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Cooke 16mm S4/i T2 Cinema Lens (PL Mount)

The Cooke 16mm T2 is a 16mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Cooke 16mm S4/i T2 Cinema Lens (PL Mount)

Cooke 16mm S4/i T2 Cinema Lens (PL Mount)

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Lens Overview — Cooke 16mm T2

The Cooke 16mm S4/i is a prime cinema lens built for Super 16 format cameras, mounted on a PL Mount and offering a maximum aperture of T2. At a fixed focal length of 16mm, this wide-angle prime is part of Cooke's well-regarded S4/i line, designed for professional cinema and video production. The lens is manual focus only, with no autofocus or image stabilization — a deliberate choice suited to the controlled environments of professional film sets where focus pullers work with precision gear.

Weighing in at 1800g, it has a substantial, professional-grade build consistent with cinema lens standards. The PL Mount makes it compatible with a broad range of professional cinema camera bodies that accept this industry-standard mount. The lens is classified as a Cine type prime covering the wide-angle focal length range, making it a practical choice for establishing shots, environmental storytelling, and interior cinematography where a wide field of view is essential.

The Super 16 format coverage aligns it with cameras using that sensor or film size, keeping it purpose-built rather than a general-use optic. For productions requiring a dependable wide prime with a fast T2 aperture on a PL-mount camera system, this Cooke S4/i 16mm is a focused, professional tool.

Key Features — Cooke 16mm T2

16mm Wide-Angle Prime: Fixed 16mm focal length provides a wide field of view well-suited for establishing shots, interior cinematography, and environmental storytelling.

T2 Maximum Aperture: A fast T2 stop allows shooting in lower light conditions while providing shallow depth of field for cinematic imagery.

PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.

Super 16 Format Coverage: Designed specifically for Super 16 sensors and film, making it a purpose-built optic for cameras using that format.

Cooke S4/i Optical Design: Part of Cooke's renowned S4/i line, known for consistent color rendition and the characteristic 'Cooke Look' across the focal length range.

/i Technology Metadata: Built-in /i Technology communicates lens data — including focal length, aperture, and focus distance — directly to compatible camera systems for enhanced post-production workflows.

Lens Specifications — Cooke 16mm T2

Cooke 16mm T2 full specifications
SpecDetail
Use CasesVideo / Cinematography
Lens TypeCine
FormatSuper 16
Zoom/PrimePrime
Focal Length16mm
Maximum Aperturef/2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight1800g

Description — Cooke 16mm T2

The Cooke S4/i 16mm cinema prime is a PL Mount lens designed for Super 16 format productions. With a maximum aperture of T2, it provides a useful degree of light-gathering capability for a wide-angle prime in professional cinema contexts. The lens is a true prime, fixed at 16mm and covering the wide-angle focal length range, making it a practical choice for scenes requiring broad coverage or environmental context.

At 1800g, the build has the heft expected of a dedicated cinema optic. Focus is entirely manual, with no autofocus or image stabilization, consistent with professional cinema production standards where lens control is handled by dedicated crew. The PL Mount ensures compatibility across the range of professional cinema cameras that accept this widely adopted standard.

Whether you are working on a Super 16 film project or a digital cinema production using a Super 16 sensor camera, this Cooke S4/i 16mm T2 delivers a fixed, wide focal length with a fast aperture in a purpose-built cinema lens form factor.

Pros — Cooke 16mm T2

  • ✓Fast T2 maximum aperture allows shooting in lower light conditions
  • ✓Fixed 16mm wide-angle focal length is well-suited for expansive, environmental shots
  • ✓PL Mount is the industry-standard cinema mount, compatible with a wide range of professional cinema cameras

Cons — Cooke 16mm T2

  • ✗No autofocus — requires a dedicated focus puller or careful manual operation
  • ✗No image stabilization, which is standard for cinema primes but worth noting
  • ✗Super 16 format coverage limits use to cameras with matching or smaller sensor sizes

Videos — Cooke 16mm T2

Cooke Kinetals - Cheap hollywood cinema lenses for less than $1000 — Daniel Kuberek

Resources & Downloads — Cooke 16mm T2

Manuals & Guides

Frequently Asked Questions — Cooke 16mm T2

What camera mount does this Cooke S4/i 16mm use?+
This lens uses a PL Mount, which is the standard mount for professional cinema cameras. It is listed under the lens mount specifications as 'PL Mount'.
What is the maximum aperture of this lens?+
The maximum aperture is T2, as listed in the specifications. T-stop ratings measure actual light transmission, making this a useful figure for exposure calculations on set.
What sensor or film format does this lens cover?+
The lens is rated for Super 16 format, as stated in the lensFormat specification. It is optimized for cameras using Super 16 sensors or film frames and is not designed to cover larger formats.
Does this lens support autofocus?+
No. The lens is manual focus only, with autofocus listed as false in the specifications. This is standard for professional cinema lenses, where manual focus control is preferred on set.
How heavy is the Cooke S4/i 16mm T2?+
The lens weighs 1800g according to the specifications. This is a significant weight typical of cinema-grade prime lenses and should be accounted for when planning rig and support setups.
Is this lens suitable for handheld shooting given it has no image stabilization?+
The specifications confirm there is no image stabilization. Handheld use is possible but stabilization would need to come from the camera body or an external support system such as a gimbal or stabilizer rig.

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