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Cooke 65mm T2.6 Macro Anamorphic/i SF Prime Lens

The Cooke 65mm T2.6 Macro is a 65mm f/2.6 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Cooke 65mm T2.6 Macro Anamorphic/i SF Prime Lens

Cooke 65mm T2.6 Macro Anamorphic/i SF Prime Lens

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Lens Overview — Cooke 65mm T2.6 Macro

The Cooke 65mm T2.6 Macro Anamorphic/i SF Prime Lens is a fixed focal length cinema lens designed for the Super 35 format and built around a PL Mount interface. Operating at a maximum aperture of T2.6, this prime lens is classified in the telephoto focal length range and is intended exclusively for Cinema and Video camera systems. Focus is fully manual, with no autofocus or image stabilization present, keeping the design true to professional cinematographic workflow where precise, deliberate focus control is standard practice.

At 5.2 kg, this is a substantial piece of glass that communicates its professional-grade build and optical ambition. The lens carries the Anamorphic/i SF designation within Cooke's broader anamorphic line, placing it alongside a family of lenses known for their distinct visual character. The macro type classification signals close-focus capability beyond typical prime lenses.

With a fixed 65mm focal length and no filter thread listed in the specifications, shooters should plan rigorously for accessory compatibility. The PL Mount makes it directly compatible with a wide range of industry-standard cinema camera bodies used across commercial, feature film, and high-end episodic productions targeting the Super 35 sensor format.

Key Features — Cooke 65mm T2.6 Macro

Anamorphic/i SF Design: The lens belongs to Cooke's SF (Special Flair) anamorphic line, producing characteristic anamorphic oval bokeh and lens flare rendering.

T2.6 Maximum Aperture: The lens operates at a maximum aperture of T2.6, providing measured light transmission suitable for controlled cinema lighting environments.

65mm Fixed Focal Length: A prime 65mm focal length delivers a moderate telephoto perspective on Super 35, useful for portraits and close-to-medium compositions.

Macro Close-Focus Capability: The macro classification indicates extended close-focus capability beyond that of standard cinema prime lenses.

PL Mount Interface: Built on a PL Mount, the lens is directly compatible with a wide range of industry-standard cinema cameras from ARRI, RED, Sony, and others.

Super 35 Format Coverage: The lens is designed to cover the Super 35 sensor format, the predominant format in professional digital cinema production.

Lens Specifications — Cooke 65mm T2.6 Macro

Cooke 65mm T2.6 Macro full specifications
SpecDetail
Use CasesMacro, Fashion, Video / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length65mm
Maximum Aperturef/2.6
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight5.2kg

Description — Cooke 65mm T2.6 Macro

The Cooke 65mm T2.6 Macro Anamorphic/i SF Prime Lens is a professional cinema prime built on a PL Mount for use with Cinema and Video camera systems. Covering the Super 35 format, this fixed 65mm telephoto prime operates at a maximum aperture of T2.6 and is classified as a Macro type lens, extending its functional range into close-focus territory. Focus is entirely manual, with no autofocus and no image stabilization, keeping the optical and mechanical design aligned with professional cinema production standards where control and repeatability are paramount.

The lens sits within Cooke's Anamorphic/i SF line and carries the Prime designation, meaning focal length is fixed with no zoom adjustment. Weighing 5.2 kg, this is a physically demanding lens that requires solid rigging support on set. No filter thread is listed in the available specifications, so filtration planning should factor in matte box or external filter holder solutions.

With its PL Mount and Super 35 coverage, the lens is positioned firmly within the professional digital cinema ecosystem.

Pros — Cooke 65mm T2.6 Macro

  • ✓Maximum aperture of T2.6 provides solid light-gathering capability for a cinema prime
  • ✓PL Mount ensures broad compatibility with professional Cinema and Video camera systems
  • ✓Super 35 format coverage matches the most widely used sensor size in digital cinema production

Cons — Cooke 65mm T2.6 Macro

  • ✗At 5.2 kg, this lens is exceptionally heavy and will demand robust support rigs and follow-focus systems
  • ✗No filter thread listed in the specifications, which may complicate on-set filtration workflows
  • ✗No image stabilization, which is expected for cinema primes but worth noting for handheld or gimbal use cases

Videos — Cooke 65mm T2.6 Macro

Cooke Anamorphic/i Prime Lenses — Shift 4

Resources & Downloads — Cooke 65mm T2.6 Macro

Manuals & Guides

Frequently Asked Questions — Cooke 65mm T2.6 Macro

What camera mount does this lens use?+
The Cooke 65mm T2.6 Macro Anamorphic/i SF uses a PL Mount, which is the standard for professional cinema cameras. It is designed for Cinema and Video camera systems operating in the Super 35 format.
Does this lens support autofocus?+
No. This lens is strictly manual focus with no autofocus functionality. This is consistent with professional cinema lens design, where focus pulling is handled by dedicated focus assistants using follow-focus systems.
What sensor format does this lens cover?+
The lens is designed to cover the Super 35 format, which is the most common sensor size used in digital cinema production. It is not specified for larger format coverage based on the available specifications.
How heavy is this lens and what does that mean for rigging?+
The lens weighs 5.2 kg, making it a substantial and physically demanding piece of equipment. Users should plan for a heavy-duty lens support system, a robust matte box setup, and a reliable follow-focus rig to operate it effectively on set.
Is there a filter thread on this lens?+
No filter thread size is listed in the specifications for this lens. Cinematographers who require on-lens filtration should verify compatibility with third-party filter support systems or matte box solutions before production.
What aperture range does this lens operate at?+
The maximum aperture listed in the specifications is T2.6. This T-stop rating is the standard measurement used for cinema lenses, representing the actual light transmission of the lens rather than a theoretical f-stop value.

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