Cooke 75mm S4/i T2 Cine Lens with PL Mount
The Cooke 75mm T2 is a 75mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Cooke 75mm S4/i T2 Cine Lens with PL Mount
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Lens Overview — Cooke 75mm T2
Key Features — Cooke 75mm T2
75mm Fixed Focal Length: A single, consistent focal length in the telephoto range well-suited to portrait work, medium close-ups, and narrative coverage shooting.
T2 Maximum Aperture: A fast T2 stop gives cinematographers meaningful low-light capability and precise control over depth of field and subject separation.
PL Mount: Industry-standard cinema lens mount compatible with a wide range of professional Super 35 camera systems from ARRI, RED, and others.
Super 35 Coverage: Designed to cover the Super 35 format, matching the most widely used sensor size in professional cinema production.
Manual Focus Design: Calibrated focus ring built for use with follow-focus systems, enabling precise and repeatable focus pulls in professional cinema workflows.
/i Technology: Cooke's /i metadata protocol communicates real-time lens data — including focus distance and aperture — to compatible camera systems for use in post-production and VFX workflows.
Lens Specifications — Cooke 75mm T2
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 75mm |
| Maximum Aperture | f/2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 1812g |
Description — Cooke 75mm T2
The Cooke 75mm S4/i is a professional prime cinema lens with a PL Mount and Super 35 format coverage, designed for Cinema / Video camera systems. Operating at a maximum aperture of T2, it delivers meaningful light-gathering capability for controlled, cinematic depth-of-field work across a wide range of lighting conditions. The 75mm focal length places it in the telephoto range, well suited to portrait framing, tighter coverage shots, and narrative work where compression and subject separation are priorities.
Focus is manual, consistent with professional cinema production practices where follow-focus systems and dedicated focus pullers handle critical focus work. At 1,812 grams, the lens has a substantial, rig-ready build weight appropriate for professional cinema setups. There is no image stabilization, which is standard for this class of lens.
The PL Mount is the most widely adopted standard in professional cinema, and Super 35 format coverage aligns with the majority of professional digital cinema cameras in active use today.
Pros — Cooke 75mm T2
- ✓Maximum aperture of T2 provides strong low-light performance and depth-of-field control
- ✓PL Mount offers broad compatibility with professional Super 35 cinema cameras
- ✓Fixed 75mm focal length in the telephoto range suits portrait and coverage work
Cons — Cooke 75mm T2
- ✗No image stabilization, requiring stabilization to be handled externally at the rig or camera level
- ✗Manual focus only — not suitable for run-and-gun or hybrid shooting styles that rely on autofocus
- ✗No filter thread size listed, which may complicate filtration planning
Videos — Cooke 75mm T2
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Frequently Asked Questions — Cooke 75mm T2
What camera mount does this lens use?+
The Cooke 75mm S4/i uses a PL Mount, which is the standard cinema lens mount found on a wide range of professional cinema cameras. It is designed for camera systems in the Cinema / Video category.
What sensor format does this lens cover?+
This lens is designed for Super 35 format, which is the most widely used sensor size in professional cinema production. It is not listed as covering larger formats such as full frame or large format.
What is the maximum aperture of this lens?+
The maximum aperture is T2. T-stop values are measured through the actual light transmission of the lens, making them more precise for cinema exposure work than f-stop ratings.
Does this lens support autofocus?+
No, this lens is manual focus only. This is standard for professional cinema lenses, which are designed to work with dedicated follow-focus systems operated by a focus puller on set.
How much does this lens weigh?+
The lens weighs 1,812 grams. This is within the expected range for a professional cinema prime and should be factored into rig balance and support system planning.
Does this lens have image stabilization?+
No, image stabilization is listed as None. In professional cinema workflows, stabilization is typically managed at the support system or camera level rather than in the lens itself.