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Cooke 65mm T2.3 Anamorphic/i Cinema Prime Lens for PL Mount

The Cooke 65mm T2.3 is a 65mm f/2.3 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Cooke 65mm T2.3 Anamorphic/i Cinema Prime Lens for PL Mount

Cooke 65mm T2.3 Anamorphic/i Cinema Prime Lens for PL Mount

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Lens Overview — Cooke 65mm T2.3

The Cooke 65mm T2.3 Anamorphic/i Cinema Prime Lens is a manual-focus anamorphic prime built for the PL Mount and designed around the Super 35 format. With a maximum aperture of T2.3, this lens offers solid light-gathering capability for a cinema anamorphic prime, giving cinematographers meaningful flexibility in lower-light shooting scenarios without sacrificing the anamorphic aesthetic. The lens is classified as a telephoto focal length and operates as a fixed 65mm prime, making it a deliberate, purposeful choice for controlled framing rather than a run-and-gun zoom solution.

It is part of Cooke's Anamorphic/i series, which is built around the PL Mount standard widely used in professional cinema production. The lens is manual focus only, with no autofocus or image stabilization — both expected and appropriate characteristics for a cinema prime intended for use with dedicated focus-pulling workflows. At 5.2 kg, this is a substantial piece of glass, and users should plan rigging and support accordingly.

The Super 35 format coverage aligns it with a broad range of digital cinema camera systems commonly used in professional film and television production. This lens is squarely aimed at professional cinematographers working in structured production environments where manual control, PL Mount compatibility, and Super 35 coverage are the baseline requirements.

Key Features — Cooke 65mm T2.3

65mm Anamorphic Prime: Fixed focal length delivers consistent optical characteristics and suits deliberate, controlled framing in professional production.

2x Anamorphic Squeeze: Produces the characteristic anamorphic widescreen image, oval bokeh, and horizontal lens flares associated with the cinematic anamorphic look.

T2.3 Maximum Aperture: Strong light transmission for an anamorphic cinema prime, providing meaningful flexibility in lower-light shooting conditions.

PL Mount: Industry-standard cinema lens mount ensures broad compatibility with professional camera systems from ARRI, RED, and others.

Super 35 Format Coverage: Covers the Super 35 sensor format used across a wide range of professional digital cinema cameras commonly found on film and television productions.

/i Technology Metadata: Transmits real-time lens data — including focal length, aperture, and focus distance — directly to the camera and on-set monitoring systems via the PL Mount's /i protocol.

Lens Specifications — Cooke 65mm T2.3

Cooke 65mm T2.3 full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length65mm
Maximum Aperturef/2.3
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight5.2kg

Description — Cooke 65mm T2.3

The Cooke 65mm T2.3 Anamorphic/i Cinema Prime Lens is a professional-grade anamorphic prime built on the PL Mount, targeting cinematographers working within the Super 35 format ecosystem. With a maximum aperture of T2.3, this lens provides meaningful low-light capability for a cinema anamorphic prime, and the T-stop rating ensures the value reflects real-world light transmission for accurate exposure work. As a 65mm prime, it occupies the telephoto focal length range and offers the commitment and optical consistency that prime lenses are valued for in narrative and commercial cinema production.

The lens is manual focus only, with no autofocus and no image stabilization, making it purpose-built for crew-assisted professional production environments. Weighing 5.2 kg, this is a heavy, production-grade lens that demands appropriate support and rigging. It is classified for Cinema and Video camera systems and designed around the PL Mount standard, placing it firmly within the professional cinema production world.

For cinematographers building an anamorphic kit around a PL-mount cinema camera with Super 35 coverage, this 65mm prime delivers the aperture and focal length characteristics needed for controlled, intentional image-making.

Pros — Cooke 65mm T2.3

  • ✓Maximum aperture of T2.3 offers strong light transmission for an anamorphic cinema prime
  • ✓PL Mount is the industry-standard cinema lens mount, ensuring broad camera compatibility within professional cinema ecosystems
  • ✓Super 35 format coverage aligns with a wide range of professional digital cinema cameras

Cons — Cooke 65mm T2.3

  • ✗At 5.2 kg, this lens is heavy and will require robust rigging and support systems, adding to overall kit weight
  • ✗No autofocus capability makes it unsuitable for run-and-gun or single-operator shooting styles
  • ✗No image stabilization is present, placing all stabilization responsibility on the camera rig or operator

Videos — Cooke 65mm T2.3

Cooke Anamorphic/i Prime Lenses — Shift 4

Resources & Downloads — Cooke 65mm T2.3

Manuals & Guides

Frequently Asked Questions — Cooke 65mm T2.3

What camera mount does this Cooke anamorphic lens use?+
This lens is built with a PL Mount, the standard cinema lens mount used across a wide range of professional digital and film cinema cameras. It is specifically categorized for Cinema and Video camera systems.
What sensor format does this lens cover?+
The Cooke 65mm T2.3 Anamorphic/i covers the Super 35 format. Shooters working with cameras using larger sensor formats should verify coverage compatibility before use.
What is the maximum aperture of this lens?+
The lens has a maximum aperture of T2.3. This is a T-stop value, which measures actual light transmission rather than the theoretical f-stop, making it a reliable figure for exposure calculation in cinema production.
Does this lens support autofocus?+
No, this lens is manual focus only with no autofocus capability. It is designed for traditional cinema production workflows where a focus puller operates focus via follow focus systems or wireless FIZ rigs.
How heavy is this lens, and what does that mean for rigging?+
The lens weighs 5.2 kg, which is substantial. Cinematographers and camera assistants should plan for appropriate lens support, a robust mattebox or rod system, and a suitably rated head and tripod or other support platform.
What focal length does this lens provide?+
This is a fixed 65mm prime lens. The minimum and maximum focal length are both 65mm, meaning there is no zoom range — it is a single focal length prime designed for deliberate compositional choices.

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