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Cooke 25mm S4/i T2 Cinema Prime Lens

The Cooke 25mm T2 is a 25mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Cooke 25mm S4/i T2 Cinema Prime Lens

Cooke 25mm S4/i T2 Cinema Prime Lens

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Lens Overview — Cooke 25mm T2

The Cooke 25mm S4/i T2 Cinema Prime Lens is a wide-angle cinema prime built for professional film and video production. Designed around a PL Mount interface, it integrates seamlessly into established cinema camera ecosystems that rely on this industry-standard mount. With a maximum aperture of T2, this lens offers solid light-gathering capability for a cinema prime, giving cinematographers meaningful control over exposure in challenging lighting conditions.

The lens covers a Super 35 format sensor, making it well-suited to the most widely used cinema camera sensor size in the industry. At 25mm, it sits in wide-angle territory, a focal length commonly called upon for establishing shots, environmental storytelling, and immersive perspectives. Focus is entirely manual, as expected from a dedicated cinema prime, and the lens accepts 52mm front filters.

Weighing in at 1,587.6g, it carries the substantial build characteristic of professional cinema glass. Image stabilization is not present, which is standard practice for cinema lenses used on stabilized rigs and gimbals. This lens is firmly positioned within the Cinema / Video camera system category, purpose-built for narrative and commercial production workflows.

Key Features — Cooke 25mm T2

PL Mount: Industry-standard cinema lens mount ensures compatibility with professional camera systems from ARRI, RED, Sony, and others.

T2 Maximum Aperture: Solid light transmission for a cinema prime, giving cinematographers useful exposure flexibility in lower-light conditions.

25mm Wide-Angle Focal Length: A frequently used cinema focal length well suited to establishing shots, environmental storytelling, and immersive perspectives.

Super 35 Format Coverage: Designed to cover the most widely used sensor size in professional cinema production with no vignetting.

Manual Focus Design: Smooth, precise focus ring built for repeatable focus pulls and compatibility with standard cinema follow-focus systems.

Cooke /i Technology: Embedded lens metadata system transmits real-time lens data to the camera and on-set systems for streamlined post-production workflows.

Lens Specifications — Cooke 25mm T2

Cooke 25mm T2 full specifications
SpecDetail
Use CasesVideo / Cinematography
Lens TypeCine
FormatSuper 35
Zoom/PrimePrime
Focal Length25mm
Maximum Aperturef/2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread52mm

Description — Cooke 25mm T2

The Cooke 25mm S4/i T2 Cinema Prime Lens is a purpose-built wide-angle prime for professional cinema production. Mounted via PL Mount, it fits the most widely adopted lens interface in the cinema industry, offering broad camera compatibility within Cinema / Video production environments. The lens delivers a maximum aperture of T2, providing reliable light transmission measured in true T-stop values for consistent exposure matching across a lens set.

Covering the Super 35 format, it aligns with the predominant sensor size used in professional cinema cameras today. At a fixed focal length of 25mm, this prime occupies the wide-angle range, a go-to perspective for immersive and environmental cinematography. Focus is fully manual, in keeping with professional cinema production standards that rely on dedicated focus pullers for precise, repeatable pulls.

The lens accepts 52mm front filters and has a total weight of 1,587.6g, reflecting its robust professional-grade construction. No image stabilization is present, consistent with cinema prime design philosophy.

Pros — Cooke 25mm T2

  • ✓Maximum aperture of T2 provides strong light-gathering performance for a cinema prime
  • ✓PL Mount ensures compatibility with a wide range of professional cinema cameras
  • ✓Super 35 format coverage matches the most prevalent cinema sensor size

Cons — Cooke 25mm T2

  • ✗No autofocus, which limits versatility in run-and-gun or documentary-style shooting without a dedicated focus puller
  • ✗No image stabilization, requiring reliance on external stabilization systems for handheld work
  • ✗Weight of 1,587.6g may add up when building a multi-lens cinema package for travel productions

Videos — Cooke 25mm T2

Classic Cooke Look With The NEW SP3 Full Frame Cine Lenses — B&H Photo Video Pro Audio

Resources & Downloads — Cooke 25mm T2

Manuals & Guides

Frequently Asked Questions — Cooke 25mm T2

What camera mount does the Cooke 25mm S4/i T2 use?+
This lens uses a PL Mount, which is the industry-standard cinema lens mount. It is designed for use with cinema cameras that accept PL Mount lenses within the Cinema / Video camera system category.
What sensor format does this lens cover?+
The Cooke 25mm S4/i T2 is designed to cover Super 35 format sensors. This is one of the most common sensor sizes in professional cinema cameras, making this lens broadly applicable across mainstream cinema production platforms.
What is the maximum aperture of this lens?+
The maximum aperture is T2. T-stop ratings measure actual light transmission through the lens, making this a meaningful and consistent exposure reference across a cinema lens set.
Does this lens have autofocus or image stabilization?+
No. This is a fully manual focus cinema prime with no autofocus capability and no image stabilization. Both omissions are standard for professional cinema primes, which are typically used with dedicated focus pullers and externally stabilized camera rigs.
What filter size does the Cooke 25mm S4/i T2 accept?+
The lens has a 52mm filter thread. This allows direct attachment of standard 52mm screw-in filters, though step-up rings may be needed if matching to a larger common filter diameter across a cinema lens set.
How heavy is this lens?+
The Cooke 25mm S4/i T2 weighs 1,587.6g. This is a substantial weight typical of professional cinema prime construction, and should be factored into camera rig balancing and lens package logistics.

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