Cooke 40mm T2.8 miniS4/i Cinema Lens - Marked in Feet
The Cooke 40mm T2.8 is a 40mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Cooke 40mm T2.8 miniS4/i Cinema Lens - Marked in Feet
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Lens Overview — Cooke 40mm T2.8
Key Features — Cooke 40mm T2.8
PL Mount: Industry-standard cinema lens mount ensures compatibility with professional camera bodies from ARRI, RED, Sony, and others.
Super 35 Coverage: Designed to cover the Super 35 format, matching the sensor size used across the majority of professional cinema productions.
40mm Prime Focal Length: Fixed standard focal length produces a natural perspective well-suited to narrative, documentary, and commercial cinematography.
T2.8 Maximum Aperture: Solid light-gathering capability that performs across varied production lighting conditions without requiring extensive artificial light setups.
Manual Focus Design: Smooth, precise focus ring built for accurate, repeatable focus pulls by a dedicated focus puller on professional sets.
Feet Calibration: Focus markings in feet align with the measurement conventions used on North American and many international film productions.
Lens Specifications — Cooke 40mm T2.8
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 40mm |
| Maximum Aperture | f/2.8 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 3.4kg |
Description — Cooke 40mm T2.8
The Cooke 40mm T2.8 miniS4/i Cinema Lens is a manual focus prime designed specifically for professional cinema production. Built around a PL Mount, it integrates with the industry-standard camera bodies used across high-end film and television production. The lens covers the Super 35 format, matching the sensor size found in the majority of professional digital cinema cameras in use today.
With a maximum aperture of T2.8, it delivers reliable light transmission across a variety of production lighting scenarios. Sitting in the standard focal length range at a fixed 40mm, the lens offers a perspective well-suited to narrative and documentary cinematography where a natural field of view is desired. Focus marks are calibrated in feet, catering to the workflow conventions common on professional sets.
The lens has a total weight of 3.4kg, reflecting the robust construction expected of a professional cinema-grade optic. With no autofocus and no image stabilization, it is engineered purely for the controlled, deliberate workflow of professional filmmaking with dedicated camera and focus pulling crews.
Pros — Cooke 40mm T2.8
- ✓T2.8 maximum aperture provides solid light-gathering for a range of shooting conditions
- ✓PL Mount ensures compatibility with industry-standard professional cinema camera bodies
- ✓Super 35 format coverage matches the most widely used sensor size in professional cinema production
Cons — Cooke 40mm T2.8
- ✗At 3.4kg, the lens adds considerable weight to a camera rig, which may be a factor on handheld or gimbal setups
- ✗No image stabilization, as confirmed by specs, so stable rigging or support systems are required
- ✗No autofocus capability, limiting use cases where rapid or automated focus is needed
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