DZOFilm 32mm T2.8 Gnosis Macro Cinema Lens
The DZOFilm 32mm T2.8 is a 32mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
DZOFilm 32mm T2.8 Gnosis Macro Cinema Lens
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DZO Vespid 7 Lens PL Mount Kit B (w/ Hard Case and 90mm Macro)
Lens Overview — DZOFilm 32mm T2.8
Key Features — DZOFilm 32mm T2.8
32mm Full-Frame Prime: A fixed 32mm focal length covers a full-frame image circle, delivering a natural field of view with no vignetting on large-sensor cinema cameras.
T2.8 Maximum Aperture: Opens to T2.8 for reliable light gathering in controlled shooting environments typical of macro and narrative cinematography.
True Macro Capability: Purpose-built for close-up cinematography, allowing operators to achieve high magnification ratios for detailed macro shots.
PL Mount: Industry-standard cinema mount compatible with professional camera systems from ARRI, RED, and other PL-equipped bodies.
Manual Focus Design: Smooth manual focus ring engineered for precise, repeatable focus pulls in professional cinema and macro workflows.
Consistent T-Stop Calibration: Calibrated T-stops rather than f-stops ensure accurate, repeatable exposure matching across other lenses in the Gnosis series.
Lens Specifications — DZOFilm 32mm T2.8
| Spec | Detail |
|---|---|
| Use Cases | Macro, Studio, Video / Cinematography |
| Lens Type | Macro |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 32mm |
| Maximum Aperture | f/2.8 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 1460.6g |
Description — DZOFilm 32mm T2.8
The DZOFilm 32mm T2.8 Gnosis Macro Cinema Lens is a prime lens designed for cinema and video applications, covering a full-frame image circle. With a fixed 32mm focal length sitting in the standard focal length range, it offers a versatile and natural perspective well-suited to a variety of cinematic scenarios. The lens operates at a maximum aperture of T2.8, delivering consistent and measurable light transmission for exposure-critical work.
Focus is manual only, with no autofocus capability, keeping control firmly in the hands of the operator or focus puller — a workflow well-matched to professional cinema productions. The PL mount ensures compatibility with an established ecosystem of professional cinema cameras. Weighing 1460.6 grams, this is a substantial lens built to cinema-grade standards.
There is no image stabilization, meaning steady imagery relies on the support system in use. No filter thread size is specified in the available data.
Pros — DZOFilm 32mm T2.8
- ✓Full-frame coverage (lensFormat: Full Frame) ensures compatibility with a wide range of large-sensor cinema cameras
- ✓Maximum aperture of T2.8 provides solid light-gathering capability for a macro cinema prime
- ✓Fixed 32mm focal length in the standard range delivers a natural, versatile field of view for cinema work
Cons — DZOFilm 32mm T2.8
- ✗No image stabilization (imageStabilization: None), requiring reliance on external support systems
- ✗No autofocus (autoFocus: false), which may limit use in fast-paced or run-and-gun productions
- ✗At 1460.6g, the lens is on the heavier side, which could be a factor on weight-sensitive builds
Videos — DZOFilm 32mm T2.8
DZOFilm Gnosis Macro Primes: 32mm, 65mm & 90mm T2.8 — B&H Photo Video Pro Audio