Cooke 100mm T2.3 Anamorphic/i 1.8x Lens
The Cooke 100mm T2.3 is a 100mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Cooke 100mm T2.3 Anamorphic/i 1.8x Lens
Get notified when one lists.
We'll text or email you the moment a Cooke 100mm T2.3 is listed on GearFocus.
Have a Cooke 100mm T2.3 sitting in your bag?
You'd be the first listing for this model.
Serious buyers are already watching — list yours in minutes.
Lens Overview — Cooke 100mm T2.3
Key Features — Cooke 100mm T2.3
1.8x Anamorphic Squeeze: Captures a widescreen image with the characteristic anamorphic look, including horizontal lens flares and oval bokeh, using a 1.8x squeeze ratio.
T2.3 Maximum Aperture: Wide maximum aperture allows for usable exposure in controlled or low-light production environments while maintaining shallow depth of field.
PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.
Super 35 Coverage: Image circle designed for Super 35 format sensors, matching the most common sensor size in professional cinema production.
/i Technology Metadata: Cooke's /i Technology communicates real-time lens data — including focus distance, aperture, and serial number — to the camera and on-set metadata systems.
100mm Fixed Focal Length: Telephoto prime delivers consistent, dedicated framing well-suited to portrait, close-up, and medium-telephoto cinema work.
Lens Specifications — Cooke 100mm T2.3
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 100mm |
| Maximum Aperture | f/2.8 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 3402g |
Description — Cooke 100mm T2.3
The Cooke 100mm Anamorphic/i is a prime cinema lens with a fixed 100mm telephoto focal length, built on a PL Mount for professional cinema camera systems. It carries an anamorphic optical type classification and is designed to cover the Super 35 format. The lens operates at a maximum aperture of T2.8, providing reliable light transmission for controlled production environments.
Weighing in at 3,402 grams, this is a full-weight cinema optic that demands proper lens support and rigging infrastructure. Focus is entirely manual, with no autofocus or image stabilization — consistent with professional cinema lens conventions where dedicated focus pullers handle critical focus during production. The PL Mount ensures compatibility across a wide range of professional cinema camera platforms that accept this industry-standard mount.
As a prime rather than a zoom, the 100mm focal length is fixed, making this lens a dedicated telephoto tool within a cinema lens set. There is no filter thread size specified in the available data, so front-of-lens filtration options should be confirmed separately before production planning.
Pros — Cooke 100mm T2.3
- ✓Fixed 100mm telephoto focal length offers dedicated, consistent framing for portrait and medium-telephoto cinema work
- ✓Maximum aperture of T2.8 provides solid light-gathering capability in controlled production environments
- ✓PL Mount is the industry-standard cinema lens mount, offering broad compatibility across professional cinema camera bodies
Cons — Cooke 100mm T2.3
- ✗No image stabilization, requiring stable rigging or support systems for smooth footage
- ✗Manual focus only with no autofocus support, demanding skilled focus pullers on set
- ✗Weight of 3,402 grams is considerable and limits use on lighter camera support systems
Videos — Cooke 100mm T2.3
Cooke Anamorphic /i Special Flare 100mm T2.3 at T2.8 — ShareGrid
Frequently Asked Questions — Cooke 100mm T2.3
What camera mount does this Cooke 100mm Anamorphic/i use?+
This lens uses a PL Mount, which is the standard mount for professional cinema cameras. It is designed for the Cinema and Video camera system category. Always verify mount compatibility with your specific camera body.
What sensor format does this lens cover?+
The lens is designed for Super 35 format. Shooters using cameras with larger sensor formats should verify coverage before use, as performance outside the Super 35 image circle is not specified in the available data.
Does this lens support autofocus?+
No. This is a manual focus lens with no autofocus capability. It is intended for professional cinema productions where a dedicated focus puller manages focus during shooting.
What is the maximum aperture of this lens?+
The maximum aperture is T2.8. This T-stop rating reflects the actual light transmission of the lens, which is the relevant measurement for cinema exposure work rather than the f-stop scale.
How heavy is this lens and what does that mean for rigging?+
The lens weighs 3,402 grams. This is a substantial weight that will require a robust lens support system and camera rig. Lightweight handheld configurations are unlikely to be practical without additional support hardware.
Is this lens a zoom or a prime?+
This is a prime lens with a fixed focal length of 100mm. It does not zoom. The focal length is fixed at 100mm, placing it in the telephoto range.