Cooke 65mm S7/I Lens for Full Frame Cinema T2.0
The Cooke 65mm T2.0 is a 65mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Cooke 65mm S7/I Lens for Full Frame Cinema T2.0
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Lens Overview — Cooke 65mm T2.0
Key Features — Cooke 65mm T2.0
PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.
T2.0 Maximum Aperture: Provides strong light gathering for cinema production, reducing reliance on artificial lighting in demanding conditions.
Full Frame Coverage: Covers full frame sensors, making it compatible with the growing range of large-sensor cinema cameras such as the ARRI ALEXA LF and Sony VENICE.
65mm Prime Focal Length: Sits between wide and short telephoto territory on full frame sensors, offering a natural perspective well-suited to narrative and commercial cinematography.
Manual Focus Design: Smooth, precise focus ring built for professional focus pullers using follow focus systems and measured distances.
S7/I Series Optics: Part of Cooke's dedicated full frame cinema line, designed to deliver the characteristic Cooke Look with consistent color and rendering across the S7/I set.
Lens Specifications — Cooke 65mm T2.0
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 65mm |
| Maximum Aperture | f/2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 3kg |
Description — Cooke 65mm T2.0
The Cooke 65mm S7/I is a professional prime cinema lens built for full frame sensor coverage, paired with a PL mount for compatibility across professional cinema camera bodies. Operating at a maximum aperture of T2.0, it provides strong light transmission suited to demanding production environments. The lens is fully manual focus, as is expected in professional cinema workflows where dedicated focus pullers manage focus with follow focus systems.
Weighing 3kg, this is a substantial piece of glass that calls for proper rig support in production. The 65mm focal length places it comfortably in the standard focal length range, offering a natural perspective on full frame sensors that works well across a variety of cinematic shooting scenarios. With no image stabilization and a design purpose-built for the cinema and video camera system, the S7/I is oriented squarely at professional film and commercial productions that demand consistent, high-quality full frame coverage.
Pros — Cooke 65mm T2.0
- ✓T2.0 maximum aperture delivers strong light gathering capability for cinema production
- ✓Full frame coverage supports the growing range of large-sensor cinema cameras
- ✓PL mount ensures compatibility with a wide range of professional cinema camera systems
Cons — Cooke 65mm T2.0
- ✗At 3kg, the lens is heavy and requires a well-supported camera rig for extended use
- ✗No filter thread size specified, which may complicate on-set filter integration
- ✗Manual focus only — not suitable for any run-and-gun or autofocus-dependent workflow
Reviews — Cooke 65mm T2.0
- The Cooke Look goes full frame with the S7/i primes
Newsshooter · 2017-04-19 - The Most Popular Cinema Lenses: Zeiss, Canon, Cooke, Arri, Angénieux
In Depth Cine - Why These Lenses Are Some One Of Hollywood's Favourites!!
CVP - Cooke Speed Panchros (The Affordable High End Cinema Lens)
Robert Fatt - Hands On With the New Cooke S7/i Primes at NAB 2017
CineD - Cooke Optics Brings New Focal Lengths for S7/i FF Plus and Panchro/i Classic at Cine Gear 2018
ProductionHUBTV
Videos — Cooke 65mm T2.0
Cooke Optics announces new focal lengths for S7/i and Anamorphic/i Full Frame Plus ranges — ProductionHUBTV
Frequently Asked Questions — Cooke 65mm T2.0
What camera mount does the Cooke 65mm S7/I use?+
The Cooke 65mm S7/I is built with a PL mount, which is the standard mount used across professional cinema cameras. This makes it compatible with a wide range of cinema camera bodies that accept PL mount lenses.
Does this lens support autofocus?+
No, the Cooke 65mm S7/I is a manual focus only lens. This is standard for professional cinema lenses, where focus pullers use follow focus systems and measured distances rather than autofocus systems.
What sensors does this lens cover?+
The Cooke 65mm S7/I is designed for full frame sensors, making it suitable for full frame cinema cameras. It will also cover smaller sensor formats used in cinema cameras.
How heavy is the Cooke 65mm S7/I?+
The lens weighs 3kg. This substantial weight is typical of professional cinema glass and means a proper cinema rig or support system is recommended for comfortable extended use.
Does the Cooke 65mm S7/I have image stabilization?+
No, image stabilization is listed as None. Cinema productions using this lens would rely on gimbals, sliders, dollies, or other camera support equipment for stabilized shots.
What is the maximum aperture of this lens?+
The maximum aperture is T2.0, expressed as a T-stop which accounts for actual light transmission through the lens elements. This gives the lens solid low-light performance for cinema production.