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Cooke 150mm T2.5 Macro Cinema Lens

The Cooke 150mm T2.5 is a 150mm f/2.5 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Cooke 150mm T2.5 Macro Cinema Lens

Cooke 150mm T2.5 Macro Cinema Lens

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Lens Overview — Cooke 150mm T2.5

The Cooke 150mm T2.5 Macro Cinema Lens is a manual-focus prime designed for the Cinema/Video camera system, built around a PL Mount interface. With a fixed focal length of 150mm and a maximum aperture of T2.5, this telephoto macro prime sits in a focal length range well-suited to close-up work and longer working distances. It covers the Super 35 lens format, making it compatible with a wide range of cinema cameras that use that sensor size.

The lens weighs 2.9kg, which reflects the robust construction expected of professional cinema glass and should be factored into any rig or support setup. An 82mm filter thread allows for standard filtration options. Image stabilization is not present, which is typical for a manual-focus cinema lens intended for use on stabilized rigs or tripods.

Focus is entirely manual, consistent with professional cinema workflows where precise, repeatable focus pulls are a priority. The lens is classified as a macro type within the telephoto focal length range, making it a specialized tool for detailed subject work at extended distances. Overall, this is a focused, purpose-built prime for cinematographers seeking a dedicated manual telephoto macro in PL Mount.

Key Features — Cooke 150mm T2.5

150mm Fixed Focal Length: A dedicated telephoto prime that provides a consistent perspective with no optical compromises introduced by a zoom mechanism.

T2.5 Maximum Aperture: Offers solid light-gathering capability for a telephoto macro, useful for maintaining exposure in controlled or dimly lit shooting environments.

Macro Capability: Purpose-built for close-up cinematography, allowing detailed subject reproduction at an extended working distance that keeps lighting and equipment clear of the subject.

PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, and other major cinema manufacturers.

Super 35 Coverage: Designed to cover the Super 35 sensor format, one of the most widely used standards in professional cinema production.

Manual Focus Design: Smooth, precise manual focus ring built for repeatable, controlled focus pulls in professional cinema workflows.

Lens Specifications — Cooke 150mm T2.5

Cooke 150mm T2.5 full specifications
SpecDetail
Use CasesMacro, Studio, Video / Cinematography
Lens TypeMacro
FormatSuper 35
Zoom/PrimePrime
Focal Length150mm
Maximum Aperturef/2.5
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread82mm

Description — Cooke 150mm T2.5

The Cooke 150mm T2.5 Macro Cinema Lens is a prime lens built for professional Cinema/Video camera systems, mounted via a PL Mount interface. It delivers a fixed 150mm telephoto focal length with a maximum aperture of T2.5, making it a capable option for cinematographers working in lower-light conditions or seeking subject separation at longer working distances. The lens is rated for Super 35 format coverage, placing it squarely within one of the most common cinema sensor standards in use today.

Weighing 2.9kg, this is a substantial piece of glass that will benefit from proper lens support when mounted on a rig. The 82mm filter thread provides compatibility with a wide range of filtration options. Focus is entirely manual, with no autofocus or image stabilization — both expected characteristics for a cinema prime of this type, designed to be operated with a dedicated focus puller in controlled production environments.

Classified as both a Macro type and a Telephoto focal length range lens, it serves a specific and deliberate role on set.

Pros — Cooke 150mm T2.5

  • ✓Maximum aperture of T2.5 offers solid light-gathering capability for a telephoto macro prime
  • ✓Fixed 150mm focal length provides a consistent telephoto perspective with no zoom compromise
  • ✓PL Mount ensures broad compatibility with professional cinema camera systems

Cons — Cooke 150mm T2.5

  • ✗At 2.9kg, the lens is substantial and will require a sturdy support system or follow-focus rig
  • ✗No image stabilization, so a stable platform is essential for handheld or moving-camera work
  • ✗Super 35 format coverage may limit use on larger full-frame cinema sensors without vignetting

Videos — Cooke 150mm T2.5

Cooke Speed Panchros (The Affordable High End Cinema Lens) — Robert Fatt

Resources & Downloads — Cooke 150mm T2.5

Manuals & Guides

Frequently Asked Questions — Cooke 150mm T2.5

What camera mount does the Cooke 150mm T2.5 Macro use?+
This lens uses a PL Mount, which is the standard mount found on a wide range of professional cinema cameras. It is not compatible with DSLR or mirrorless mounts without an adapter.
What sensor format does this lens cover?+
The lens is rated for Super 35 format coverage. Cinematographers using larger sensor formats should verify compatibility before use, as vignetting may occur beyond the Super 35 image circle.
Does this lens have autofocus or image stabilization?+
No — this lens is manual focus only and has no image stabilization. It is intended for use in cinema environments where manual focus pulls and stable rigs are the standard workflow.
How heavy is the Cooke 150mm T2.5 Macro, and what does that mean for rigging?+
The lens weighs 2.9kg, which is on the heavier end for a prime lens. Operators should plan for a robust lens support system or mattebox rig to balance the camera and lens assembly properly.
What filter size does this lens accept?+
The lens has an 82mm filter thread, which is a common size that supports a broad selection of screw-in cinema and photographic filters.
Is this lens a zoom or a prime?+
This is a prime lens with a fixed focal length of 150mm. There is no zoom capability — the telephoto focal length is fixed, which contributes to optical consistency across shots.

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