Cooke 32mm T2.0 S7/i Full Frame Plus Prime Cinema Lens
The Cooke 32mm T2.0 is a 32mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Cooke 32mm T2.0 S7/i Full Frame Plus Prime Cinema Lens
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Lens Overview — Cooke 32mm T2.0
Key Features — Cooke 32mm T2.0
32mm Standard Focal Length: Versatile focal length suited to a wide range of shots including dialogue, environmental, and handheld work.
T2.0 Maximum Aperture: Calibrated T-stop rating ensures consistent, measurable light transmission across matched lens sets on set.
Full-Frame Plus Coverage: Designed to cover sensors larger than standard full-frame, future-proofing for large-format cinema camera systems.
PL Mount: Industry-standard cinema lens mount compatible with professional camera bodies from ARRI, RED, Sony, and others.
S7/i Full Frame Plus System: Part of a cohesive Cooke prime set sharing matched optical character, mechanics, and /i Technology metadata output.
/i Technology Metadata: Embeds real-time lens data — including focus distance, aperture, and depth of field — directly into the camera's metadata stream for post-production workflows.
Lens Specifications — Cooke 32mm T2.0
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 32mm |
| Maximum Aperture | f/2 |
| Camera System | Cooke S7/i Full Frame Plus |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual Focus |
| Image Stabilization | None |
| Weight | 3.4kg |
Description — Cooke 32mm T2.0
The Cooke 32mm T2.0 S7/i Full Frame Plus Prime Cinema Lens is a professional-grade cinema prime built around the PL Mount and designed to cover full-frame sensors. With a maximum aperture of T2.0, this lens handles a wide range of lighting conditions on set. As part of the Cooke S7/i Full Frame Plus camera system, it is engineered to match seamlessly with other lenses in the S7/i lineup, ensuring consistent rendering across a full prime set.
Focus is entirely manual, keeping the lens in line with professional cinema production practices where focus pullers require precise, tactile control. The lens is classified in the standard focal length range at 32mm, offering a natural perspective well-suited to dialogue scenes, medium shots, and a variety of narrative applications. At 3.4kg, it is a substantial optic that demands proper support and rigging.
No image stabilization is included, consistent with cinema lens design where stabilization is managed at the camera or support rig level. No filter thread size is specified in the available data.
Pros — Cooke 32mm T2.0
- ✓Maximum aperture of T2.0 provides strong light-gathering capability for cinema production
- ✓Full-frame lens format ensures coverage for large-sensor cinema cameras
- ✓PL Mount offers broad compatibility with professional cinema camera bodies
Cons — Cooke 32mm T2.0
- ✗At 3.4kg, this lens is heavy and will require robust support rigs and follow focus systems
- ✗No image stabilization, so motion control must be handled externally
- ✗Single fixed focal length at 32mm offers no zoom flexibility
Videos — Cooke 32mm T2.0
Cooke's New S7/i Line of Primes Designed for Full Frame & Beyond — No Film School
Frequently Asked Questions — Cooke 32mm T2.0
What mount does this Cooke 32mm T2.0 use?+
This lens uses a PL Mount, the industry-standard mount for professional cinema cameras. It is part of the Cooke S7/i Full Frame Plus camera system.
Does this lens cover full-frame sensors?+
Yes, the lens format is specified as Full Frame, meaning it is designed to cover full-frame cinema sensors without vignetting.
What is the maximum aperture of this lens?+
The maximum aperture is T2.0. Note that this is a T-stop rating, which is the standard light transmission measurement used for cinema lenses.
Does this lens have autofocus or image stabilization?+
No. This lens is manual focus only and has no image stabilization. Both are standard omissions for a professional cinema prime intended for use with follow focus systems on a production rig.
How heavy is this lens?+
The lens weighs 3.4kg. This is a significant weight that should be factored into rigging and support system planning on set.
What focal length range category does the 32mm fall into?+
According to the product specifications, this 32mm focal length is classified in the standard focal length range, making it a versatile choice for a broad range of cinematic compositions.