Cooke 18mm Panchro/i Classic T2.2 Prime Lens for Full Frame (PL Mount)
The Cooke 18mm T2.2 Prime Lens is a 18mm f/2.2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Cooke 18mm Panchro/i Classic T2.2 Prime Lens for Full Frame (PL Mount)
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Lens Overview — Cooke 18mm T2.2 Prime Lens
Key Features — Cooke 18mm T2.2 Prime Lens
18mm Wide-Angle Prime: A fixed 18mm focal length delivers a broad field of view suited to establishing shots, environmental storytelling, and immersive interior scenes.
T2.2 Maximum Aperture: A fast T2.2 stop allows shooting in lower light conditions and provides meaningful depth-of-field control for a wide-angle prime.
Full Frame Coverage: Designed to cover the full frame image circle, making it compatible with larger sensor cinema cameras such as the ARRI ALEXA LF and Sony VENICE.
PL Mount: Industry-standard cinema lens mount ensures broad compatibility with professional camera systems from ARRI, RED, Sony, and others.
Cooke /i Technology: Encodes and transmits lens metadata — including aperture, focus distance, and depth of field — to the camera and on-set data systems in real time.
Classic Cooke Look: The Panchro/i Classic series is tuned to render the warm, organic character historically associated with Cooke glass, distinguishing it from more clinical modern optics.
Lens Specifications — Cooke 18mm T2.2 Prime Lens
| Spec | Detail |
|---|---|
| Use Cases | Studio, Video / Cinematography, Creative Effects |
| Lens Type | Prime |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 18mm |
| Maximum Aperture | f/2.2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 105mm |
Description — Cooke 18mm T2.2 Prime Lens
The Cooke 18mm Panchro/i Classic T2.2 is a prime cinema lens built around the PL Mount and engineered to cover the full frame image format. Its 18mm focal length places it firmly in the wide-angle range, offering cinematographers a broad field of view suited to expansive environmental shots and dramatic interior scenes. The lens opens to a maximum aperture of T2.2, a T-stop measurement that reflects real-world light transmission, giving productions a dependable exposure reference under controlled lighting conditions.
Operating in manual focus only, it integrates naturally into professional cinema workflows where dedicated focus pullers handle critical focus adjustments. With a 105mm filter thread, the lens accommodates a wide range of professional cinema filter systems, helping maintain consistent visual treatment across a production. Weighing 1590g, it carries the solid build quality expected of a professional cinema prime.
There is no image stabilization, consistent with standard cinema prime lens design. The PL Mount ensures compatibility with industry-standard cinema cameras, making this lens a practical wide-angle option for productions working within the full frame format.
Pros — Cooke 18mm T2.2 Prime Lens
- ✓T2.2 maximum aperture provides strong light-gathering capability for a wide-angle cinema prime
- ✓Full frame coverage (lensFormat: Full Frame) makes it compatible with larger sensor cinema cameras
- ✓PL Mount is an industry-standard cinema mount with broad camera body compatibility
Cons — Cooke 18mm T2.2 Prime Lens
- ✗At 1590g, the lens is substantial and may add significant weight to handheld or gimbal rigs
- ✗No image stabilization (imageStabilization: None), though this is typical for PL mount cinema primes
- ✗Manual focus only (autoFocus: false) — not suited for any run-and-gun or solo shooting scenarios requiring autofocus
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