Cooke 100mm T2.6 Panchro/i Classic Cinema Prime Lens (PL Mount)
The Cooke 100mm T2.6 is a 100mm f/2.6 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Cooke 100mm T2.6 Panchro/i Classic Cinema Prime Lens (PL Mount)
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Lens Overview — Cooke 100mm T2.6
Key Features — Cooke 100mm T2.6
PL Mount: Industry-standard cinema lens mount ensures broad compatibility with professional camera systems from ARRI, RED, Sony, and others.
T2.6 Maximum Aperture: Solid light-gathering capability for a cinema prime, useful for controlled interior setups and available-light shooting.
100mm Fixed Focal Length: A natural choice for portraiture, close-up work, and mid-range coverage in narrative and documentary productions.
Super 35 Coverage: Image circle designed to cover the Super 35 sensor format, the most widely used standard in professional digital cinema.
/i Technology: Built-in /i Technology metadata interface communicates lens data — including focus distance and aperture — to supported camera systems in real time.
Cooke Look: Optical character associated with Cooke lenses, known for warm, organic rendering that has been a staple of professional filmmaking for decades.
Lens Specifications — Cooke 100mm T2.6
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 100mm |
| Maximum Aperture | f/2.6 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 1814g |
Description — Cooke 100mm T2.6
The Cooke 100mm T2.6 Panchro/i Classic Cinema Prime Lens is built for professional cinema production, offering a fixed 100mm focal length and a maximum aperture of T2.6 in a PL Mount configuration. Designed for the Super 35 format, it integrates naturally into the most common digital cinema workflows. The lens is a manual focus only design — there is no autofocus — reflecting its intended use with professional focus-pulling setups on dedicated cinema rigs.
At 1,814g, it is a substantial piece of glass, and operators should plan accordingly for rigging and support. Classified as a Cine type prime within the Cinema / Video camera system category, this lens is purpose-built for cinematic production environments. The PL Mount is the dominant standard in professional motion picture cameras, giving this lens broad platform compatibility within that ecosystem.
With no image stabilization, stable camera support systems are essential. The combination of a standard focal length and a fast T2.6 aperture makes this a versatile tool for operators seeking a dependable 100mm prime in a PL-mount cine lens lineup.
Pros — Cooke 100mm T2.6
- ✓Maximum aperture of T2.6 provides strong light-gathering for a standard cine prime
- ✓PL Mount offers compatibility with professional cinema camera systems
- ✓Super 35 format coverage matches the most common sensor standard in digital cinema
Cons — Cooke 100mm T2.6
- ✗No autofocus — fully manual operation only, which may not suit all productions
- ✗No image stabilization, requiring stable rigging or support systems
- ✗At 1,814g, the lens has significant weight that may add strain to handheld or gimbal setups
Videos — Cooke 100mm T2.6
Cooke Speed Panchros (The Affordable High End Cinema Lens) — Robert Fatt