Cooke 25mm T2.0 S7/i Full Frame Plus Cinema Lens for PL Mount
The Cooke 25mm T2.0 is a 25mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Cooke 25mm T2.0 S7/i Full Frame Plus Cinema Lens for PL Mount
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Lens Overview — Cooke 25mm T2.0
Key Features — Cooke 25mm T2.0
25mm Prime Focal Length: A wide-standard field of view well suited to environmental storytelling, interiors, and versatile on-set compositions.
T2.0 Maximum Aperture: Strong light-gathering performance for a full frame cinema prime, useful in low-light environments and for achieving shallow depth of field.
Full Frame Plus Coverage: Image circle covers full frame sensors and beyond, making it compatible with large-format cinema cameras such as the ARRI ALEXA LF and RED MONSTRO.
PL Mount: Industry-standard cinema lens mount offering broad compatibility with professional camera systems from ARRI, RED, Sony, and others.
/i Technology Metadata: Transmits real-time lens data — including focus distance, aperture, and depth of field — to the camera and on-set monitoring systems for enhanced workflow integration.
Cooke Look Rendering: Produces the warm, organic character associated with Cooke glass, sought after across feature film and high-end episodic productions.
Lens Specifications — Cooke 25mm T2.0
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 25mm |
| Maximum Aperture | f/2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 3500g |
Description — Cooke 25mm T2.0
The Cooke 25mm T2.0 S7/i Full Frame Plus Cinema Lens is a dedicated cinema prime designed for the PL Mount and covering a full frame sensor format. With a fixed 25mm focal length in the standard range and a maximum aperture of T2.0, this lens is built for professional productions that demand precise, repeatable optical performance. The lens weighs 3,500g, reflecting the robust construction expected of a high-end cinema prime in this class.
Focus is entirely manual, making it well-suited to workflows where a dedicated focus puller operates the lens. There is no image stabilization, which is consistent with cinema lens design philosophy where stabilization is typically handled at the camera or rig level. The PL Mount integration ensures compatibility with a wide range of professional cinema camera bodies.
As a prime lens in the Cine category within the Cinema / Video camera system class, the 25mm T2.0 is a focused, single-focal-length tool designed for productions where optical control and consistency are paramount.
Pros — Cooke 25mm T2.0
- ✓Maximum aperture of T2.0 provides strong light collection for a 25mm cinema prime
- ✓Full frame lens format ensures coverage for large sensor cinema cameras
- ✓PL Mount offers broad compatibility across professional cinema camera systems
Cons — Cooke 25mm T2.0
- ✗At 3,500g, the lens is heavy and may require additional rigging or support
- ✗No autofocus — requires a dedicated focus puller or experienced operator
- ✗No image stabilization, relying entirely on the camera rig for stability
Videos — Cooke 25mm T2.0
Hands On With the New Cooke S7/i Primes at NAB 2017 — CineD
Frequently Asked Questions — Cooke 25mm T2.0
What camera mount does this Cooke lens use?+
This lens uses a PL Mount, which is a standard mount widely used across professional film and digital cinema cameras. It is designed for use in Cinema and Video camera systems.
Does this lens cover full frame sensors?+
Yes, the lens format is specified as Full Frame, meaning it is designed to provide coverage for full frame cinema sensors.
What is the maximum aperture of this lens?+
The maximum aperture is T2.0, which is the T-stop measurement used in cinema lenses to represent calibrated light transmission.
How heavy is this lens?+
The lens weighs 3,500g, which is a significant consideration for handheld operation or gimbal use and may require appropriate support rigging.
Does this lens support autofocus?+
No, this lens is manual focus only with no autofocus capability. It is intended for professional cinema production workflows where focus is pulled manually.
Is there a filter thread on this lens?+
The filter thread size is not specified in the available product data. Buyers should verify filter compatibility directly with the manufacturer or retailer before purchasing filtration accessories.