens 50mm T2.0 1.33x Anamorphic

2X Bokeh With 1.33X Squeeze | Blazar MANTIS Just Reinvented Budget Anamorphics — cammackey

Frequently Asked Questions — Blazar Lens 50mm T2.0 1.33x Anamorphic

What camera mount does the Blazar Mantis 50mm T2.0 use?+
The lens is available in PL Mount, which is a standard professional cinema mount. It is designed for cinema and video camera systems and does not include adaptations for mirrorless or DSLR mounts based on the available specifications.
Does this lens cover full-frame sensors?+
Yes, the specifications list the lens format as Full Frame, meaning it is designed to cover full-frame cinema sensors without vignetting under normal shooting conditions.
Is this lens suitable for solo or documentary-style shooting?+
The Mantis 50mm T2.0 is a manual focus lens with no autofocus and no image stabilization, as listed in its specifications. It is best suited to controlled production environments where a focus puller and a stabilized rig are part of the setup, rather than fast-moving solo operation.
What is the maximum aperture of this lens?+
The maximum aperture is T2.0, as listed in the specifications. This is a T-stop rating, which measures actual light transmission rather than the geometric f-stop, making it a reliable figure for exposure consistency across a cinema lens set.
What focal length range does the Mantis 50mm cover?+
This is a prime lens with a fixed 50mm focal length, classified in the standard focal length range. It does not zoom, which is consistent with cinema prime lens workflows that prioritize optical consistency and a defined field of view.
How heavy is the Blazar Mantis 50mm T2.0?+
The lens weighs 1,200g according to the specifications. This is a meaningful consideration for rig balancing and extended handheld or shoulder-mounted shooting, and it is worth accounting for when planning your camera support setup.