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Blazar Remus 100mm T2.8 Full-Frame 1.5x Anamorphic Lens

The Blazar 100mm T2.8 is a 100mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Blazar Remus 100mm T2.8 Full-Frame 1.5x Anamorphic Lens

Blazar Remus 100mm T2.8 Full-Frame 1.5x Anamorphic Lens

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Lens Overview — Blazar 100mm T2.8

The Blazar Remus 100mm T2.8 is a full-frame anamorphic prime lens built for professional cinema and video production. Mounted in PL, it is designed to pair with cinema camera systems that demand a standardized lens interface. As a prime lens with a 100mm focal length, it sits firmly in telephoto territory, making it well-suited for medium close-ups, portraits, and detail-oriented cinematic compositions.

The lens operates at a maximum aperture of T2.8 — a true transmission-based rating rather than a geometric f-stop — which is the standard measurement used in professional motion picture work, allowing for consistent exposure across a lens set. It covers a full-frame image circle, meaning it can be used with larger sensor cinema cameras without vignetting concerns. Manual focus is the sole focusing method, which is standard practice in professional cinematography workflows where follow focus systems and focus pullers are the norm.

Weighing 1200g, the Remus 100mm has a substantial build appropriate for a cinema prime intended for rigged setups. Image stabilization is not present, consistent with typical cinema lens design philosophy.

Key Features — Blazar 100mm T2.8

1.5x Anamorphic Squeeze: A 1.5x squeeze ratio delivers widescreen anamorphic characteristics — including horizontal lens flares and oval bokeh — while remaining compatible with full-frame sensors without excessive crop.

100mm Telephoto Prime: A dedicated 100mm focal length provides precise framing for close-ups, portraits, and detail shots within a consistent cinema lens set.

T2.8 Maximum Aperture: Transmission-rated at T2.8, this aperture value reflects actual light throughput for consistent exposure matching across a multi-lens production set.

Full-Frame Image Circle: Covers full-frame sensors without vignetting, making it compatible with larger-format cinema cameras such as the ARRI ALEXA LF or Sony VENICE.

PL Mount: Industry-standard cinema mount ensures broad compatibility with professional camera bodies from ARRI, RED, Sony, and others.

Manual Focus Design: Smooth manual focus ring is built for use with follow focus systems and dedicated focus pullers in professional cinema workflows.

Lens Specifications — Blazar 100mm T2.8

Blazar 100mm T2.8 full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatFull Frame
Zoom/PrimePrime
Focal Length100mm
Maximum Aperturef/2.8
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight1200g

Description — Blazar 100mm T2.8

The Blazar Remus is an anamorphic prime lens with a 100mm focal length placing it in the telephoto range, designed specifically for cinema and video production. It carries a T2.8 maximum aperture — a transmission-rated value used in professional motion picture work — allowing cinematographers to match exposures reliably across a lens set. The lens is built for full-frame coverage, making it suitable for use with modern large-sensor cinema cameras without image circle constraints.

Its PL mount is the professional cinema industry standard, ensuring broad compatibility with high-end cinema camera systems. Focusing is manual only, in keeping with professional cinema practice where follow focus rigs and focus pullers manage critical focus during production. The lens weighs 1200g, reflecting a solid, cinema-grade construction intended for use on rigged camera setups. Image stabilization is not included, which is typical for lenses of this category.

For cinematographers working in the telephoto range who need a full-frame anamorphic option on a PL-mount camera, the Remus 100mm T2.8 presents a focused, professionally oriented specification set.

Pros — Blazar 100mm T2.8

  • ✓Full-frame coverage ensures compatibility with larger sensor cinema cameras without image circle limitations
  • ✓T2.8 maximum aperture provides a calibrated, transmission-based exposure rating suited to professional multi-lens sets
  • ✓PL mount is a widely supported cinema-standard interface compatible with professional cinema camera bodies

Cons — Blazar 100mm T2.8

  • ✗No autofocus support — requires dedicated focus assistance equipment for run-and-gun or solo shooting situations
  • ✗PL mount limits compatibility to cinema-specific camera bodies; no native support for DSLR or mirrorless mounts based on available specs
  • ✗At 1200g, the lens weight may be demanding for handheld or lightweight rig configurations

Reviews — Blazar 100mm T2.8

Videos — Blazar 100mm T2.8

The BUDGET Anamorphic Lens We All WANTED | Blazar Remus — cammackey

Resources & Downloads — Blazar 100mm T2.8

Manuals & Guides

Frequently Asked Questions — Blazar 100mm T2.8

What mount does the Blazar Remus 100mm T2.8 use?+
The lens uses a PL mount, which is a standard interface in professional cinema camera systems. This makes it compatible with cinema cameras that accept PL-mount lenses.
Does this lens support autofocus?+
No, the Blazar Remus 100mm T2.8 is a manual focus lens only. This is consistent with professional cinema production workflows where follow focus systems and dedicated focus pullers are standard practice.
What sensor sizes does this lens cover?+
The lens is rated for full-frame coverage, meaning it is designed to cover the image circles of full-frame cinema sensors without vignetting. Smaller sensor formats will also be covered.
Is T2.8 the same as f/2.8?+
No — T2.8 is a T-stop rating, which measures actual light transmission through the lens rather than the geometric aperture. T-stops are the standard for cinema lenses because they allow consistent exposure matching across different lenses in a set.
How heavy is the Blazar Remus 100mm T2.8?+
The lens weighs 1200g. This is a meaningful consideration for rig and support system planning, particularly for handheld or lightweight camera configurations.
What filter thread size does this lens use?+
The filter thread size is not specified in the available product data. It is recommended to consult the manufacturer or retailer directly before purchasing filters for this lens.

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