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Cooke 40mm Anamorphic/i SF 1.8x Lens

The Cooke 40mm is a 40mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Cooke 40mm Anamorphic/i SF 1.8x Lens

Cooke 40mm Anamorphic/i SF 1.8x Lens

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Lens Overview — Cooke 40mm

The Cooke 40mm Anamorphic/i SF is a prime cinema lens built for the PL Mount and designed around a Super 35 image format. Falling into the standard focal length range, this 40mm prime offers a maximum aperture of f/2.8 and is operated entirely through manual focus, making it well-suited to the deliberate, crew-driven workflows common in narrative film and high-end commercial production. The lens carries the Special Flare designation within Cooke's anamorphic lineup, signaling an optical character oriented toward distinctive visual rendering rather than clinical neutrality.

With an anamorphic type classification, the lens is built to deliver the horizontally compressed image capture associated with widescreen cinematic presentation. Weighing in at 4,400g, this is a substantial piece of glass that reflects the robust construction expected from professional cinema optics intended for use on larger rigs and follow-focus systems. Image stabilization is not present, which is standard for a manual prime of this class.

The PL Mount interface ensures broad compatibility across the professional cinema camera ecosystem. For productions seeking a lens with recognizable anamorphic character at a standard focal length, the Cooke 40mm SF presents a well-defined option within Cooke's cinema lens range.

Key Features — Cooke 40mm

1.8x Anamorphic Squeeze: Captures horizontally compressed widescreen images that unsqueeze to a cinematic aspect ratio in post-production.

Special Flare (SF) Optics: Tuned for distinctive anamorphic flare character, offering a more expressive optical rendering compared to Cooke's standard anamorphic lineup.

40mm Standard Prime: A standard focal length that provides a field of view close to natural human perspective, suitable for dialogue, coverage, and a wide range of scene types.

T2.8 Maximum Aperture: Provides solid light-gathering capability for a lens of this size and optical complexity, useful in controlled lighting environments.

Super 35 Format Coverage: Designed to cover the Super 35 image circle, matching the sensor size found in many professional digital cinema cameras.

PL Mount Interface: Industry-standard cinema mount ensures compatibility with camera systems from ARRI, RED, Sony, and other major manufacturers.

Lens Specifications — Cooke 40mm

Cooke 40mm full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length40mm
Maximum Aperturef/2.8
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight4400g

Description — Cooke 40mm

The Cooke 40mm Anamorphic/i SF is a Prime cinema lens mounted on a PL Mount, built to serve the demands of professional Cinema / Video production. It operates as a manual focus lens with no autofocus capability, fitting naturally into traditional film and digital cinema crew workflows. The lens covers a Super 35 image format and falls into the standard focal length range at a fixed 40mm focal length.

Its maximum aperture reaches f/2.8, offering solid light-gathering performance for narrative and commercial productions. Classified as an Anamorphic type lens with a Special Flare designation, it is purpose-built to deliver a distinctive cinematic rendering character. At 4,400g, the lens has the substantial weight profile expected of professional cinema glass, requiring appropriate rig support and a dedicated follow-focus system.

There is no image stabilization, and no filter thread is specified. For productions operating within the Super 35 ecosystem on PL Mount cinema cameras, this 40mm prime represents a well-defined focal length choice within Cooke's professional anamorphic lineup.

Pros — Cooke 40mm

  • ✓PL Mount interface offers compatibility across professional cinema camera systems
  • ✓Anamorphic lens type delivers widescreen cinematic image capture
  • ✓Maximum aperture of f/2.8 provides solid light-gathering capability for a cinema prime

Cons — Cooke 40mm

  • ✗At 4,400g, the lens is very heavy and will require a substantial rig and support system
  • ✗No image stabilization, so handheld or gimbal use demands careful technique
  • ✗No filter thread listed, which may complicate filtration setups

Reviews — Cooke 40mm

Videos — Cooke 40mm

Cooke Anamorphic/i Prime Lenses — Shift 4

Resources & Downloads — Cooke 40mm

Manuals & Guides

Frequently Asked Questions — Cooke 40mm

What camera mount does the Cooke 40mm Anamorphic/i SF use?+
The lens is built on a PL Mount, which is the standard interface for professional cinema cameras. This makes it compatible with a wide range of cinema camera bodies that accept the PL Mount.
What image sensor format does this lens cover?+
The Cooke 40mm Anamorphic/i SF is designed for Super 35 format coverage. Shooters using cameras with larger sensors should verify coverage before use.
Does this lens support autofocus?+
No. The lens is manual focus only, which is typical for professional cinema primes. Focus pulling is handled by a dedicated focus puller using the lens's manual focus ring.
How heavy is the Cooke 40mm Anamorphic/i SF?+
The lens weighs 4,400g, making it a substantial piece of cinema glass. Proper lens support, a follow-focus system, and a capable rig are strongly recommended.
Is this lens classified as a zoom or a prime?+
This is a prime lens with a fixed 40mm focal length, placing it in the standard focal length range. There is no zoom capability.
Does the lens have image stabilization?+
No, image stabilization is listed as None. This is consistent with professional cinema prime lenses, where camera support systems handle motion control rather than in-lens stabilization.

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