Cooke 18mm T2.2 Panchro/i Classic Cinema Prime Lens - PL Mount
The Cooke 18mm T2.2 is a 18mm f/2.2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Cooke 18mm T2.2 Panchro/i Classic Cinema Prime Lens - PL Mount
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Lens Overview — Cooke 18mm T2.2
Key Features — Cooke 18mm T2.2
18mm Wide-Angle Prime: Fixed 18mm focal length provides a consistent wide perspective suited for establishing shots, interiors, and environmental coverage.
T2.2 Maximum Aperture: Strong light-gathering capability for a wide-angle cine prime, useful in low-light production environments without sacrificing depth-of-field control.
PL Mount: Industry-standard cinema mount ensures compatibility with professional camera systems from ARRI, RED, Sony, and others.
Super 35 Coverage: Image circle covers the Super 35 format, matching the most widely used sensor size in professional digital cinema production.
Cooke /i Technology: Embedded /i metadata protocol communicates lens data — including focal length, aperture, and focus distance — to compatible camera systems for use in post-production workflows.
Classic Cooke Look: The Panchro/i Classic line is designed to replicate the organic, warm rendering characteristic of vintage Cooke optics while meeting modern mechanical tolerances.
Lens Specifications — Cooke 18mm T2.2
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 18mm |
| Maximum Aperture | f/2.2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 105mm |
Description — Cooke 18mm T2.2
The Cooke 18mm T2.2 Panchro/i Classic Cinema Prime Lens is a dedicated wide-angle prime built for professional Cinema / Video production. Mounted via a PL Mount, it integrates directly with the professional cinema camera ecosystem without the need for adapters. The lens delivers a T2.2 maximum aperture, offering reliable light-gathering performance in a wide-angle configuration.
Covering image sensors up to the Super 35 format, it is designed to work with the predominant sensor standard found across professional digital cinema cameras in use today. This is a manual focus prime with no autofocus capability, which aligns with the established practice of using dedicated focus pullers and follow-focus rigs on professional sets. The fixed 18mm focal length places this lens squarely in the wide-angle range, suitable for expansive environmental coverage, interiors, and establishing sequences.
Weighing 1,450g, the lens has the density expected of a professional cinema optic. The 105mm filter thread supports large-format filtration. Image stabilization is not included, standard for a cine prime intended for use with dedicated stabilization equipment.
Pros — Cooke 18mm T2.2
- ✓Wide T2.2 maximum aperture provides strong light-gathering performance for a cine wide-angle prime
- ✓PL Mount ensures broad compatibility with professional Cinema / Video camera systems
- ✓Super 35 format coverage suits the most widely used sensor size in digital cinema production
Cons — Cooke 18mm T2.2
- ✗At 1,450g, the weight may be a consideration for handheld or gimbal-based operators compared to lighter wide-angle options
- ✗No image stabilization, requiring external stabilization solutions for moving shots
- ✗Super 35 format coverage only — not suitable for larger format sensors beyond that specification
Videos — Cooke 18mm T2.2
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