Cooke 40mm T2.0 S7/i Prime Lens
The Cooke 40mm T2.0 is a 40mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Cooke 40mm T2.0 S7/i Prime Lens
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Lens Overview — Cooke 40mm T2.0
Key Features — Cooke 40mm T2.0
PL Mount: Industry-standard cinema lens mount ensures compatibility with professional camera systems from ARRI, RED, Sony, and others.
T2.0 Maximum Aperture: Provides strong light gathering capability and background separation suitable for narrative and documentary cinematography.
Full-Frame Coverage: Covers a full-frame sensor format, making it compatible with large-format cinema cameras such as the ARRI ALEXA LF and Sony VENICE.
40mm Standard Focal Length: Offers a natural, unexaggerated perspective well-suited to dialogue scenes, handheld work, and general coverage shooting.
Manual Focus Design: Smooth, precise focus ring built for repeatable focus pulls by a dedicated focus puller in professional cinema workflows.
/i Technology Metadata: Cooke's /i Technology embedded in the lens communicates real-time lens data — including aperture, focus distance, and depth of field — to the camera and on-set metadata systems.
Lens Specifications — Cooke 40mm T2.0
| Spec | Detail |
|---|---|
| Use Cases | Studio, Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 40mm |
| Maximum Aperture | f/2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 3500g |
Description — Cooke 40mm T2.0
The Cooke 40mm T2.0 S7/i Prime Lens is a professional cinema prime designed for full-frame sensor coverage and built around the PL Mount, placing it firmly in the world of high-end motion picture and digital cinema production. With a maximum aperture of T2.0, this lens delivers dependable performance in lower-light conditions while offering the background separation that cinematographers value in a fast prime. The 40mm focal length sits in the standard range, making it a go-to choice for scenes requiring a natural, undistorted perspective.
At 3,500g, this is a solidly constructed lens with the weight and build quality expected from a dedicated cinema optic. Focus is manual, which aligns with professional film production workflows where a focus puller operates the lens independently from the camera operator. The lens is categorized as a prime in the standard focal length range, and carries no image stabilization — standard for cinema primes used on professionally stabilized camera support systems.
The PL Mount ensures broad compatibility across cinema camera platforms that use this widely adopted standard.
Pros — Cooke 40mm T2.0
- ✓T2.0 maximum aperture provides strong low-light performance for a cinema prime
- ✓Full-frame sensor coverage supports large-format cinema camera systems
- ✓PL Mount ensures compatibility with a wide range of industry-standard cinema cameras
Cons — Cooke 40mm T2.0
- ✗At 3,500g, the lens is quite heavy and may require additional support on lighter rigs
- ✗No image stabilization, so stable footage depends entirely on the camera support system
- ✗Manual focus only — not suited for any run-and-gun or solo shooter work requiring autofocus
Videos — Cooke 40mm T2.0
Cooke Varotal/i FF Zoom lens comparison with the S7/i FF Prime lens — Cooke Optics