Cooke 27mm S7/I Full Frame Plus Lens T2.0
The Cooke 27mm T2.0 is a 27mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Cooke 27mm S7/I Full Frame Plus Lens T2.0
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Lens Overview — Cooke 27mm T2.0
Key Features — Cooke 27mm T2.0
27mm Full-Frame Prime: Fixed focal length covers full-frame sensors, making it suitable for use with large-format cinema cameras without vignetting.
T2.0 Maximum Aperture: A fast T-stop rating allows for strong light gathering and shallow depth of field in controlled or low-light production environments.
PL Mount: Industry-standard cinema mount ensures direct compatibility with professional camera systems from ARRI, RED, and others.
Cooke S7/I Series: Part of a matched full-frame prime set, designed to deliver a consistent optical character across all focal lengths in the series.
i/Technology Lens Metadata: Built-in /i Technology protocol communicates real-time lens data — including focus distance and aperture — to the camera and on-set systems.
Manual Focus Design: Smooth, cinema-grade manual focus ring built for precise, repeatable focus pulls in professional narrative and commercial workflows.
Lens Specifications — Cooke 27mm T2.0
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 27mm |
| Maximum Aperture | f/2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 3400g |
Description — Cooke 27mm T2.0
The Cooke 27mm S7/I Full Frame Plus is a prime cinema lens with a fixed 27mm focal length and a PL Mount, built for Cinema/Video camera systems. It delivers a maximum aperture of T2.0 and is rated to cover full-frame sensors, making it suitable for high-end cinema productions shooting on modern large-format digital cinema cameras. The lens is manual focus only with no autofocus capability and no image stabilization, placing it firmly in the tradition of professional cinema glass where operator control and optical consistency are the priorities.
Weighing 3,400g, it is a substantial lens that will require appropriate rigging and support. No filter thread size is specified, so front-end filtration should be planned using a matte box or similar solution. As a standard focal length prime within the S7/I series, it is well-suited to dialogue scenes, interviews, and general narrative cinematography.
Pros — Cooke 27mm T2.0
- ✓Maximum aperture of T2.0 provides strong light-gathering capability for a cinema prime
- ✓Full-frame lens format ensures coverage for full-frame sensors
- ✓PL Mount offers compatibility with professional cinema camera platforms
Cons — Cooke 27mm T2.0
- ✗At 3,400g, this lens is heavy and will require robust support and rigging solutions
- ✗No image stabilization, so it is entirely dependent on camera/rig stabilization
- ✗No filter thread size specified, which may complicate front-end accessory attachment
Videos — Cooke 27mm T2.0
Cooke Anamorphic/i Prime Lenses — Shift 4