Cooke 180mm Anamorphic/i SF Prime Lens
The Cooke 180mm Prime Lens is a 180mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Cooke 180mm Anamorphic/i SF Prime Lens
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Lens Overview — Cooke 180mm Prime Lens
Key Features — Cooke 180mm Prime Lens
2x Anamorphic Format: Full 2x anamorphic squeeze delivers the characteristic oval bokeh, horizontal lens flares, and wide aspect ratio associated with cinematic anamorphic imagery.
Special Flair (SF) Optics: The SF designation indicates intentionally retained optical character, producing distinctive flare and rendering that cinematographers use for creative effect rather than clinical sharpness.
T2.8 Maximum Aperture: A fast T2.8 stop for a telephoto anamorphic prime allows shooting in lower light and provides meaningful subject separation at 180mm.
180mm Telephoto Prime: Fixed focal length delivers a tight, consistent field of view well-suited to close-up portraiture, dramatic inserts, and long-lens compositions on set.
PL Mount: Industry-standard cinema mount ensures compatibility with professional camera bodies from ARRI, RED, Sony, and others.
Large Format Coverage: The Cooke Anamorphic/i SF series is designed to cover large format sensors such as the ARRI ALEXA 65 and Panavision DXL2, going beyond the standard Super 35 frame.
Lens Specifications — Cooke 180mm Prime Lens
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 180mm |
| Maximum Aperture | f/2.8 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 6.21kg |
Description — Cooke 180mm Prime Lens
The Cooke 180mm Anamorphic/i SF Prime Lens is a dedicated telephoto anamorphic prime built for professional cinema and video production. With a PL Mount and Super 35 format coverage, it integrates seamlessly into established high-end cinema workflows. The lens operates at a maximum aperture of T2.8, offering solid low-light performance for a telephoto prime of this type.
Focus is manual only, reflecting the lens's design intent for use with professional focus pullers rather than run-and-gun shooting. Weighing 6.21 kg, the lens is a substantial piece of glass that requires proper rigging and lens support to deploy effectively on set. The fixed 180mm focal length positions it as a telephoto prime for portraiture, dramatic close-ups, and compressed-perspective compositions.
Image stabilization is not included, consistent with its cinema prime pedigree where stability is addressed at the rig and support level rather than optically.
Pros — Cooke 180mm Prime Lens
- ✓Maximum aperture of T2.8 provides strong light-gathering capability for a telephoto anamorphic prime
- ✓PL Mount offers compatibility with a wide range of professional cinema camera bodies
- ✓Super 35 format coverage matches the most common digital cinema sensor standard
Cons — Cooke 180mm Prime Lens
- ✗At 6.21 kg, the lens demands substantial support rigging and adds significant load to any camera setup
- ✗No image stabilization, so handheld or gimbal use requires additional stabilization solutions
- ✗Single fixed focal length at 180mm limits versatility compared to a zoom or multi-lens kit
Videos — Cooke 180mm Prime Lens
Cooke Anamorphic/i Prime Lenses — Shift 4
Frequently Asked Questions — Cooke 180mm Prime Lens
What camera mount does this lens use?+
The Cooke 180mm Anamorphic/i SF Prime uses a PL Mount, the standard mount found on most professional cinema camera systems. This makes it compatible with a broad range of cinema-grade camera bodies in the industry.
What sensor size does this lens cover?+
The lens is designed for Super 35 format coverage, which aligns with the most widely used sensor standard in digital cinema production. It is not specified for larger formats in the provided data.
What is the maximum aperture of this lens?+
The maximum aperture is T2.8. This is a T-stop measurement, which accounts for actual light transmission, making it the relevant figure for cinema exposure work.
Does this lens have autofocus or image stabilization?+
No. The lens is manual focus only with no autofocus capability, and image stabilization is listed as None. This is standard for professional cinema prime lenses intended for use with dedicated focus pullers.
How heavy is this lens and what does that mean for rigging?+
The lens weighs 6.21 kg, which is substantial and will require a sturdy lens support or matte box bracket on most cinema rigs. Camera operators should plan their build accordingly to ensure balanced and safe operation.